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The Bow in Process, the workshop of Charles EspeyViolin bow making in the French tradition. The violin bow shop of Charles Espey. History and philosophy of violin bows.
http://charlesespeybows.blogspot.com/
Violin bow making in the French tradition. The violin bow shop of Charles Espey. History and philosophy of violin bows.
http://charlesespeybows.blogspot.com/
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The Bow in Process, the workshop of Charles Espey | charlesespeybows.blogspot.com Reviews
https://charlesespeybows.blogspot.com
Violin bow making in the French tradition. The violin bow shop of Charles Espey. History and philosophy of violin bows.
charlesespeybows.blogspot.com
The Bow in Process, the workshop of Charles Espey: THE COLOR OF WOOD
http://charlesespeybows.blogspot.com/2011/09/color-of-wood.html
Friday, September 9, 2011. THE COLOR OF WOOD. There is a tendency among players to equate very dark colored wood with high quality. Here it is easy to be misled. In fact superb wood comes in a broad palette ranging from yellow through red and light to deep brown. The issue of wood color is further complicated by the fact that pernambuco wood has often been treated to color the surface a dark reddish brown. For example, bows by fine bowmakers like Lamy, Vigneron and Sartory were treated with nitric acid.
The Bow in Process, the workshop of Charles Espey: A BOW'S POWER
http://charlesespeybows.blogspot.com/2012/03/bows-power.html
Monday, March 26, 2012. One thing I think about often is the ratio between the resistance or basic strength of a bow and the string length of the instrument. This is significant because the ‘bottom’ line for a bow is to be able to power the bass string’s vibration. Then there are ratios to the volume of the resonating chamber of violins, violas and cellos. If you take the violin bow as a baseline, the viola bow is about ten grams heavier. It also varies with the instrument. Of course the cello bow is muc...
The Bow in Process, the workshop of Charles Espey: AN ELUSIVE STICK
http://charlesespeybows.blogspot.com/2011/10/elusive-stick.html
Friday, October 7, 2011. For a bow maker, the selection of the Pernambuco stick is the most important element in matching a bow to a player. Some time ago, the violinist Jan Mark Sloman and I started a dialogue and at the end of each telephone call or email I went to my store of sticks held in racks. Promising sticks were examined and in the end half a dozen sticks had his name penciled on them. Since this was not the direction we wanted to go I made a normal weight frog with silver under-slide. So I had...
The Bow in Process, the workshop of Charles Espey: September 2011
http://charlesespeybows.blogspot.com/2011_09_01_archive.html
Friday, September 9, 2011. THE COLOR OF WOOD. There is a tendency among players to equate very dark colored wood with high quality. Here it is easy to be misled. In fact superb wood comes in a broad palette ranging from yellow through red and light to deep brown. The issue of wood color is further complicated by the fact that pernambuco wood has often been treated to color the surface a dark reddish brown. For example, bows by fine bowmakers like Lamy, Vigneron and Sartory were treated with nitric acid.
The Bow in Process, the workshop of Charles Espey: August 2011
http://charlesespeybows.blogspot.com/2011_08_01_archive.html
Tuesday, August 16, 2011. CAMBER: THE HEART OF A BOW. But the camber or curve of the stick is put in place with heat and sensitive bending. If the stick is heated up again it is easy to change this curve. This puts every bow at risk if it falls into the hands of a repair person with a lack of respect for the maker’s intent and the belief they can ‘improve’ it according to their own theory of bow design. In a few minutes the original maker’s concept for this bow is changed forever. Century in Paris where ...
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Charles E. Snyder III | Public safety professional, published author & public speaker
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We'll notify you when the site is live:. Loading last tweet . River Valley Hosting and Web Design. Website is going through some renovations, but our web server is up and running as usual. Thank you for your patience and if you are interested in receiving news or updates about the progress, be sure to subscribe below as well as follow on Twitter.
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We'll notify you when the site is live:. Loading last tweet . River Valley Hosting and Web Design. Website is going through some renovations, but our web server is up and running as usual. Thank you for your patience and if you are interested in receiving news or updates about the progress, be sure to subscribe below as well as follow on Twitter.
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The Bow in Process, the workshop of Charles Espey
Monday, March 26, 2012. One thing I think about often is the ratio between the resistance or basic strength of a bow and the string length of the instrument. This is significant because the ‘bottom’ line for a bow is to be able to power the bass string’s vibration. Then there are ratios to the volume of the resonating chamber of violins, violas and cellos. If you take the violin bow as a baseline, the viola bow is about ten grams heavier. It also varies with the instrument. Of course the cello bow is muc...
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Charlesesser's Blog | Just another WordPress.com weblog
Just another WordPress.com weblog. Planet X ….Hercolubus? January 19, 2010. HERCOLUBUS, THE PLANET APPROACHING EARTH. There are some questions about heavenly mechanics which are unknown to current science. One of them is related to the approach of Hercolubus, a planet whose name comes from ancient knowledge. Its approach to our solar system is not only a forthcoming fact that everybody will be able to see, but it will also be an event resulting in big upheavals all over the world. When Hercolubus comes c...
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