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Chinese Cinema as Cultural Translation and Self-Representation

Chinese Cinema as Cultural Translation and Self-Representation. Chinese 223, Spring. 2017, Kauke 244, TR 2:30-3:50. Wednesday and Sunday 7-9 pm for screening. Schedules for CSI Summer. By 2050, it is expected that there will be 400 cities in China with population over one million. (Right now there are 172.) This rapid social and economic transformation towards global capitalism. Which began 35 years ago, has created the greatest migration and urbanization. Proudly powered by WordPress.

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Chinese Cinema as Cultural Translation and Self-Representation | chinesecinema.voices.wooster.edu Reviews

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Chinese Cinema as Cultural Translation and Self-Representation. Chinese 223, Spring. 2017, Kauke 244, TR 2:30-3:50. Wednesday and Sunday 7-9 pm for screening. Schedules for CSI Summer. By 2050, it is expected that there will be 400 cities in China with population over one million. (Right now there are 172.) This rapid social and economic transformation towards global capitalism. Which began 35 years ago, has created the greatest migration and urbanization. Proudly powered by WordPress.

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Chinese Cinema as Cultural Translation and Self-Representation | chinesecinema.voices.wooster.edu Reviews

https://chinesecinema.voices.wooster.edu

Chinese Cinema as Cultural Translation and Self-Representation. Chinese 223, Spring. 2017, Kauke 244, TR 2:30-3:50. Wednesday and Sunday 7-9 pm for screening. Schedules for CSI Summer. By 2050, it is expected that there will be 400 cities in China with population over one million. (Right now there are 172.) This rapid social and economic transformation towards global capitalism. Which began 35 years ago, has created the greatest migration and urbanization. Proudly powered by WordPress.

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Tentative Schedule | Chinese Cinema as Cultural Translation and Self-Representation

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Chinese Cinema as Cultural Translation and Self-Representation. READING and VIEWING HOMEWORK. By Roland Barthes; editing. Introduce China’s social changes. The idea of End of History. Argument, what is primitivism. Sheldon Lu: Sinophone Cinema. Must] “If China Can Say No, Can China Make Movies? Or Do Movies Make China? By Chris Berry, pp. 159-177; view. Dir by Chen Kaige; articles by Sheldon Lu: China, Transnational Visuality…. And Dialect and Modernity…. 85-7; [must] answer Concubine questions. Must] re...

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Instructor | Chinese Cinema as Cultural Translation and Self-Representation

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Chinese Cinema as Cultural Translation and Self-Representation. BA in English from Wabash College. PhD in Comparative Literature from Rutgers. Zhou Yu’s Train. A World without Thieves. Chinese Cinema as Cultural Translation and Self-Representation. Proudly powered by WordPress. Content is made available under the Creative Commons Attribution-Share Alike 3.0 United States License.

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Films to view | Chinese Cinema as Cultural Translation and Self-Representation

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Chinese Cinema as Cultural Translation and Self-Representation. Feng Xiaogang, 唐山大地震分析. Li Yang，盲井分析. Wayne Wang，中国匣子分析. City of Life and Death. Lu Chuan，南京南京分析. Comrades, Almost A Love Story. Peter Chan，甜蜜蜜分析. Eat Drink Man Woman. Ang Lee，饮食男女分析. Zhou Xiaowen，二嫫分析. Chen Kaige，霸王别姬分析. Yang Yazhou，美丽的大脚分析. Zhang Yang，落叶归根分析. Kar-Wai Wong，春光乍泄分析. Zhang Yimou，幸福时光分析. Ning Hao，香火分析. Li Yu, 苹果分析. Zhang Yimou，一个不能少分析. Gu Change，孔雀分析. Postmen in the Mountains. Huo Jianqi，那山那人那狗分析.

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Required Texts | Chinese Cinema as Cultural Translation and Self-Representation

http://chinesecinema.voices.wooster.edu/required-texts

Chinese Cinema as Cultural Translation and Self-Representation. Listed below are textbooks for this course; we do not necessarily study each and everyone of them from cover to cover; we will read only some of the writers from these books which offer critical perspectives and foci throughout the semester and therefore you are strongly encouraged to read them on your own. Noonday Press, 1957. ISBN: 0-374-52150-6. Primitive Passions: Visuality, Sexuality and Ethnography in Contemporary Chinese Cinema.

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Chinese Cinema: the Aesthetics of Modernity and Identity | Chinese Cinema as Cultural Translation and Self-Representation

http://chinesecinema.voices.wooster.edu/csi-summer-2013

Chinese Cinema as Cultural Translation and Self-Representation. Chinese Cinema: the Aesthetics of Modernity and Identity. By 2050, it is expected that there will be 400 cities in China with population over one million. (Right now there are 172.) This social and economic transformation that began 30 years ago in the 1980s has created the greatest migration and urbanization. READING and VIEWING HOMEWORK. By Roland Barthes; Francis Fukuyama’s idea of The End of History. Through liberalism; view. By Chris Be...

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About | Courses in Chinese Language and Culture

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Courses in Chinese Language and Culture. The Chinese Program at Wooster introduces students to both Chinese language. And culture. Its objective is to teach students the basic skills of reading, listening, speaking, and writing Chinese. Besides providing practical training in Chinese for career purposes, the program, including activities at the Chinese Language Suite in Luce. Lectures by invited speakers. Chinese new year celebration. And language contest at Cleveland Confucius Institute. A Chinese Studi...

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Chinese Cinema as Cultural Translation and Self-Representation. Chinese 223, Spring. 2017, Kauke 244, TR 2:30-3:50. Wednesday and Sunday 7-9 pm for screening. Schedules for CSI Summer. By 2050, it is expected that there will be 400 cities in China with population over one million. (Right now there are 172.) This rapid social and economic transformation towards global capitalism. Which began 35 years ago, has created the greatest migration and urbanization. Proudly powered by WordPress.

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