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Catherine Knight - Home Page

Catherine Knight - Home Page

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Catherine Knight - Home Page | catherineknight.com Reviews

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Catherine Knight - Home Page

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1

Catherine Knight - CV

http://www.catherineknight.com/page10.htm

Residency in Hrísey, Iceland. Residency in Hrísey, Iceland. Bath Spa University, 2007- 2008, MA Fine Art- Distinction. University of Wales Institute of Cardiff, 2001- 2004, BA Hons Fine Art- First Class Honours. Falmouth College of Arts, 2000- 2001, Foundation Diploma in Art &. Oldschool, Hrisey, Iceland, December 2013. Artist in Residence at Bootham School, York, 2006-7. Shortlisted for John Gingell Award 2012. Royal West of England Academy Student Bursary Winner 2008. 20/21 International Art Fair,.

2

Catherine Knight - Home Page

http://www.catherineknight.com/index.htm

Residency in Hrísey, Iceland. Residency in Hrísey, Iceland. Hrísey, 23.06,. Oil on canvas, 110 x 160cm. My current work is based on my recent residency on the island of Hrísey, Iceland in December 2013. Hrísey is a small teardrop shaped island in the middle of Eyjafjöröur. Catherine Knight created at www.mrsite.com.

3

Catherine Knight - Paintings 2011-12

http://www.catherineknight.com/page6.htm

Residency in Hrísey, Iceland. Residency in Hrísey, Iceland. Catherine Knight created at www.mrsite.com.

4

Catherine Knight - Archive

http://www.catherineknight.com/page4.htm

Residency in Hrísey, Iceland. Residency in Hrísey, Iceland. In my photographic work I was always especially entranced by the moment when the shadows of reality, so to speak, emerge out of nothing on the exposed paper, as memories do in the middle of the night, darkening again if you try to cling to them, just like a photographic print left in the developing bath too long ". Catherine Knight created at www.mrsite.com.

5

Catherine Knight - Paintings 2008- 10

http://www.catherineknight.com/page7.htm

Residency in Hrísey, Iceland. Residency in Hrísey, Iceland. Catherine Knight created at www.mrsite.com.

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LINKS TO THIS WEBSITE

paintingmelancholia.blogspot.com paintingmelancholia.blogspot.com

The Painting of Melancholia: August 2009

http://paintingmelancholia.blogspot.com/2009_08_01_archive.html

The Painting of Melancholia. My reviews of selected paintings with a potentially melancholy theme, based wherever possible on first-hand experience (in other words I have seen the actual painting not just a reproduction). Sunday, 30 August 2009. Oil on Canvas 230 x 530 cm. Victoria Miro Gallery, London. Links to this post. Sunday, 23 August 2009. Bend Over, 2001. Oil on canvas, 60 x 60 cm. Tate Modern, London. Tuymans’s career began with filmmaking, and consequently his approach to painting often d...

paintingmelancholia.blogspot.com paintingmelancholia.blogspot.com

The Painting of Melancholia

http://paintingmelancholia.blogspot.com/2015/02/jenny-saville-voice-of-shuttle.html

The Painting of Melancholia. My reviews of selected paintings with a potentially melancholy theme, based wherever possible on first-hand experience (in other words I have seen the actual painting not just a reproduction). Friday, 20 February 2015. Voice of the Shuttle (Philomela), 2014-15. Oil on Canvas (dimensions unknown). Royal Academy, London. In "La Peregrina" at the Royal Academy in London, Jenny Saville RA has curated an exhibition to show the influence of Rubens. In conversation with Tim Marlow.

paintingmelancholia.blogspot.com paintingmelancholia.blogspot.com

The Painting of Melancholia: February 2015

http://paintingmelancholia.blogspot.com/2015_02_01_archive.html

The Painting of Melancholia. My reviews of selected paintings with a potentially melancholy theme, based wherever possible on first-hand experience (in other words I have seen the actual painting not just a reproduction). Friday, 20 February 2015. Voice of the Shuttle (Philomela), 2014-15. Oil on Canvas (dimensions unknown). Royal Academy, London. In "La Peregrina" at the Royal Academy in London, Jenny Saville RA has curated an exhibition to show the influence of Rubens. In conversation with Tim Marlow.

paintingmelancholia.blogspot.com paintingmelancholia.blogspot.com

The Painting of Melancholia: November 2014

http://paintingmelancholia.blogspot.com/2014_11_01_archive.html

The Painting of Melancholia. My reviews of selected paintings with a potentially melancholy theme, based wherever possible on first-hand experience (in other words I have seen the actual painting not just a reproduction). Monday, 24 November 2014. Double Portrait Camden Town, 2013. Oil on Canvas 150 x 220cm. Simon Lee Gallery, London. I have been looking forward to seeing new work by Dexter Dalwood for some time and my visit to his current show at the Simon Lee Gallery. Double Portrait Camden Town, 2013.

paintingmelancholia.blogspot.com paintingmelancholia.blogspot.com

The Painting of Melancholia: February 2010

http://paintingmelancholia.blogspot.com/2010_02_01_archive.html

The Painting of Melancholia. My reviews of selected paintings with a potentially melancholy theme, based wherever possible on first-hand experience (in other words I have seen the actual painting not just a reproduction). Sunday, 28 February 2010. Acrylic and thread on canvas 198 x 336 cm (3 parts). Hauser and Wirth, London. Links to this post. Wednesday, 3 February 2010. Purple Loosestrife, 1892. Tate Modern, London. Links to this post. Subscribe to: Posts (Atom). ABOUT MY OWN PRACTICE. This blog is a r...

paintingmelancholia.blogspot.com paintingmelancholia.blogspot.com

The Painting of Melancholia: July 2009

http://paintingmelancholia.blogspot.com/2009_07_01_archive.html

The Painting of Melancholia. My reviews of selected paintings with a potentially melancholy theme, based wherever possible on first-hand experience (in other words I have seen the actual painting not just a reproduction). Sunday, 26 July 2009. Flaying of Marsyas 1576. Oil on canvas 212 x 207cm. National Gallery, London. Midas, once a student of Orpheus (who may be the figure playing the lira da braccio and gazing heaven wards), is painted in the classic pose used throughout history to evoke creative thou...

paintingmelancholia.blogspot.com paintingmelancholia.blogspot.com

The Painting of Melancholia: January 2010

http://paintingmelancholia.blogspot.com/2010_01_01_archive.html

The Painting of Melancholia. My reviews of selected paintings with a potentially melancholy theme, based wherever possible on first-hand experience (in other words I have seen the actual painting not just a reproduction). Sunday, 3 January 2010. Acrylic on Linen 305 x 426 cm. Irish Museum of Modern Art. This was an immense exhibition of over 80 piaintings by this American artist and the first time I had seen his work first hand or in reproductions. Unlike those works and despite a process that implies lo...

paintingmelancholia.blogspot.com paintingmelancholia.blogspot.com

The Painting of Melancholia: December 2009

http://paintingmelancholia.blogspot.com/2009_12_01_archive.html

The Painting of Melancholia. My reviews of selected paintings with a potentially melancholy theme, based wherever possible on first-hand experience (in other words I have seen the actual painting not just a reproduction). Sunday, 6 December 2009. Oil on canvas 19 x 33cm. Perhaps because of this perfectionism his paintings seem to lack emotion and whilst I find them technically interesting I don’t feel that they have a melancholic aura, even when the subject is a lonely half a lemon. Links to this post.

paintingmelancholia.blogspot.com paintingmelancholia.blogspot.com

The Painting of Melancholia: September 2009

http://paintingmelancholia.blogspot.com/2009_09_01_archive.html

The Painting of Melancholia. My reviews of selected paintings with a potentially melancholy theme, based wherever possible on first-hand experience (in other words I have seen the actual painting not just a reproduction). Saturday, 26 September 2009. The History of the Main Complaint 1996. Tate Modern, London. 1)Michael Godby, ‘William Kentridge’s History of the Main Complaint: Narrative, Memory, Truth’, in Sarah Nuttal and Carli Coetzee, Negotiating the Past: the Making of Memory in So...The title descr...

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