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Bryant & Frank's Blog | Musings on writing and directing musical theatre.Musings on writing and directing musical theatre.
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Musings on writing and directing musical theatre.
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Bryant & Frank's Blog | Musings on writing and directing musical theatre. | bryantandfrank.wordpress.com Reviews
https://bryantandfrank.wordpress.com
Musings on writing and directing musical theatre.
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March | 2013 | Bryant & Frank's Blog
https://bryantandfrank.wordpress.com/2013/03
Bryant and Frank's Blog. Musings on writing and directing musical theatre. Monthly Archives: March 2013. Call Me Maybe – An Appreciation. March 21, 2013. Clearly, I’m late to the party. I downloaded this song, along with “What Makes You Beautiful” and “Starships” because I’d finally accidentally-heard them enough to think I should intentionally-hear them. All three are now lodged in my brain and getting … Continue reading →. Things I Did, Things I Saw. Blondes Might Have More Fun, But Who Cares?
Highlights of a Wild West End Week | Bryant & Frank's Blog
https://bryantandfrank.wordpress.com/2013/06/20/highlights-of-a-wild-west-end-week
Bryant and Frank's Blog. Musings on writing and directing musical theatre. The Strangest Brief Ever. 2013 – The Firsts →. Highlights of a Wild West End Week. June 20, 2013. Seeing a West End theatre (the Vaudeville) emblazoned with the name of my show. It was particularly glam if you ignored the roadworks just outside the marquee (we skilfully photographed it to crop them out). The look in Trevor’s eye as he entered on press night – no nerves whatsoever, more “Win you over? The puppet show at the Unicorn.
December | 2013 | Bryant & Frank's Blog
https://bryantandfrank.wordpress.com/2013/12
Bryant and Frank's Blog. Musings on writing and directing musical theatre. Monthly Archives: December 2013. 2013 – The Firsts. December 30, 2013. Rather than give in to the delicious temptation of outlining everything fantastic that occurred this year, I thought I’d focus on the firsts. The first time you do anything is scary, for the obvious reason that you haven’t been down … Continue reading →. Things I Did, Things I Saw. Blondes Might Have More Fun, But Who Cares? A Year In the Theatre.
December | 2014 | Bryant & Frank's Blog
https://bryantandfrank.wordpress.com/2014/12
Bryant and Frank's Blog. Musings on writing and directing musical theatre. Monthly Archives: December 2014. A Year In the Theatre. December 29, 2014. 2014 was easily the biggest year in theatre I’ve had, the one I wish I could point out to my mid-20s self to say yeah, keep going, it seems like it’s impossible now but one day you’ll put Todd McKenney … Continue reading →. Things I Did, Things I Saw. Blondes Might Have More Fun, But Who Cares? A Year In the Theatre. How Do You Solve a Problem Like Korea?
3 months, 3 shows, 3 cities | Bryant & Frank's Blog
https://bryantandfrank.wordpress.com/2014/05/05/3-months-3-shows-3-cities
Bryant and Frank's Blog. Musings on writing and directing musical theatre. 2013 – The Firsts. How Do You Solve a Problem Like Korea? 3 months, 3 shows, 3 cities. May 5, 2014. So, we figured out a way to make it happen and settled on a timeframe. It was a pretty empty start to 2014 at that point. 8221;, “when does a good original Australian musical come along? Opportunity is getting to be a lengthier visitor. Dean Bryant and Mathew Frank write musicals. www.bryantandfrank.com. 2013 – The Firsts. You could...
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Victorian Opera: Sweeney Todd review – Simon Parris: Man in Chair
https://simonparrismaninchair.com/2015/07/19/victorian-opera-sweeney-todd-review
Simon Parris: Man in Chair. Music Theatre, Opera and Ballet Reviews, News and Views. Victorian Opera: Sweeney Todd review. July 19, 2015. Sterling musicianship, high production values and a quirky, highly talented cast bring out the compelling lustre in Stephen Sondheim and Hugh Wheeler’s dark operetta. Which is put to excellent use in this handsome, expertly realised production. Masterfully thorough preparation by musical director Phoebe Briggs results in a highly polished performance of the fiendishly ...
The Australian Ballet: Alexei Ratmansky’s Cinderella review #2 [2015] – Simon Parris: Man in Chair
https://simonparrismaninchair.com/2015/06/24/the-australian-ballet-alexei-ratmanskys-cinderella-review-2015
Simon Parris: Man in Chair. Music Theatre, Opera and Ballet Reviews, News and Views. The Australian Ballet: Alexei Ratmansky’s Cinderella review #2 [2015]. June 24, 2015. A second opportunity arose to see. A visit made all the sweeter by the surprise appearance of Madeleine Eastoe in the title role. Nominated for a Helpmann Award. After such shared joy, the crushing disappointment of her loss after midnight is particularly affecting. Daniel Gaudiello, who danced The Prince in the 2013 premiere. Retains a...
Strictly Ballroom the Musical review [Melbourne] – Simon Parris: Man in Chair
https://simonparrismaninchair.com/2015/01/18/strictly-ballroom-the-musical-review-melbourne
Simon Parris: Man in Chair. Music Theatre, Opera and Ballet Reviews, News and Views. Strictly Ballroom the Musical review [Melbourne]. January 18, 2015. Boasting lavish designs and sensational choreography,. Strictly Ballroom the musical. Arrives in Melbourne a polished, pristine panoply of pleasures. The cherished story sees restless young dancer Scott Hasting yearn to move beyond the confines of the strictly ballroom by dancing his own steps. Scott finds a willing accomplice in wallflower Fran, att...
Opera Australia Announces Season 2016 – Simon Parris: Man in Chair
https://simonparrismaninchair.com/2015/08/12/opera-australia-announces-season-2016
Simon Parris: Man in Chair. Music Theatre, Opera and Ballet Reviews, News and Views. Opera Australia Announces Season 2016. August 12, 2015. Anniversary year, Opera Australia presents a range of mainstage operas and special events, while continuing to take opera to regional centres. Sydney’s year of opera begins with recent oft-seen productions. Directed by Gale Edwards,. Elijah Moshinsky’s much-praised 1920s version of. The Barber of Seville. Returns to Sydney. Francesca Zambello’s 2005 production of.
Simon Parris – Simon Parris: Man in Chair
https://simonparrismaninchair.com/author/simonparrismaninchair
Simon Parris: Man in Chair. Music Theatre, Opera and Ballet Reviews, News and Views. I have appeared in about 40 productions over the past thirty-three years. Favourite roles include Eugene Fodor and Junior in (separate productions of) Crazy for You, Mr Fox in Mack and Mabel, Max in The Sound of Music, Freddy in My Fair Lady, Julio in Paint Your Wagon, Marcellus in The Music Man and Grantaire in Les Miserables. Bangarra Dance Theatre: OUR Land People Stories review [Melbourne]. September 3, 2016. In a hi...
Opera – Simon Parris: Man in Chair
https://simonparrismaninchair.com/category/opera
Simon Parris: Man in Chair. Music Theatre, Opera and Ballet Reviews, News and Views. Melbourne Opera: Tannhäuser review. August 18, 2016. Melbourne Opera makes a quantum leap in scale of production, crossing Collins St to present a majestic, immensely satisfying production of Tannhäuser at the Regent Theatre. Victorian Opera: Laughter and Tears review. August 14, 2016. Victorian Opera: The Pied Piper review. July 29, 2016. Roberto Alagna in Concert review [Melbourne 2016]. July 28, 2016. July 17, 2016.
Simon Gleeson: Elements album review – Simon Parris: Man in Chair
https://simonparrismaninchair.com/2015/07/09/simon-gleeson-elements-album-review
Simon Parris: Man in Chair. Music Theatre, Opera and Ballet Reviews, News and Views. Simon Gleeson: Elements album review. July 9, 2015. Acclaimed singing actor Simon Gleeson shares an eclectic mix of heartfelt ballads in his debut album. Music theatre audiences who have heard Gleeson’s extraordinary voice live in the theatre will welcome the chance to listen and re-listen to him sing on this recording. Are from roles he has played on stage. Foremost is Bring Him Home, the prayer he currently sings e...
Victorian Opera: I Puritani review – Simon Parris: Man in Chair
https://simonparrismaninchair.com/2015/07/03/victorian-opera-i-puritani-review
Simon Parris: Man in Chair. Music Theatre, Opera and Ballet Reviews, News and Views. Victorian Opera: I Puritani review. July 3, 2015. A triumphant success, Victorian Opera’s one-night concert presentation of. Was a finely honed musical showcase focused on the splendour and beauty of the voice. Freed from the trappings of a fully staged production, Bellini’s gloriously melodious music more than stood up to having the spotlight shone directly on orchestra, chorus and soloists. The focal point of the conce...
West End – Simon Parris: Man in Chair
https://simonparrismaninchair.com/category/west-end
Simon Parris: Man in Chair. Music Theatre, Opera and Ballet Reviews, News and Views. In The Heights review [London 2016]. January 25, 2016. While music theatre fans across the globe wait to have the chance to see Hamilton, we still have the zesty, heartfelt pleasure of In The Heights to enjoy. New Adventures: Matthew Bourne’s Sleeping Beauty review. January 25, 2016. The Royal Ballet: Rhapsody / The Two Pigeons review. January 24, 2016. Donmar Warehouse: Les Liaisons Dangereuses review. January 23, 2016.
The Lion King review [Melbourne] – Simon Parris: Man in Chair
https://simonparrismaninchair.com/2015/02/20/the-lion-king-review-melbourne
Simon Parris: Man in Chair. Music Theatre, Opera and Ballet Reviews, News and Views. The Lion King review [Melbourne]. February 20, 2015. A pristine exemplar of Broadway creativity at its zenith,. Illustrates with sterling clarity why it is the world’s highest grossing musical. The aisles of the Regent (which were created by removing seats for the first season of. Remains an immersive and affecting visual and aural feast. As the rabid hyenas, Ruvarashe Ngwenya, Terry Yeboah and André Jewson have shown si...
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Your message has been sent! Once We Lived Here. Mr & Mrs Murder. Virgins: A Musical Threesome. Direction – Dean Bryant. Musical Direction – Mathew Frank. Sheet music now available for a number of Bryant and Frank songs at musicnotes.com. Britney Spears: The Cabaret. Premiered at The Other Palace in London in September –. 8220;every time it goes in deep, Whelan Browne delivers a side-splitting one-liner to bring you right back…you won’t be able to take your eyes off her.”. Little Shop of Horrors.
Bryant & Frank's Blog | Musings on writing and directing musical theatre.
Bryant and Frank's Blog. Musings on writing and directing musical theatre. March 4, 2018. 2017 has been a massive year of change and growth. There were milestones, there were shows and then there were the few things I took on that changed who I was. I’m on a plane now – flying from Phoenix to Orlando for a working holiday (but much more holiday than work for once) – so it seems like a good time to take stock. I didn’t really see a problem with it. I mean, I did, but not enough to do anything about it...
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