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Lav Diaz: Moving Forward by Going Back | Lilok Pelikula
https://lilokpelikula.wordpress.com/2015/02/05/lav-diaz-moving-forward-by-going-back
Lav Diaz: Moving Forward by Going Back. February 5, 2015. Posted by Richard Bolisay in Noypi. From Siglo ng Pagluluwal (Century of Birthing, 2011). Diaz hails from Datu Paglas, a small town in Maguindanao, much like the dying village in. From What Is Before. 2014) His early films, made after moving to Manila from New York, have conformed more than resisted, as one is obliged to do to learn the rules of the game. Not much has been written about. Serafin Geronimo, The Criminal of Barrio Concepcion. Address...
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Cinemalaya 2014 (Part 4) | Lilok Pelikula
https://lilokpelikula.wordpress.com/2014/08/22/cinemalaya-2014-part-4
Cinemalaya 2014 (Part 4). August 22, 2014. Posted by Richard Bolisay in Asian cinema. Children’s Show (Roderick Cabrido). The corners that trap its characters and observe them make life-changing decisions, but it offers only flashes and flickers of discernment, owing mostly to writer Ralston Jover’s quirks. In the grand scheme of things, what it is carries the same weight as what it isn’t, and unknowingly. The Janitor (Michael Tuviera). A dirty mind is quick to consider that. Is valid, and Tuviera, conce...
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Cinemalaya 2014 (Part 3) | Lilok Pelikula
https://lilokpelikula.wordpress.com/2014/08/17/cinemalaya-2014-part-3
Cinemalaya 2014 (Part 3). August 17, 2014. Posted by Richard Bolisay in Asian cinema. Hari ng Tondo (Carlos Siguion-Reyna). There is this priceless scene in. An emotional Cris Villonco, running away from home, trips and falls on the ground with her hastily collected clothes. She is in such a hurry to leave that she blurts out to the young girl in front of her, “Tawagin mo akong taxi! Tawagin mo akong taxi! 8221; to which the child replies, “Taxi ka! Sundalong Kanin (Janice O’Hara). 8221; in such iconic d...
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Gallery | Lilok Pelikula
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With thanks to Ayn Dimaya and Karl Castro. No comments yet — be the first. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. You are commenting using your Google account. ( Log Out. Notify me of new comments via email. I-Speak : Romina ...
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Norte, Hangganan ng Kasaysayan (Lav Diaz, 2013) | Lilok Pelikula
https://lilokpelikula.wordpress.com/2014/03/29/norte-hangganan-ng-kasaysayan-lav-diaz-2013
Norte, Hangganan ng Kasaysayan (Lav Diaz, 2013). March 29, 2014. Posted by Richard Bolisay in Asian Films. Written by Rody Vera and Lav Diaz. Directed by Lav Diaz. Cast: Sid Lucero, Angeli Bayani, Archie Alemania, Hazel Orencio, Angelina Kanapi, Soliman Cruz. Sometime in 2004, in a roomful of undergraduate students, a lecturer started his class by sneering at Lav Diaz. That time there was a lot of talk about the release of. Ebolusyon ng isang Pamilyang Pilipino. An easier target of his ridicule. Not only...
thgnikkradeht.blogspot.com
LIFE IN TECHNICOLOR: August 2009
http://thgnikkradeht.blogspot.com/2009_08_01_archive.html
Like cinema, my life continues to evolve. More than 24 frames per second. In full color or black and white. This is my musings about anything and everything. Monday, August 31, 2009. A rare photo of Jose Rizal and Juan Luna. I've been thinking of doing a film about Juan Luna. Sunday, August 30, 2009. So it's the laughter
. We will remember,
. Whenever we remember
. The way we were. From The Way We Were by Barbara Streisand. It was also good to see our teachers Ms. Bautista and Mr. Silverio. The letter ef...
thgnikkradeht.blogspot.com
LIFE IN TECHNICOLOR: Whatever role she was playing, no matter how small and stereotyped it was, Anita played it well.
http://thgnikkradeht.blogspot.com/2009/10/whatever-role-she-was-playing-no-matter.html
Like cinema, my life continues to evolve. More than 24 frames per second. In full color or black and white. This is my musings about anything and everything. Sunday, October 25, 2009. Whatever role she was playing, no matter how small and stereotyped it was, Anita played it well. Clips from the various films of screen legend Anita Linda - from her landmark portrayal of "Sisa" to her sensitive performance as "Adela.". Subscribe to: Post Comments (Atom). Whatever role she was playing, no matter how small.
thgnikkradeht.blogspot.com
LIFE IN TECHNICOLOR: PRESA
http://thgnikkradeht.blogspot.com/2009/10/presa.html
Like cinema, my life continues to evolve. More than 24 frames per second. In full color or black and white. This is my musings about anything and everything. Saturday, October 10, 2009. Subscribe to: Post Comments (Atom). Whatever role she was playing, no matter how small. The House of the Dead. Life is just a chance to grow a soul. And in the end, it's not the years in your life that count. It's the life in your years. View my complete profile. Charlie Koon's Film Review. New York Times - Movies. Mr Hel...
thgnikkradeht.blogspot.com
LIFE IN TECHNICOLOR: FILMOSOPHY OF THE DARDENNES
http://thgnikkradeht.blogspot.com/2009/09/filmosophy-of-dardennes.html
Like cinema, my life continues to evolve. More than 24 frames per second. In full color or black and white. This is my musings about anything and everything. Wednesday, September 23, 2009. FILMOSOPHY OF THE DARDENNES. Perhaps most significant about these. Four films is their movement away from. 8216;classical’ filmmaking forms, especially. As regards point-of-view images and. The traditional shot-reverse-shot. In. The Son' the father tries to see into an. Office where details important to him. The films ...
thgnikkradeht.blogspot.com
LIFE IN TECHNICOLOR: September 2009
http://thgnikkradeht.blogspot.com/2009_09_01_archive.html
Like cinema, my life continues to evolve. More than 24 frames per second. In full color or black and white. This is my musings about anything and everything. Wednesday, September 23, 2009. FILMOSOPHY OF THE DARDENNES. Perhaps most significant about these. Four films is their movement away from. 8216;classical’ filmmaking forms, especially. As regards point-of-view images and. The traditional shot-reverse-shot. In. The Son' the father tries to see into an. Office where details important to him. The films ...
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