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Wednesday, November 15, 2006. Saturday, November 25th 2006 - 14.30h. De Koornbeurs, Voldersgracht 1, Delft (NL). 5,- Euro (for the entire festival? Friday, December 1st 2006 - 21.00. Vlasmarkt 1, Rotterdam (NL). Today we got the piece in its ****** state! The first time that it all flowed together well, very close to what I had imagined / hoped for to happen in many ways. It costs the performers a lot of concentration and energy, and many of them needed to shake off some of the accumulated energy. Maybe ...

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brown | brown-series.blogspot.com Reviews

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Wednesday, November 15, 2006. Saturday, November 25th 2006 - 14.30h. De Koornbeurs, Voldersgracht 1, Delft (NL). 5,- Euro (for the entire festival? Friday, December 1st 2006 - 21.00. Vlasmarkt 1, Rotterdam (NL). Today we got the piece in its ****** state! The first time that it all flowed together well, very close to what I had imagined / hoped for to happen in many ways. It costs the performers a lot of concentration and energy, and many of them needed to shake off some of the accumulated energy. Maybe ...

<META> KEYWORDS

1 brown

2 performances

3 wolpop festival

4 3 euro

5 0 comments

6 brown season

7 burlesque and grotesque

8 harvesting and afterwards

9 material

10 ascetic etc

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brown | brown-series.blogspot.com Reviews

https://brown-series.blogspot.com

Wednesday, November 15, 2006. Saturday, November 25th 2006 - 14.30h. De Koornbeurs, Voldersgracht 1, Delft (NL). 5,- Euro (for the entire festival? Friday, December 1st 2006 - 21.00. Vlasmarkt 1, Rotterdam (NL). Today we got the piece in its ****** state! The first time that it all flowed together well, very close to what I had imagined / hoped for to happen in many ways. It costs the performers a lot of concentration and energy, and many of them needed to shake off some of the accumulated energy. Maybe ...

INTERNAL PAGES

brown-series.blogspot.com

1

brown: material

http://brown-series.blogspot.com/2006/10/material.html

Tuesday, October 10, 2006. If i continue the analogy with painting in Europe from about the 15th until the 19th century, I perceive an irresoluble tiedness to soil and mud, no escaping here. there was brown everywhere, organic, various shades of it, into reddish, or greenish, or yellowish, or whitish or greyish. but always brown, too. No wonder it was sought to escape and transcend that, the aim of so many Mystical, Gnostic? However, it is clear by now, that nothing substantial (! No matter how, by again...

2

brown: images

http://brown-series.blogspot.com/2006/09/images.html

Saturday, September 16, 2006. Posted by Thomas Körtvélyessy at 7:22 AM. Thomas Körtvélyessy. Choreographer, dancer, teacher, practical researcher http:/ realdancecompany.org http:/ destilledansmaker.nl. View my complete profile.

3

brown: September 2006

http://brown-series.blogspot.com/2006_09_01_archive.html

Saturday, September 16, 2006. I find brown is organic-center, all colours mixing. It indicates organic accuracy, refined and highly complex of energy-patterns and their balances. there are so many shades of brown, all up to gold back to olive, to deep dark blackened brown. This is something that i believe was (internally) known to our predecessors in the European societies in history. one example i know of are the paintings of Jan van Eyck. Gertrude Stein wrote -so she said- without such editings she jus...

4

brown: November 2006

http://brown-series.blogspot.com/2006_11_01_archive.html

Wednesday, November 15, 2006. Saturday, November 25th 2006 - 14.30h. De Koornbeurs, Voldersgracht 1, Delft (NL). 5,- Euro (for the entire festival? Friday, December 1st 2006 - 21.00. Vlasmarkt 1, Rotterdam (NL). Today we got the piece in its virgin state! The first time that it all flowed together well, very close to what I had imagined / hoped for to happen in many ways. It costs the performers a lot of concentration and energy, and many of them needed to shake off some of the accumulated energy.

5

brown

http://brown-series.blogspot.com/2006/09/i-find-brown-is-organic-center-all.html

Saturday, September 16, 2006. I find brown is organic-center, all colours mixing. It indicates organic accuracy, refined and highly complex of energy-patterns and their balances. there are so many shades of brown, all up to gold back to olive, to deep dark blackened brown. This is something that i believe was (internally) known to our predecessors in the European societies in history. one example i know of are the paintings of Jan van Eyck. Gertrude Stein wrote -so she said- without such editings she jus...

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ujtancgondolatok.blogspot.com

uj tánc gondolatok / new dance thoughts: 20-year anniversary : Elaine Summers

http://ujtancgondolatok.blogspot.com/2013/08/20-year-anniversary-elaine-summers.html

Uj tánc gondolatok / new dance thoughts. Related to my work as a contemporary choreographer, interested in developing the status quo further in a conscious way. AUTHORSHIP: UNLESS STATED OTHERWISE, ALL MATERIAL ON THIS BLOG IS THE INTELLECTUAL PROPERTY OF THOMAS KÖRTVÉLYESSY. VERBATIM-QUOTATIONS ARE FREELY PERMITTED, IF THE AUTHOR IS NAMED IN A CLEARLY VISIBLE WAY. ADDING THE LINK IS VERY APPRECIATED :-). Friday, August 9, 2013. 20-year anniversary : Elaine Summers. Friday, August 09, 2013. Or Oh my .

ujtancgondolatok.blogspot.com

uj tánc gondolatok / new dance thoughts: June 2015

http://ujtancgondolatok.blogspot.com/2015_06_01_archive.html

Uj tánc gondolatok / new dance thoughts. Related to my work as a contemporary choreographer, interested in developing the status quo further in a conscious way. AUTHORSHIP: UNLESS STATED OTHERWISE, ALL MATERIAL ON THIS BLOG IS THE INTELLECTUAL PROPERTY OF THOMAS KÖRTVÉLYESSY. VERBATIM-QUOTATIONS ARE FREELY PERMITTED, IF THE AUTHOR IS NAMED IN A CLEARLY VISIBLE WAY. ADDING THE LINK IS VERY APPRECIATED :-). Wednesday, June 24, 2015. It made me re-visit Pelléas material / b.a.n.q. Wednesday, June 24, 2015.

ujtancgondolatok.blogspot.com

uj tánc gondolatok / new dance thoughts: blood on my hands and other thoughts about communication and marginalization

http://ujtancgondolatok.blogspot.com/2015/06/blood-on-my-hands-and-other-thoughts.html

Uj tánc gondolatok / new dance thoughts. Related to my work as a contemporary choreographer, interested in developing the status quo further in a conscious way. AUTHORSHIP: UNLESS STATED OTHERWISE, ALL MATERIAL ON THIS BLOG IS THE INTELLECTUAL PROPERTY OF THOMAS KÖRTVÉLYESSY. VERBATIM-QUOTATIONS ARE FREELY PERMITTED, IF THE AUTHOR IS NAMED IN A CLEARLY VISIBLE WAY. ADDING THE LINK IS VERY APPRECIATED :-). Wednesday, June 24, 2015. It made me re-visit Pelléas material / b.a.n.q. Wednesday, June 24, 2015.

ujtancgondolatok.blogspot.com

uj tánc gondolatok / new dance thoughts: November 2012

http://ujtancgondolatok.blogspot.com/2012_11_01_archive.html

Uj tánc gondolatok / new dance thoughts. Related to my work as a contemporary choreographer, interested in developing the status quo further in a conscious way. AUTHORSHIP: UNLESS STATED OTHERWISE, ALL MATERIAL ON THIS BLOG IS THE INTELLECTUAL PROPERTY OF THOMAS KÖRTVÉLYESSY. VERBATIM-QUOTATIONS ARE FREELY PERMITTED, IF THE AUTHOR IS NAMED IN A CLEARLY VISIBLE WAY. ADDING THE LINK IS VERY APPRECIATED :-). Friday, November 2, 2012. Anyone still doubt the political implications of improvising? Bruno Listop...

ujtancgondolatok.blogspot.com

uj tánc gondolatok / new dance thoughts: August 2012

http://ujtancgondolatok.blogspot.com/2012_08_01_archive.html

Uj tánc gondolatok / new dance thoughts. Related to my work as a contemporary choreographer, interested in developing the status quo further in a conscious way. AUTHORSHIP: UNLESS STATED OTHERWISE, ALL MATERIAL ON THIS BLOG IS THE INTELLECTUAL PROPERTY OF THOMAS KÖRTVÉLYESSY. VERBATIM-QUOTATIONS ARE FREELY PERMITTED, IF THE AUTHOR IS NAMED IN A CLEARLY VISIBLE WAY. ADDING THE LINK IS VERY APPRECIATED :-). Thursday, August 2, 2012. OUVERTURE (SPLIT SCREEN and BY CHANCE DANCE and FILM). There's an interest...

ujtancgondolatok.blogspot.com

uj tánc gondolatok / new dance thoughts: July 2012

http://ujtancgondolatok.blogspot.com/2012_07_01_archive.html

Uj tánc gondolatok / new dance thoughts. Related to my work as a contemporary choreographer, interested in developing the status quo further in a conscious way. AUTHORSHIP: UNLESS STATED OTHERWISE, ALL MATERIAL ON THIS BLOG IS THE INTELLECTUAL PROPERTY OF THOMAS KÖRTVÉLYESSY. VERBATIM-QUOTATIONS ARE FREELY PERMITTED, IF THE AUTHOR IS NAMED IN A CLEARLY VISIBLE WAY. ADDING THE LINK IS VERY APPRECIATED :-). Sunday, July 15, 2012. Local global universal • dreaming. I realised once again how much dreaming be...

realdancecompany.org

Thomas Körtvélyessy / Reàl Dance Company - links !!

http://realdancecompany.org/links.html

A project about the relationship between (dance) art and daily life, often performed in public spaces, started in 2002 and continuing. On dance, movement, ideas, ongoing projects . started in 2007. International weblog, also with related events. Alexandria con sens us (Egypt). Teaching at Korean National University of Arts. Seoul, South-Korea Sept - Dec. 2008. As artist-in-residence at Emily Harvey Foundation 2014. Re-visiting works in public space " Sokrates. And " walking con sens us. From dance & chor...

realdancecompany.org

Thomas Körtvéyessy / Reàl Dance Company - writing

http://www.realdancecompany.org/writing.html

Collaboration involving Labanotation. concept: Maria Karagianni. performance at Open Dans, Rotterdam, with Diana Ibanez Lopez. photo 2009 Carina Hesper. Ongoing choreographers' diary -. On dance, movement, ideas, ongoing projects . started in 2007. From dance into decolonization. From a project-blog to related events. Teaching at Korean National University of Arts. Seoul, South-Korea Sept - Dec. 2008. Alexandria con sens us (Egypt). A first encounter with an Arab country, 2007. As well as C32. Published ...

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brown

Wednesday, November 15, 2006. Saturday, November 25th 2006 - 14.30h. De Koornbeurs, Voldersgracht 1, Delft (NL). 5,- Euro (for the entire festival? Friday, December 1st 2006 - 21.00. Vlasmarkt 1, Rotterdam (NL). Today we got the piece in its virgin state! The first time that it all flowed together well, very close to what I had imagined / hoped for to happen in many ways. It costs the performers a lot of concentration and energy, and many of them needed to shake off some of the accumulated energy. Maybe ...

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