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Mike Nelson: “More things (To the Memory of Honore de Balzac)” « THE GIRL WHO KNEW TOO MUCH
https://thegirlwhoknewtoomuch.com/2013/04/26/mike-nelson-more-things-to-the-memory-of-honore-de-balzac
THE GIRL WHO KNEW TOO MUCH. Writings on contemporary art, horror film, and cinema. THE ART OF FEAR. Mike Nelson: “More things (To the Memory of Honore de Balzac)”. 26 April, 2013. The following is what I hope will be the first of many writings about the work of Mike Nelson. This particular essay stems from his recent exhibition. More things (To the Memory of Honore de Balzac). At Matt’s Gallery in London and our conversation about architecture, horror films, and narrative implications. By walking over, t...
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Aldo Tambellini – Making the Void Visible « THE GIRL WHO KNEW TOO MUCH
https://thegirlwhoknewtoomuch.com/2013/10/03/tambellinireview
THE GIRL WHO KNEW TOO MUCH. Writings on contemporary art, horror film, and cinema. THE ART OF FEAR. Aldo Tambellini – Making the Void Visible. 3 October, 2013. REVIEW: Aldo Tambellini –. We Are The Primitives of a New Era: Paintings and Projections 1961-1989. At James Cohan Gallery. For Void is, like Darkness and Silence, a negation, but a negation that does away with every this and here, in order that the wholly other may become actual. Rudolph Otto. We Are The Primitives of a New Era. Black is the begi...
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Nitehawk Naughties: Reclaiming 1970s Porn « THE GIRL WHO KNEW TOO MUCH
https://thegirlwhoknewtoomuch.com/2015/03/09/nitehawk-naughties-reclaiming-1970s-porn
THE GIRL WHO KNEW TOO MUCH. Writings on contemporary art, horror film, and cinema. THE ART OF FEAR. Nitehawk Naughties: Reclaiming 1970s Porn. 9 March, 2015. As I embark on a new erotic film series in 2015, here’s a look back at what I programmed for the 2014 Nitehawk Naughties seriesand why. I am a woman and I programmed a year-long dirty film series at Nitehawk Cinema. I took the helm of our 2014 signature series Nitehawk Naughties. S digital release of. Learning of their archive made it impossible for...
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Five Questions on Horror & Architecture: AIDA RUILOVA « THE GIRL WHO KNEW TOO MUCH
https://thegirlwhoknewtoomuch.com/2013/11/03/five-questions-on-horror-architecture-aida-ruilova
THE GIRL WHO KNEW TOO MUCH. Writings on contemporary art, horror film, and cinema. THE ART OF FEAR. Five Questions on Horror and Architecture: AIDA RUILOVA. 3 November, 2013. Artist and filmmaker Aida Ruilova. Provides the first set of answers to a series of questions about horror and architecture. The Girl Who Knew Too Much. Is asking artists, filmmakers, curator, and writers. Five Questions on Horror and Architecture: AIDA RUILOVA. Do you think architecture has the power to be horrific? If so, how?
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Video « THE GIRL WHO KNEW TOO MUCH
https://thegirlwhoknewtoomuch.com/category/video
THE GIRL WHO KNEW TOO MUCH. Writings on contemporary art, horror film, and cinema. THE ART OF FEAR. Catch Catch a Horror Taxi, I Fell in Love a Video Nasty. 6 March, 2015. British popular culture collides with the influence of horror films in the midst of the Nasty scandal in 1980s UK. You Must Taste Blood to be a Man. 21 August, 2013. Art in Horror Film: The Secret of Dorian Gray. 17 May, 2013. Oscar Wilde’s The Portrait of Dorian Gray. Is the quintessential merger of visual art and horror. 3 May, 2013.
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How to Explain Pictures to a Dead Hare « THE GIRL WHO KNEW TOO MUCH
https://thegirlwhoknewtoomuch.com/2011/06/02/how-to-explain-pictures-to-a-dead-hare
THE GIRL WHO KNEW TOO MUCH. Writings on contemporary art, horror film, and cinema. THE ART OF FEAR. How to Explain Pictures to a Dead Hare. 2 June, 2011. How to Explain Pictures to a Dead Hare. Is a collaboration with Darren Banks’. For his current solo exhibition. In Northhampton. My accompanying text is a part of Banks’ film installation of the 1972 classic. In his show at Fishmarket Gallery (on view through 25 June). I’ve written for and about Banks (a fellow horror aficionado) before: read. Challenge...
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Night of the Living Dead: Annotated Palace Collection « THE GIRL WHO KNEW TOO MUCH
https://thegirlwhoknewtoomuch.com/2013/02/10/night-of-the-living-dead-annotated-palace-collection
THE GIRL WHO KNEW TOO MUCH. Writings on contemporary art, horror film, and cinema. THE ART OF FEAR. Night of the Living Dead: Annotated Palace Collection. 10 February, 2013. I wrote about the impossibility of writing about. Night of the Living Dead. For the Annotated Palace Collection. Project by Darren Banks):. In 1968 two films were released that changed the landscape for cinema and ushered in the era of the post-modern horror film. The first is Roman Polanski’s Rosemary’s Baby. And the rest in Romero’...
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Nitehawk Naughties « THE GIRL WHO KNEW TOO MUCH
https://thegirlwhoknewtoomuch.com/tag/nitehawk-naughties
THE GIRL WHO KNEW TOO MUCH. Writings on contemporary art, horror film, and cinema. THE ART OF FEAR. Tag Archives: Nitehawk Naughties. Nitehawk Naughties: Reclaiming 1970s Porn. 9 March, 2015. As I embark on a new erotic film series in 2015, here’s a look back at what I programmed for the 2014 Nitehawk Naughties seriesand why. I am a woman and I programmed a year-long dirty film series at Nitehawk Cinema. I took the helm of our 2014 signature series Nitehawk Naughties. S digital release of. Learning of th...
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