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Directing Cinema

A Film Studies blog by Catherine Grant, exploring issues of film authorship, auteurism, and film directing, in world cinema and in audiovisual culture more generally

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Directing Cinema | catherinegrantblog.blogspot.com Reviews
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A Film Studies blog by Catherine Grant, exploring issues of film authorship, auteurism, and film directing, in world cinema and in audiovisual culture more generally
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Directing Cinema | catherinegrantblog.blogspot.com Reviews

https://catherinegrantblog.blogspot.com

A Film Studies blog by Catherine Grant, exploring issues of film authorship, auteurism, and film directing, in world cinema and in audiovisual culture more generally

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1

Directing Cinema: Copy protection? Margulies on forging auteurism

https://catherinegrantblog.blogspot.com/2009/02/copy-protection-margulies-on-forging.html

Saturday, 7 February 2009. Margulies on forging auteurism. Oversees a vocal recording for a musical in. An interesting observation about auteurism by Ivone Margulies. Author of the great book. Nothing Happens: Chantal Akerman’s Hyperrealist Everyday. By Ricky D Ambrose. Posted on the Tisch Film Review. While I concur with Margulies' background point, here, about the particularity of individual human experience. And thus of biography. Very particular aspect of the film artist's. Posted by Catherine Grant.

2

Directing Cinema: November 2008

https://catherinegrantblog.blogspot.com/2008_11_01_archive.html

Friday, 28 November 2008. Viral replication: Virgil Widrich's Copy Shop. I spent some of my happiest hours in some of my most formative years. Working in a photocopy and print shop. At the same time as pondering questions of originality. As part of PhD research into notions of authorship. So, for me, a truly. Film was Austrian filmmaker Virgil Widrich. S dizzyingly virtuosic Copy Shop. 2001) This film 'consists of nearly 18,000 photocopied digital frames, which are animated and filmed with a 35mm camera'.

3

Directing Cinema: Archives and Auteurs: conference papers online

https://catherinegrantblog.blogspot.com/2009/11/lindsay-anderson-meeting-queen-on-set.html

Thursday, 12 November 2009. Archives and Auteurs: conference papers online. Lindsay Anderson meeting the "Queen'. On the set of Britannia Hospital. As part of the Arts and Humanities Research Council. Funded research project on 'The Cinema Authorship of Lindsay Anderson'. See detailed project outline. A conference on Archives and Auteurs. I was delighted to see that the excellent papers from the conference are now freely accessible online. At the Stirling University. Lindsay Anderson and David Sherwin&#8...

4

Directing Cinema: Auteurist collaborations: Jean-Luc Godard and Anne-Marie Miéville

https://catherinegrantblog.blogspot.com/2009/11/auteurist-collaborations-jean-luc.html

Monday, 30 November 2009. Auteurist collaborations: Jean-Luc Godard and Anne-Marie Miéville. Image from Sauve qui peut (la vie)/Slow Motion. I have just published online the final-draft, pre-print version. Of my essay ‘ Home-Movies: the curious cinematic collaboration of Anne-Marie Miéville and Jean-Luc Godard. 8217; Click here for access. The book version is obviously the one that should be used for citation purposes, and it is by far the preferable version to read, too, given that it is so. 1979, direc...

5

Directing Cinema: Auteurism: a definition

https://catherinegrantblog.blogspot.com/2008/04/auteurism-definition.html

Wednesday, 30 April 2008. A lot of what I'll be writing about in this blog will concern film directing and the concept of auteurism. Some of what I will write will be a little (too) 'academic'; some of it a lot less so. But, in any case, it probably makes sense for this first post to set out what I mean by the term 'auteurism'. Here's a definition that begins a book chapter I've written called 'Auteur Machines: Auteurism and the DVD'. The chapter will be published shortly in a great book called. 2002) &#...

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Monday, 30 November 2009. Auteurist collaborations: Jean-Luc Godard and Anne-Marie Miéville. Image from Sauve qui peut (la vie)/Slow Motion. I have just published online the final-draft, pre-print version. Of my essay ‘ Home-Movies: the curious cinematic collaboration of Anne-Marie Miéville and Jean-Luc Godard. 8217; Click here for access. The book version is obviously the one that should be used for citation purposes, and it is by far the preferable version to read, too, given that it is so. 1979, direc...

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