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Fascino della Musica

And the sparrow chirped a chip-a-ree: "Sing praise to God, twill do, twill dee!"

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Fascino della Musica | cecilysebastian.blogspot.com Reviews
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And the sparrow chirped a chip-a-ree: &quot;Sing praise to God, twill do, twill dee!&quot;
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Fascino della Musica | cecilysebastian.blogspot.com Reviews

https://cecilysebastian.blogspot.com

And the sparrow chirped a chip-a-ree: &quot;Sing praise to God, twill do, twill dee!&quot;

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1

Fascino della Musica: Abbreviated analysis: Debussy's "La Cathedrale Engloutie"

http://cecilysebastian.blogspot.com/2011/01/abbreviated-analysis-debussys-la.html

And the sparrow chirped a chip-a-ree: "Sing praise to God, twill do, twill dee! Wednesday, January 26, 2011. Abbreviated analysis: Debussy's "La Cathedrale Engloutie". Abbreviated Analysis: Debussy’s “La Cathedrale Engloutie”. In terms of a segmented analysis, Debussy’s prelude “La Cathedrale Engloutie” (The Sunken Cathedral) can be divided into four main sections, with introduction and coda-type figures. Section I begins on m. 16 and runs through m. 27, again playing with pentatonic groupings an...Secti...

2

Fascino della Musica: Transitional Figures: Foreshadowed Atonality in Strauss, Skryabin, and Debussy

http://cecilysebastian.blogspot.com/2011/01/transitional-figures-foreshadowed.html

And the sparrow chirped a chip-a-ree: "Sing praise to God, twill do, twill dee! Wednesday, January 26, 2011. Transitional Figures: Foreshadowed Atonality in Strauss, Skryabin, and Debussy. Strauss, in the tone poem Tod und Verklarung. Resolutions tend to wander, never fully cadencing (see p. 10, third system – p. 11, third system), yet unlike in Skryabin they are not static; the forward motion obscures the downbeat, propelling the rhythmic drive of the piece. The tone poem itself is str...Strauss believe...

3

Fascino della Musica: Set Theory, Stravinsky, and "The Rite of Spring"

http://cecilysebastian.blogspot.com/2011/02/set-theory-stravinsky-and-rite-of.html

And the sparrow chirped a chip-a-ree: "Sing praise to God, twill do, twill dee! Sunday, February 6, 2011. Set Theory, Stravinsky, and "The Rite of Spring". 1) How did "The Rite of Spring" move the harmonic resources available to composers forward? Explain how the work employed the musical elements of Sound, Harmony, Melody, Rhythm, and Form. 2) What was Stravinsky's intent, in composing "The Rite"? 3) What compositional devices/methods in his second ballet "Petroushka" carried over into "The Rite"? Subsc...

4

Fascino della Musica: Response to Babbitt and Rochberg: Accessible vs. Alien Styles of Musical Composition

http://cecilysebastian.blogspot.com/2012/03/response-to-babbitt-and-rochberg.html

And the sparrow chirped a chip-a-ree: "Sing praise to God, twill do, twill dee! Tuesday, March 27, 2012. Response to Babbitt and Rochberg: Accessible vs. Alien Styles of Musical Composition. Gabrielle Richardson, Contemporary Music. April 12, 2011). The emergence of atonality and serialization in mid-twentieth century musical composition sparked a keen debate among schools of musicians and critics over whether or not music should be conceptualized intuitively or intellectually. Need to be musically educa...

5

Fascino della Musica: February 2011

http://cecilysebastian.blogspot.com/2011_02_01_archive.html

And the sparrow chirped a chip-a-ree: "Sing praise to God, twill do, twill dee! Sunday, February 6, 2011. Set Theory, Stravinsky, and "The Rite of Spring". 1) How did "The Rite of Spring" move the harmonic resources available to composers forward? Explain how the work employed the musical elements of Sound, Harmony, Melody, Rhythm, and Form. 2) What was Stravinsky's intent, in composing "The Rite"? 3) What compositional devices/methods in his second ballet "Petroushka" carried over into "The Rite"? Subsc...

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And the sparrow chirped a chip-a-ree: "Sing praise to God, twill do, twill dee! Tuesday, March 27, 2012. Response to Babbitt and Rochberg: Accessible vs. Alien Styles of Musical Composition. Gabrielle Richardson, Contemporary Music. April 12, 2011). The emergence of atonality and serialization in mid-twentieth century musical composition sparked a keen debate among schools of musicians and critics over whether or not music should be conceptualized intuitively or intellectually. Need to be musically educa...

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