In my work, I manage Space and time. The western tradition would say that I work with time -based media ( video and sound) and space-based media ( drawings and feature )and their various state of reality. But my work reconsiders these traditional statements and borders: One of the idea I wanted to develop is trying…
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centraits | Drawings | centraits.wordpress.com Reviews
https://centraits.wordpress.com
In my work, I manage Space and time. The western tradition would say that I work with time -based media ( video and sound) and space-based media ( drawings and feature )and their various state of reality. But my work reconsiders these traditional statements and borders: One of the idea I wanted to develop is trying…
centraits.wordpress.com
CV discipline artistique | centraits
https://centraits.wordpress.com/why-how-what-for/dessin/cv-discipline-artistique
WhyHow. What for? Drawin it’s discovering the law. Body /Envelopment (fold-unfold and twist). Bibliografie : Het Venster. CV (discipline artistique) cf Linkedlin cathe Bouckenaere. Licence en philosophie, UCL, Louvain-la-Neuve. 8211; 2002-2005 : cours du soir en dessin. Et stages (Ixelles, Wavre, Libramont, AAC Bruxelles (Aristide Bianchi). 2005-2009 : Master en dessin Académie Royale des Beaux Arts de Bruxelles ( Atelier Lucien Massaert) ARBA -ESA. Travail du son en tant que dessinatrice. Comment faire ...
Bibliografie : Het Venster | centraits
https://centraits.wordpress.com/bibliografie-het-venster
WhyHow. What for? Drawin it’s discovering the law. Body /Envelopment (fold-unfold and twist). Bibliografie : Het Venster. Bibliografie : Het Venster. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. Notify me of new comments via email.
Cartophonie | centraits
https://centraits.wordpress.com/2017/01/01/cartophonie
WhyHow. What for? Drawin it’s discovering the law. Body /Envelopment (fold-unfold and twist). Bibliografie : Het Venster. January 1, 2017. By centsons. cathbouck. L’axe de mon projet artistique est l’articulation et le rapport entre LE SON (projeté) et L’IMAGE (projeté); leur mélange et hybridation. Les 3 projets ( 2012 2016); Dolly ,. Et Treintopia de trein der traagheid. En recherchant un nouveau type de cinéma(- Cinemakunst ) interrogent les liens entre son ( projeté) et Image (projeté). Het venster 2...
CinemaKunst ? Tussen 2 projecties | centraits
https://centraits.wordpress.com/filmkunst-tussen-2-projecties
WhyHow. What for? Drawin it’s discovering the law. Body /Envelopment (fold-unfold and twist). Bibliografie : Het Venster. 2012 2015 2012 2015. Mijn project stelt vragen rond de Filmkunst en in het bijzonder over de condities van de filmkunst : de luidspreker, het scherm ,de donkerenzaal, de stoel en alle de materiaalvoorwaarden van de bioscoop. Mijn vertrekpunten zijn deze envoudige vragen: Mag de bewegende pellicule veranderd zijn door een stille beeld die een tekening is? Wat gebeurt met dat? 2013 2015...
Les Bras Levés, les Mains Tendues: Sic Gloria Mundi | centraits
https://centraits.wordpress.com/2016/09/01/les-bras-leves-les-mains-tendues-sic-gloria-mundi
WhyHow. What for? Drawin it’s discovering the law. Body /Envelopment (fold-unfold and twist). Bibliografie : Het Venster. Les Bras Levés, les Mains Tendues: Sic Gloria Mundi. September 1, 2016. By centsons. cathbouck. Echappée: le mur (2008). Je dessine et m’essaye sur un terrain qui n’est absolument pas le mien: l’illustration soit un dessin partant et provenant directement ou immédiatement des mouvements sociaux et politques au sens large des termes . Comment construre cette image? BusineSS Plan plan M...
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centraits | Drawings
WhyHow. What for? Drawin it’s discovering the law. Body /Envelopment (fold-unfold and twist). Bibliografie : Het Venster. WhyHow. What for? Simultaneously with sound-works, presented on http: / centsons.wordpress.com. However , in 2012, the so called “Dolly experiment ” was a turning point who opens up to the analysis of the simulacra and image’s problems. What is in an image? Where stand the onlooker’s fascination? What must the artist do to kick on a scrutinized looking? Leave a Reply Cancel reply.
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