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Campagne Première

Campagne Première, founded in 2008, is a contemporary art gallery based in Berlin. The gallery represents artists working predominantly with film, video, photography and installations.

http://www.campagne-premiere.com/

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Campagne Première | campagne-premiere.com Reviews

https://campagne-premiere.com

Campagne Première, founded in 2008, is a contemporary art gallery based in Berlin. The gallery represents artists working predominantly with film, video, photography and installations.

INTERNAL PAGES

campagne-premiere.com campagne-premiere.com
1

Matthias Müller / While You Were Out / Campagne Première

http://www.campagne-premiere.com/exhibitions

While You Were Out. 14 Oct - 3 Dec 2016. 23 July 2016 - 30 Sep. 2016. Codename: Osvaldo. Two Case Studies. 28 Nov 2015 - 27 Feb 2016. Karen Mirza and Brad Butler. 2 May - 11 July 2015. Animal with a Language. 5 Feb – 14 March 2015. 15 Nov 2014 - 17 Jan 2015. 9 Oct - 5 Nov 2014. 6 Sep - 1 Oct 2014. Christoph Girardet and Matthias Müller. 2 May - 14 June 2014. Here Let Me Stand. 15 March - 19 April 2014. Ingeborg Lüscher, Ana Mendieta, Teresa Murak. 18 Jan - 1 March 2014. Archaeologies of the Future 2.

2

Artists / Campagne Première

http://www.campagne-premiere.com/artists

Girardet and Müller. Karen Mirza and Brad Butler. Archaeologies of the Future.

3

Publications / Campagne Première

http://www.campagne-premiere.com/publications

Christoph Girardet and Matthias Müller. Tell Me What You See. Texts by Peter Bexte, Johannes Binotto, Volker Hummel and René Zechlin. 28 x 23 cm. With texts by Tom Holert and Joerg Bader. Kodoji Press, Baden. Palermo Noir and Yellow. 225 x 114 mm. Onestar press, Paris. Palermo Noir and Yellow. The Short and the Long of It. With an essay by Marina Vishmidt.

4

Karen Mirza and Brad Butler / The Unreliable Narrator / SELECTED WORKS / Campagne Première

http://www.campagne-premiere.com/exhibitions/karen-mirza-and-brad-butler/the-unreliable-narrator

Karen Mirza and Brad Butler. 2 May - 11 July 2015. Karen Mirza and Brad Butler, You Are the Prime Minister. Karen Mirza and Brad Butler, The Unreliable Narrator. 2-Channel Video Installation, 2014. Karen Mirza and Brad Butler, The Unreliable Narrator. 2-Channel Video Installation, 2014. Karen Mirza and Brad Butler, The Unreliable Narrator. 2-Channel Video Installation, 2014. Karen Mirza and Brad Butler, The Unreliable Narrator. 2-Channel Video Installation, 2014. Karen Mirza and Brad Butler, Act(s).

5

Press / Campagne Première

http://www.campagne-premiere.com/press

Amelia Wischnewski & Ute Thon: Krisen, Keramik und Philosophie personne. In: Art #2, 2016. Eiko Grimberg/Marco Poloni/Clemens von Wedemeyer: The Shell. In: Camera Austria, No. 129, March 2015. Alexander Scrimgeour: Nikita Kadan, Campagne Première. In: Artforum, March 2015. Olivier Basciano, Future Greats: Nikita Kadan. In: Art Review, March 2015. Sonja Hornung: Nikita Kadan, Campagne Première Berlin. In: Frieze, March 2015. Julia Hartmann: Marianna Christofides. Frieze d/e, June-August 2014. Sabine B&#46...

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LINKS TO THIS WEBSITE

urielorlow.net urielorlow.net

Remnants of the Future | Uriel Orlow

http://www.urielorlow.net/work/remnants-of-the-future

This site contains an online archive of selected artwork by Uriel Orlow. Remnants of the Future. Remnants of the Future takes as its starting point a ghost city in Northern Armenia near the Georgian and Turkish borders, a factory that once produced over 50% of the Soviet Union’s textiles and that was destroyed in the 1988 Spitak earthquake, as well as the nearby collection of Sergei Merkurov’s death masks of Soviet luminaries. Installation view, CentrePasquArt, Biel, 2012 (Photo: David Gagnebin). Install...

urielorlow.net urielorlow.net

latent landscapes | Uriel Orlow

http://www.urielorlow.net/tag/latent-landscapes

This site contains an online archive of selected artwork by Uriel Orlow. Yellow Limbo, HD video with stereo sound, 14′, 2011 The starting point of Yellow Limbo is an extra-ordinary episode which has all but disappeared from official histories; namely, the failed passage of fourteen international cargo ships through the Suez Canal … More →. In The Short and the Long of it. 21 pigment prints on Hahnemühle paper, 1 painting, dimensions variable, 2010. In Installations and Objects. Midday/Midnight (66 33 ).

urielorlow.net urielorlow.net

Library | Uriel Orlow

http://www.urielorlow.net/library

This site contains an online archive of selected artwork by Uriel Orlow. Artist Books and Newspapers. Time is a Place. Terrain vague – Persistent Images حركات غير مكتملة. The Short and the Long of It. Re: the archive, the image, and the very dead sheep. What the billboard saw / La ville mode d’emploi. Time Again: Critical Contradictions in Chris Marker’s La Jetée. The History of Marseille. Writing on Uriel Orlow. ArtReview John Quin May 2015. Erik Bullot on Unmade Film. Flash Art Virginie Bobin July 2013.

urielorlow.net urielorlow.net

Work | Uriel Orlow

http://www.urielorlow.net/work

This site contains an online archive of selected artwork by Uriel Orlow. The Short and the Long of It. Remnants of the Future. In These Great Times. Grey, Green, Gold. Double Vision (Native Plants). Unmade Film: The Proposal. Unmade Film: The Closing Credits. Unmade Film: The Production Photographs. Unmade Film: The Stills. Unmade Film: The Storyboard. Unmade Film: The Script. Unmade Film: The Score. Unmade Film: The Staging. Unmade Film: The Voiceover. Unmade Film: The Reconnaissance. Plans for the Past.

urielorlow.net urielorlow.net

arctic | Uriel Orlow

http://www.urielorlow.net/tag/arctic

This site contains an online archive of selected artwork by Uriel Orlow. What Cannot Be Seen. Series of images, 2004-9. Midday/Midnight (66 33 ). Midday/Midnight (66 33′) conists of a two-screen video showing a car journey across a bridge in the arctic at midday and midnight, both filmed on the longest and the shortest day of the year. The Short and the Long of It. Remnants of the Future. In These Great Times. Artist Books and Newspapers. Writing on Uriel Orlow. Exhibition/Catalogue Texts and Essays.

urielorlow.net urielorlow.net

armenia | Uriel Orlow

http://www.urielorlow.net/tag/armenia

This site contains an online archive of selected artwork by Uriel Orlow. 5 C-type photographs, 2010. Remnants of the Future (video). Remnants of the Future combines elements of documentary, sci-fi and electro-acoustics. It portrays the precarious existence in a post-Soviet ghost-town, an inverted ruin of the modern that is still waiting to fulfill its utopian ambition of communal living. In Remnants of the Future. Drawings of Death masks of Soviet Dignitaries by Sergey Merkurov. Remnants of the Future.

urielorlow.net urielorlow.net

archives | Uriel Orlow

http://www.urielorlow.net/tag/archives

This site contains an online archive of selected artwork by Uriel Orlow. Yellow Limbo, HD video with stereo sound, 14′, 2011 The starting point of Yellow Limbo is an extra-ordinary episode which has all but disappeared from official histories; namely, the failed passage of fourteen international cargo ships through the Suez Canal … More →. In The Short and the Long of it. 21 pigment prints on Hahnemühle paper, 1 painting, dimensions variable, 2010. In Installations and Objects. Remnants of the Future.

thegreenbox.net thegreenbox.net

Uriel Orlow | The Green Box

http://www.thegreenbox.net/de/kuenstler/uriel-orlow

Der Schweizer Künstler Uriel Orlow (*1973 in Zürich) lebt und arbeitet in London. Er studierte am Central Saint Martins College of Art and Design, an der Slade School of Art (UCL) und der University of the Arts in London sowie an der Universität in Genf. Seine Arbeiten handeln von der Unmöglichkeit, die Geschichte darzustellen oder sie zu erzählen, und beinhalten die räumlichen oder bildhaften Grundlagen der Geschichte und der Erinnerung. Erhältliche Titel des Künstlers. 2506 – 11.10.2015. Ist in der Aus...

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