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Canted Angles

Personal perspectives on film and video

http://cantedangles.blogspot.com/

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Canted Angles | cantedangles.blogspot.com Reviews
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Personal perspectives on film and video
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Canted Angles | cantedangles.blogspot.com Reviews

https://cantedangles.blogspot.com

Personal perspectives on film and video

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Canted Angles: SEPTEMBER VIEWING: THE GREATS - The Tree of Life (2011)

http://cantedangles.blogspot.com/2011/10/september-viewing-greats-tree-of-life_24.html

Personal perspectives on film and video. Monday, October 24, 2011. SEPTEMBER VIEWING: THE GREATS - The Tree of Life (2011). The Tree of Life. 8217;s action through the consciousness of characters who are devout and/or struggling to contend with this simplistic polarity. It is an extraordinary humanist riposte to. 2001: A Space Odyssey. In which Malick movingly hypothesizes that human evolution might be driven by a yearning towards transcendence rather than the brute assertion of will. Rating: * * * * *.

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Canted Angles: October 2011

http://cantedangles.blogspot.com/2011_10_01_archive.html

Personal perspectives on film and video. Monday, October 24, 2011. SEPTEMBER VIEWING: THE GREATS - The Tree of Life (2011). The Tree of Life. 8217;s action through the consciousness of characters who are devout and/or struggling to contend with this simplistic polarity. It is an extraordinary humanist riposte to. 2001: A Space Odyssey. In which Malick movingly hypothesizes that human evolution might be driven by a yearning towards transcendence rather than the brute assertion of will. Rating: * * * * *.

3

Canted Angles: May 2009

http://cantedangles.blogspot.com/2009_05_01_archive.html

Personal perspectives on film and video. Friday, May 8, 2009. The Politics of Interruption - Bamako. Admittedly, it’s been some time since I’ve engaged with a work as explicitly didactic as. This is an old complaint about politicized filmmaking generally, and some of the less dynamic representatives of third cinema. It was for this reason that I became an admirer of Sissako – particularly in his earlier works. Indeed, Bamako owes a great debt to his magnificent. Posted by Aaron Taylor, PhD. For me, Ginge...

4

Canted Angles: April 2009

http://cantedangles.blogspot.com/2009_04_01_archive.html

Personal perspectives on film and video. Monday, April 27, 2009. I first became conscious of this during a film theory seminar that I was teaching at the time. Attempting to describe the blouse Monica Vitti wears in. Hence, this blog. On one level, I do sympathize with Stanley Cavell when he writes in. If I may. Somewhat in the spirit of Pauline Kael's dynamic rush to judgement (she was never one to linger over a film), my priority will be on immediacy in the hopes of responding in kind to the moveme...

5

Canted Angles: SEPTEMBER VIEWING: THE GREATS - White Material (2009)

http://cantedangles.blogspot.com/2011/10/september-viewing-greats-white-material.html

Personal perspectives on film and video. Monday, October 24, 2011. SEPTEMBER VIEWING: THE GREATS - White Material (2009). While not as well-acquainted with Claire Denis as I ought to be (. Did not motivate an intrust in Jean-Luc Nancy, but. 35 Shots of Rum. Was a warm and moving family study), White Material. 8211; which initially explodes in the celebrated. Rating: * * * * *. Posted by Aaron Taylor, PhD. Subscribe to: Post Comments (Atom). Aaron Taylor, PhD. Lethbridge, Alberta, Canada. Drive * * * *.

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The Metonymy of Monstrosity | Pity Poor Flesh

https://pitypoorflesh.wordpress.com/2011/09/11/the-metonymy-of-monstrosity

Are our bodies just meat? The Metonymy of Monstrosity. In the Dust of this Planet. Makes a similar argument when he writes, “for us as human beings, there is no simple ‘going over’ to the side of the non-human,” a relationship he describes as “something like metonymy” (31). I’ve previous explored the nature of our engagement with horror in a 2011 article published in. Bright Lights Film Journal. Noel Carroll touches on many of these issues in his essay Why Horror? The Invasion of the Body Snatchers, The.

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Canted Angles

Personal perspectives on film and video. Wednesday, November 2, 2011. LOVE WILL TEAR US APART: Zombie Romance and Generic Blending. One of the more interesting developments in contemporary horror is the expansion of its ability to cross-pollinate with other genres. The 2000s have seen a number of ambitious experiments in hybridization. At the most manic end of the scale, one might cite something like Brotherhood of the Wolf. Thus, the Twilight. 8217;s success signals a broad willingness to accept horror&...

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