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The AHRC Research Centre for the History and Analysis of Recorded Music

Centre for the History and Analysis of Recorded Music. The AHRC Research Centre for the History and Analysis of Recorded Music. The AHRC Research Centre for the History and Analysis of Recorded Music (CHARM) was established on 1 April 2004, supported by a 5-year grant of just under 1m from the Arts and Humanities Research Council. A partnership of Royal Holloway, University of London. Host institution) with King's College, London. And the University of Sheffield. Residential symposia and other events.

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The AHRC Research Centre for the History and Analysis of Recorded Music | charm.cch.kcl.ac.uk Reviews

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Centre for the History and Analysis of Recorded Music. The AHRC Research Centre for the History and Analysis of Recorded Music. The AHRC Research Centre for the History and Analysis of Recorded Music (CHARM) was established on 1 April 2004, supported by a 5-year grant of just under 1m from the Arts and Humanities Research Council. A partnership of Royal Holloway, University of London. Host institution) with King's College, London. And the University of Sheffield. Residential symposia and other events.

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The AHRC Research Centre for the History and Analysis of Recorded Music | charm.cch.kcl.ac.uk Reviews

https://charm.cch.kcl.ac.uk

Centre for the History and Analysis of Recorded Music. The AHRC Research Centre for the History and Analysis of Recorded Music. The AHRC Research Centre for the History and Analysis of Recorded Music (CHARM) was established on 1 April 2004, supported by a 5-year grant of just under 1m from the Arts and Humanities Research Council. A partnership of Royal Holloway, University of London. Host institution) with King's College, London. And the University of Sheffield. Residential symposia and other events.

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charm.cch.kcl.ac.uk

1

Residential symposia and other events

http://charm.cch.kcl.ac.uk/about/about_symposia.html

Centre for the History and Analysis of Recorded Music. Residential symposia and other events. Symposium 6: Playing with recordings. Symposium 5: Cultures of recording. CHARM/RMA Annual Conference: Musicology and recordings. Symposium 4: Methods for analysing recordings. WestFocus seminar 3: Creative production for classical music. WestFocus seminar 2: Hold that sound! Recording your amateur orchestra or choir. Symposium 3: Transfer and the recording as historical document.

2

Analysing recordings

http://charm.cch.kcl.ac.uk/analysing/p9.html

Centre for the History and Analysis of Recorded Music. There are many reasons for and ways of analysing recordings, depending whether you are - for example - an audio engineer, producer, performer, composer, music information retrieval scientist, or musicologist. And it doesn't stop there: musicologists have different reasons for and ways of analysing recordings, ranging from quite informal methods of close listening (as illustrated in books like Robert Philip's.

3

History of recordings: guide to 78s and early LPs

http://charm.cch.kcl.ac.uk/history/p20_4.html

Centre for the History and Analysis of Recorded Music. Waxes, Shells and Stampers. History of recordings: guide to 78s and early LPs. To understand the sound that comes from early recordings it is important to understand how they were made. These pages offer introductions by Roger Beardsley on how 78rpm discs were recorded. Them today, and to making trustworthy modern transfers. Roger has also provided information on waxes, shells and stampers. Andrew Hallifax, who produced all the CHARM sound files.

4

Site Map

http://charm.cch.kcl.ac.uk/sitemap/sitemap.html

Centre for the History and Analysis of Recorded Music. Sound Files Search Help. Records on the Radio. Musicians of Britain and Ireland. Changing Sound of Music. 1926 Guide to Recording. Waxes, Shells and Stampers. King's College London, Strand, London WC2R 2LS, England, United Kingdom. Tel 44 (0)20 7836 5454.

5

Research projects

http://charm.cch.kcl.ac.uk/projects/p2.html

Centre for the History and Analysis of Recorded Music. Score-based musicology benefits from a wide range of infrastructural support, research methods, and analytical techniques built up over generations. Very little of this kind exists for recordings. CHARM's discographical project. Was a contribution to the infrastructural support for the study of recordings; its portfolio of major research projects was designed to contribute to the development of research methods and analytical techniques. Focussed on ...

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The AHRC Research Centre for the History and Analysis of Recorded Music

Centre for the History and Analysis of Recorded Music. The AHRC Research Centre for the History and Analysis of Recorded Music. The AHRC Research Centre for the History and Analysis of Recorded Music (CHARM) was established on 1 April 2004, supported by a 5-year grant of just under 1m from the Arts and Humanities Research Council. A partnership of Royal Holloway, University of London. Host institution) with King's College, London. And the University of Sheffield. Residential symposia and other events.

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The AHRC Research Centre for the History and Analysis of Recorded Music

Centre for the History and Analysis of Recorded Music. The AHRC Research Centre for the History and Analysis of Recorded Music. The AHRC Research Centre for the History and Analysis of Recorded Music (CHARM) was established on 1 April 2004, supported by a 5-year grant of just under 1m from the Arts and Humanities Research Council. A partnership of Royal Holloway, University of London. Host institution) with King's College, London. And the University of Sheffield. Residential symposia and other events.

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