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CHANKERK.COM

Chankerk

Chankerk’s work employs energetic, impulsive, bold brushstrokes to communicate a sense of dynamism and fluxus within the context of urbanisation. His paintings are marked by spontaneity and immediacy, informed by first-hand observations. Diffused, abstract depictions of local shop houses, streets and skyscrapers reflect the rapid changes across the Singaporean landscape, rendering familiar scenes as homogenous urban territories. Flower Series no.4 (2007). Studio Series no.3 (2003). 6000 meters 2011 (9).

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Chee Seong Tan

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Chankerk | chankerk.com Reviews

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Chankerk’s work employs energetic, impulsive, bold brushstrokes to communicate a sense of dynamism and fluxus within the context of urbanisation. His paintings are marked by spontaneity and immediacy, informed by first-hand observations. Diffused, abstract depictions of local shop houses, streets and skyscrapers reflect the rapid changes across the Singaporean landscape, rendering familiar scenes as homogenous urban territories. Flower Series no.4 (2007). Studio Series no.3 (2003). 6000 meters 2011 (9).

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Your cart is currently empty. EY Asean Exhibition 2016 (18). Forming the city 2014 (12). Horizon of Changes 2011 (13). Horizon of Changes 2013 (15). Limited Edition Giclee Prints (5). 6000 meters 2011 (9). Chinatown Series (2010) (2). Melting Pot Series (0).

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Manja Cats, Singapore & Us: June 2006

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Manja Cats, Singapore and Us. Manja Cats: Tigger, Ve Ching, Harmony and Missy (in order of adoption); Singapore: Where we are currently living; Us: Alex's British, Tarsier Girl is Singaporean. Ve Ching Watching TV. Ve Ching in a Small Box. Beautiful Cat, Gross Hairballs. No Junk Mail - Readers Digest. Cats in the Living Room. A Router for a Pillow? Friday, June 30, 2006. Posted by Alex 9:01 pm. Links to this post. Tuesday, June 27, 2006. My favourite is the one posted on 21 June 2006. Links to this post.

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Chankerk

Chankerk’s work employs energetic, impulsive, bold brushstrokes to communicate a sense of dynamism and fluxus within the context of urbanisation. His paintings are marked by spontaneity and immediacy, informed by first-hand observations. Diffused, abstract depictions of local shop houses, streets and skyscrapers reflect the rapid changes across the Singaporean landscape, rendering familiar scenes as homogenous urban territories. Flower Series no.4 (2007). Studio Series no.3 (2003). 6000 meters 2011 (9).

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