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Christine Gates

Sunday, December 14, 2008. More about life in the Collections at the South Australian Museum. Every drawer held a perfect still life of fossilised bones, trilobites, molluscs, from a millimetre or less in size to the metres of a fabulous Icthyosaur, temporarily housed on the floor and awaiting restoration. An added fascination was the boxes the fossils were stored in. These ranged from 1920s Redhead matchboxes to tiny cardboard creations with clear windows in the lid, designed for museum display. Various...

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Christine Gates | christinegates.blogspot.com Reviews

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Sunday, December 14, 2008. More about life in the Collections at the South Australian Museum. Every drawer held a perfect still life of fossilised bones, trilobites, molluscs, from a millimetre or less in size to the metres of a fabulous Icthyosaur, temporarily housed on the floor and awaiting restoration. An added fascination was the boxes the fossils were stored in. These ranged from 1920s Redhead matchboxes to tiny cardboard creations with clear windows in the lid, designed for museum display. Various...

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Christine Gates | christinegates.blogspot.com Reviews

https://christinegates.blogspot.com

Sunday, December 14, 2008. More about life in the Collections at the South Australian Museum. Every drawer held a perfect still life of fossilised bones, trilobites, molluscs, from a millimetre or less in size to the metres of a fabulous Icthyosaur, temporarily housed on the floor and awaiting restoration. An added fascination was the boxes the fossils were stored in. These ranged from 1920s Redhead matchboxes to tiny cardboard creations with clear windows in the lid, designed for museum display. Various...

INTERNAL PAGES

christinegates.blogspot.com

1

Christine Gates: My first artist residency at the South Australian Museum

http://christinegates.blogspot.com/2008/11/my-first-artist-residency-at-south.html

Saturday, November 22, 2008. My first artist residency at the South Australian Museum. The wonderful people at the South Australian Museum last month welcomed me to a unique experience with their Cretaceous marine reptiles. For some years now I've been working with the idea of Australia's inland sea deserts. The South Australian Museum has one of the two best collections in Australia of fossils, some of them opalised, from these areas. (The other is in Queensland.). Next post: In the Museum Vaults.

2

Christine Gates: More about life in the Collections at the South Australian Museum

http://christinegates.blogspot.com/2008/12/more-about-life-in-collections-at-south.html

Sunday, December 14, 2008. More about life in the Collections at the South Australian Museum. Every drawer held a perfect still life of fossilised bones, trilobites, molluscs, from a millimetre or less in size to the metres of a fabulous Icthyosaur, temporarily housed on the floor and awaiting restoration. An added fascination was the boxes the fossils were stored in. These ranged from 1920s Redhead matchboxes to tiny cardboard creations with clear windows in the lid, designed for museum display.

3

Christine Gates: In the Museum Vaults

http://christinegates.blogspot.com/2008/11/in-museum-vaults.html

Saturday, November 29, 2008. In the Museum Vaults. Actually they're called the Collections, not the Vaults. That name doesn't convey the sense of discovering hidden treasure. Down stairs, through locked doors, below ground, with strict security, it had all the elements of a treasure hunt, even though the hiding place was a utilitarian metal cupboard. It was tempting to spend my days picking up small boxes and examining the contents, wondering at the impossibility of holding in my hand the relic of a crea...

4

Christine Gates: November 2008

http://christinegates.blogspot.com/2008_11_01_archive.html

Saturday, November 29, 2008. In the Museum Vaults. Actually they're called the Collections, not the Vaults. That name doesn't convey the sense of discovering hidden treasure. Down stairs, through locked doors, below ground, with strict security, it had all the elements of a treasure hunt, even though the hiding place was a utilitarian metal cupboard. It was tempting to spend my days picking up small boxes and examining the contents, wondering at the impossibility of holding in my hand the relic of a crea...

5

Christine Gates: December 2008

http://christinegates.blogspot.com/2008_12_01_archive.html

Sunday, December 14, 2008. More about life in the Collections at the South Australian Museum. Every drawer held a perfect still life of fossilised bones, trilobites, molluscs, from a millimetre or less in size to the metres of a fabulous Icthyosaur, temporarily housed on the floor and awaiting restoration. An added fascination was the boxes the fossils were stored in. These ranged from 1920s Redhead matchboxes to tiny cardboard creations with clear windows in the lid, designed for museum display.

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christinegates.blogspot.com

Christine Gates

Sunday, December 14, 2008. More about life in the Collections at the South Australian Museum. Every drawer held a perfect still life of fossilised bones, trilobites, molluscs, from a millimetre or less in size to the metres of a fabulous Icthyosaur, temporarily housed on the floor and awaiting restoration. An added fascination was the boxes the fossils were stored in. These ranged from 1920s Redhead matchboxes to tiny cardboard creations with clear windows in the lid, designed for museum display. Various...

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The Desert and the Inland Sea. Stones in the Cloud Forest. The Desert and the Inland Sea.

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Original Music and Songs. New :18 Project Site. Http:/ web.mac.com/gatt33/iWeb/18proje. This site offers some extra images from the :18 Project;. Including installation views from St. Lawrence University,. Details of the large grids, video stills and a short video segment. YouTube: 18 Project Movie. Http:/ www.youtube.com/watch? This is a link to a segment of the :18 Project Movie, It's a short segment. Leave a comment if you like. And an installation view of the video projection. [LINK]. My initial moti...

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Née en 1959 , toute petite déjà, j'arpentais les galeries des musées, subjuguée par la beauté et l'émotion qui émanent des oeuvres de nos grands maîtres. Paysagiste de formation, puis immergée dans le marketing, j'ai attendu l'âge de 40 ans pour réaliser mon rêve : plonger activement dans le domaine de l'art . Je ne peux transmettre que ce qui me touche, me fait vibrer : l'amour, humour, le partage, la douleur, la peine au travail, la force de l'espoir ou du désespoir. 1999 à ce jour. Photos Noir et blanc.