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Centre, Middle

Is a film that purports to be about a lot of things: friendship, drugs, relationships, selling out, dance music but any pretence of deeper meaning quickly falls away, revealing a film that proudly offers and explores absolutely nothing. It chooses an identity that it never convincingly assumes as it depicts the chaos of an EDM festival, dealing with both dance music and drug-culture in embarrassingly naive ways. Akin to its bigger budget cousin We Are Your Friends,. The central problem with XOXO. Of the ...

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Centre, Middle | centremiddle.wordpress.com Reviews

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Is a film that purports to be about a lot of things: friendship, drugs, relationships, selling out, dance music but any pretence of deeper meaning quickly falls away, revealing a film that proudly offers and explores absolutely nothing. It chooses an identity that it never convincingly assumes as it depicts the chaos of an EDM festival, dealing with both dance music and drug-culture in embarrassingly naive ways. Akin to its bigger budget cousin We Are Your Friends,. The central problem with XOXO. Of the ...

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Centre, Middle | centremiddle.wordpress.com Reviews

https://centremiddle.wordpress.com

Is a film that purports to be about a lot of things: friendship, drugs, relationships, selling out, dance music but any pretence of deeper meaning quickly falls away, revealing a film that proudly offers and explores absolutely nothing. It chooses an identity that it never convincingly assumes as it depicts the chaos of an EDM festival, dealing with both dance music and drug-culture in embarrassingly naive ways. Akin to its bigger budget cousin We Are Your Friends,. The central problem with XOXO. Of the ...

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centremiddle.wordpress.com

1

Suicide Squad – Centre, Middle

https://centremiddle.wordpress.com/2016/09/02/suicide-squad

Even after enduring Suicide Squad. In the most sober and analytical of mindsets, it slides effortlessly into memory banks usually reserved for films half-watched in the depths of a drunken stupor: late night Channel 5 schlock that demands less attention than the middling kebab sagging, half-dilapidated, in your grubby hands. Share on Facebook (Opens in new window). Click to share on Twitter (Opens in new window). Click to share on Reddit (Opens in new window). Leave a Reply Cancel reply.

2

Deadpool – Centre, Middle

https://centremiddle.wordpress.com/2016/02/28/deadpool

In no way panders to the 12A sensibility, shunning a cynical attempt to money-grab from a superhero hungry demographic in favour of an unconstrained depiction of a Wham! Obsessed, sword-wielding chronic masturbator with no respect for the conventions (or canon) of the wider Marvel universe. Though its punchlines often miss, one that hits is never far away enough for it to become stale or grating. Share on Facebook (Opens in new window). Click to share on Twitter (Opens in new window).

3

The Revenant – Centre, Middle

https://centremiddle.wordpress.com/2016/02/06/the-revenant

Much has already been said about The Revenant. As an incredible feat of ingenuity, but the fact that its strong and self-assured aesthetic vision is partnered with a central character study that is muddled and underdeveloped makes taking it in as a spectacle somewhat of an emotionally cold experience. The calibre of The Revenant’s. Should give you a flavour of his skill in capturing nature, on top of his previous outstanding work on both Children of Men. The issues that I have with The Revenant. Enter yo...

4

The Hateful Eight – Centre, Middle

https://centremiddle.wordpress.com/2016/02/04/the-hateful-eight

Is the first Tarantino film since. Kill Bill Vol.1. Surprisingly, the film also lacks the rambunctious indulgence of Inglorious Basterds. Though each of those movies possess impressive set-pieces and typically wonderful dialogue, both felt flabby and ill-disciplined, with Django Unchained. Especially feeling like the Directors Cut of a much tighter movie. The fact that this singularity of vision is engaging is also surprising, not least because of The Hateful Eight. Style hail of bullets that feels a was...

5

10 Cloverfield Lane – Centre, Middle

https://centremiddle.wordpress.com/2016/03/20/10-cloverfield-lane

Is so independently accomplished from Matt Reeves’ Cloverfield. That it’s easy to forget the two movies are even ‘spiritually’ related’*. Other than a couple of sly nods (a Slusho machine placed carefully in the background of a petrol station and vague talk of satellites) and some very broad thematic similarities, the two are almost entirely separate films. The original Cloverfield. In truth, the only tangible connection to anything approaching the monster driven horror of Cloverfield. Enter your comment...

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We have moved premises… | I Haven't Eaten Since Later This Afternoon

https://ihaventeatensincelaterthisafternoon.wordpress.com/2016/09/04/we-have-moved-premises

I Haven't Eaten Since Later This Afternoon. We have moved premises…. September 4, 2016. 8230;Please visit Centre, Middle. For all previous and new content. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. Notify me of new comments via email.

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September | 2016 | I Haven't Eaten Since Later This Afternoon

https://ihaventeatensincelaterthisafternoon.wordpress.com/2016/09

I Haven't Eaten Since Later This Afternoon. Monthly Archives: September 2016. We have moved premises…. September 4, 2016. 8230;Please visit Centre, Middle. For all previous and new content. Blog at WordPress.com.

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Tom Gledhill | I Haven't Eaten Since Later This Afternoon

https://ihaventeatensincelaterthisafternoon.wordpress.com/author/thebiggatsby

I Haven't Eaten Since Later This Afternoon. Author Archives: Tom Gledhill. We have moved premises…. September 4, 2016. 8230;Please visit Centre, Middle. For all previous and new content. Blog at WordPress.com.

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Centre, Middle

Is a film that purports to be about a lot of things: friendship, drugs, relationships, selling out, dance music but any pretence of deeper meaning quickly falls away, revealing a film that proudly offers and explores absolutely nothing. It chooses an identity that it never convincingly assumes as it depicts the chaos of an EDM festival, dealing with both dance music and drug-culture in embarrassingly naive ways. Akin to its bigger budget cousin We Are Your Friends,. The central problem with XOXO. Of the ...

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