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Catherine Damman

Is currently the Chester Dale Fellow at the Center for Advanced Study in the Visual Arts ( CASVA. At the National Gallery of Art, Washington, D.C., and is completing her PhD in art history at Columbia University. These issues are central to her dissertation—on the entanglements of narrative, media, and performance in American art of the 1970s—and to an article, “Dance, Sound, Word: The ‘Hundred-Jointed Body’ in Zurich Dada Performance,” which appears in. She frequently writes about performance for. New Y...

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Catherine Damman | catherinedamman.com Reviews
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Is currently the Chester Dale Fellow at the Center for Advanced Study in the Visual Arts ( CASVA. At the National Gallery of Art, Washington, D.C., and is completing her PhD in art history at Columbia University. These issues are central to her dissertation—on the entanglements of narrative, media, and performance in American art of the 1970s—and to an article, “Dance, Sound, Word: The ‘Hundred-Jointed Body’ in Zurich Dada Performance,” which appears in. She frequently writes about performance for. New Y...
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Catherine Damman | catherinedamman.com Reviews

https://catherinedamman.com

Is currently the Chester Dale Fellow at the Center for Advanced Study in the Visual Arts ( CASVA. At the National Gallery of Art, Washington, D.C., and is completing her PhD in art history at Columbia University. These issues are central to her dissertation—on the entanglements of narrative, media, and performance in American art of the 1970s—and to an article, “Dance, Sound, Word: The ‘Hundred-Jointed Body’ in Zurich Dada Performance,” which appears in. She frequently writes about performance for. New Y...

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writing - Catherine Damman

http://catherinedamman.com/writing

Rituals of Rented Island. Enokura Blum and Poe. My Barbarian Susanne Vielmetter. Work It, Working Mother: L.A. Summer Performances. Contingent Views: Dance at the Kitchen.

2

about - Catherine Damman

http://catherinedamman.com/about

Catherine Damman is an art historian, writer, and editor. A Riggio Fellow and PhD Candidate in Art History at. Catherine's research centers on nineteenth and twentieth century art, narratives of modernism, and theories of the avant-garde. Her work engages the histories of experimental dance, theater, film, and music, as well as the methodological inquiries of performance studies and media theory. Catherine has given talks on her research at Brown, Cambridge, and Stanford. She is a contributor to.

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Is currently the Chester Dale Fellow at the Center for Advanced Study in the Visual Arts ( CASVA. At the National Gallery of Art, Washington, D.C., and is completing her PhD in art history at Columbia University. These issues are central to her dissertation—on the entanglements of narrative, media, and performance in American art of the 1970s—and to an article, “Dance, Sound, Word: The ‘Hundred-Jointed Body’ in Zurich Dada Performance,” which appears in. She frequently writes about performance for. New Y...

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