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British Romanticism

Exploration of British Romantic poets and their works.

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British Romanticism | britrom.blogspot.com Reviews
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Exploration of British Romantic poets and their works.
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1 british romanticism
2 prometheus unbound
3 structure of prophecy
4 religious/political implications
5 posted by ashlynnleigh
6 no comments
7 labels absalom
8 christ
9 defiance
10 myth
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british romanticism,prometheus unbound,structure of prophecy,religious/political implications,posted by ashlynnleigh,no comments,labels absalom,christ,defiance,myth,satan,snake,existentialism,existence precedes essence,thursday,o middle class,wish,keats
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British Romanticism | britrom.blogspot.com Reviews

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Exploration of British Romantic poets and their works.

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1

British Romanticism: Journey Inward

http://britrom.blogspot.com/2009/11/revolutionary-imagination_12.html

Exploration of British Romantic poets and their works. Thursday, November 12, 2009. Blake’s The Mental Traveller (1800-1804). Shelley’s Alastor or The Spirit of Solitude (1815). Keat’s La Belle Dame Sans Merci (1819). 8220;Dream Visions”. O View romantic poetry as escapist poetry. (Tried to escape realities they were unable to front themselves- such as the revolution). Matthew Arnold (very critical). O Of Percy Shelley’s poetry- ineffectual angle within text. O Most of early 19th century. O Poem is extre...

2

British Romanticism: Prometheus Unbound

http://britrom.blogspot.com/2009/11/prometheus-unbound.html

Exploration of British Romantic poets and their works. Tuesday, November 24, 2009. Romanticism, Defiance, and Deviance. Shelley’s Prometheus Unbound (1820) Acts I-II. Webb’s “Romantic Hellenism” (1993). Protest against political oppression:. Poetic subject: Shelley’s closet drama (pseudo epic) is based on Aeschylus’s Prometheus Bound and Paradise Lost. Where Shelley writes the lost sequel about the known Greek myth. Anticipation: forethought and foresight. Act II Scene 4 II 146-154. Bloom- unpasteured si...

3

British Romanticism: Keats: Revolution and Quest-Romance

http://britrom.blogspot.com/2009/11/keats-revolution-and-quest-romance.html

Exploration of British Romantic poets and their works. Thursday, November 19, 2009. Keats: Revolution and Quest-Romance. Keat’s The Eve of St. Agnes (1819). Keat’s The Fall of Hyperion: A Dream (1819). Lockhart’s The Cockney School of Poetry (1818). Butler’s “The Role of the Review” (1993). O Keats was an apothecary. O Poor education because of poor family. O Little exposure to Greek classics. O Experienced harsh criticism because of lack of formal education. The Fall of Hyperion:. Public attack in parag...

4

British Romanticism: Lord Byron: Revolution and Quest-Romance II

http://britrom.blogspot.com/2009/11/lord-byron-revolution-and-quest-romance.html

Exploration of British Romantic poets and their works. Tuesday, November 17, 2009. Lord Byron: Revolution and Quest-Romance II. Byron’s Don Juan Canto II (1818-1819). Bloom’s “Internalization of Quest-Romance” (1969). Five Stages of Bloom’s Internalization of Quest-Romance. 1 Promethean Stage (p 8-9) triumph of the self (poet as hero). 2 Crisis- (p 9-10) real man emerges nature as trap for self. 3 Descent into the inner self (p 15) more inward: internalization. November 29, 2009 at 11:22 AM.

5

British Romanticism: October 2009

http://britrom.blogspot.com/2009_10_01_archive.html

Exploration of British Romantic poets and their works. Thursday, October 29, 2009. Coleridge’s Christabel (1798, 1816). Coleridge’s Kubla Khan (1797) and Pains of Sleep (1803). Coleridge’s Biographia Literaria Ch. 13-14 (1817, 1847). House’s Kubla Khan, Christabel, and Dejection (1953). O Gothic Romance (mysterious setting, villain, transgressive act- usually taboo: rape, murder, incest). O “Christ” and “Abel” the sacrificed? O She is very vulnerable and foolish. O Geraldine- evil, wealthy. O Led a very ...

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British Romanticism

Exploration of British Romantic poets and their works. Tuesday, November 24, 2009. Romanticism, Defiance, and Deviance. Shelley’s Prometheus Unbound (1820) Acts I-II. Webb’s “Romantic Hellenism” (1993). Protest against political oppression:. Poetic subject: Shelley’s closet drama (pseudo epic) is based on Aeschylus’s Prometheus Bound and Paradise Lost. Where Shelley writes the lost sequel about the known Greek myth. Anticipation: forethought and foresight. Act II Scene 4 II 146-154. Bloom- unpasteured si...

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