dancingmachineontour.wordpress.com
CHRISTODOULOS PANAYIOTOU / GUYSGOCRAZY et SLOW DANCE MARATHON | Dancing Machine
https://dancingmachineontour.wordpress.com/2011/07/04/christodoulos-panayiotou-guysgocrazy-et-slow-dance-marathon
Video and Photos HD. Dossier and Revue de Presse. CHRISTODOULOS PANAYIOTOU / GUYSGOCRAZY et SLOW DANCE MARATHON. On juillet 4, 2011 · Laisser un commentaire. Guysgocrazy présente, sur deux écrans, un studio de l’industrie pornographique gay avant et après le tournage d’une party. Les traces laissées dans le lieu témoignent de l’action évoquée. Slow Dance Marathon retrace les différents moments éphémères, la dramaturgie d’un slow à travers une succession d’expériences de couples de danseurs. For the perfo...
disclosuresproject.wordpress.com
/ / Hydrarchy Conference | Disclosures
https://disclosuresproject.wordpress.com/disclosures-iv/hydrarchy-conference
Women and the Archive. Hydrarchy: Power and Resistance at Sea. Introduction by Stephanie Schwartz (UCL). Introductions by the curators Anna Colin and Mia Jankowicz, and chair Lisa Le Feuvre. Against Terracentrism: The Sea and History. Keynote by Marcus Rediker (historian, writer and activist). Respondent: Julia Morandeira. Free Seas, Free Skies? A presentation by Amy Balkin (artist). Respondent: Paula Ruiz. Splendid Isolation: Philosophers’ islands and the contemporary geopolitical imagination. In this m...
disclosuresproject.wordpress.com
Thanks | Disclosures
https://disclosuresproject.wordpress.com/disclosures-iv/thanks
Women and the Archive. Hydrarchy: Power and Resistance at Sea. Our thanks go to. John Barlow Gone Offshore. And to all the people who gave us some of their time during our research. Thanks to the funders: Esmee Fairbairn Foundation, Arts Council England, Charles Wallace India Trust, Henry Moore Foundation, Austrian Cultural Forum in London; and to the partner NODE.London. Disclosures II: The Middle Ages. Thanks to Nottingham Contemporary for producing and funding the project. Thanks to the Whitechapel Ga...
disclosuresproject.wordpress.com
Women and the Archive | Disclosures
https://disclosuresproject.wordpress.com/women-and-the-archive-a-partial-disclosure
Women and the Archive. Hydrarchy: Power and Resistance at Sea. Women and the Archive. Women and the Archive: A Partial Disclosure. Saturday 14 March 2009. Curated by Anna Colin. The Women’s Library, London. The Otolith Group, Marysia Lewandowska, Cinenova, the Remembering Olive Collective. Produced by Whitechapel Gallery. In partnership with The Women’s Library. For documentation of specific contributions to. Women and The Archive: A Partial Disclosure. Please click the links in the sidebar. Selected mat...
disclosuresproject.wordpress.com
Home | Disclosures
https://disclosuresproject.wordpress.com/disclosures-iv/thanks/home
Women and the Archive. Hydrarchy: Power and Resistance at Sea. Started in March 2008 by Anna Colin (Exhibitions Curator, Gasworks, London) and Mia Jankowicz (independent curator),. 8216; projects aim to open up, and draw parallels between, non-dominant histories and cultural practices on the one hand, and contemporary cultural production and political structures on the other hand. This takes place through exhibitions, seminars, commissioning, and events programming clustered round a single focus. An onli...
disclosuresproject.wordpress.com
/ / Mia Jankowicz | Disclosures
https://disclosuresproject.wordpress.com/women-and-the-archive-a-partial-disclosure/mia-jankowicz
Women and the Archive. Hydrarchy: Power and Resistance at Sea. Polished-up notes for a panel discussion. Presented at The Women’s Library on Saturday 14 March 2009. This is a worked-up series of notes informing the panel discussion held at the Women’s Library. Not an essay, and also certainly not communicating the content and vivacity of the discussion held, they more denote a series of thoughts and questions formulated before and during the day of. Women and the Archive: A Partial Disclosure. It might b...
ofartandotherstories.blogspot.com
Of Art and Other Stories: 'ART'
http://ofartandotherstories.blogspot.com/2011/10/art.html
Of Art and Other Stories. Sunday, October 9, 2011. Kazimir Malevich, Suprematist Composition: White on White. 1918, at the Museum of Modern Art (MoMA). How much can you shape or expect to shape your friends? How much are we do expect to have the same ideas and share the same values with the people who choose to be friends with? ART' was such an exciting play, relevant to out times and reflecting broader philosophical issues. Subscribe to: Post Comments (Atom). Explore the British Museum. Susan Pui San Lok.
ofartandotherstories.blogspot.com
Of Art and Other Stories: January 2011
http://ofartandotherstories.blogspot.com/2011_01_01_archive.html
Of Art and Other Stories. Monday, January 24, 2011. Between You and Me and the Wall". Kyriaki Costa, Depth of Surface, 2011. Friday, January 21, 2011. BODY INTERRUPTED [The relationship between eroticism and death in the work of Nicolas Hasapopoulos]*. I n essence the domain of eroticism is the domain of violence, of violation. Bataille, 2006: 16). Nicolas Hasapopoulos presented his work at Is not Gallery. Freud, D. (2003) The Uncanny. London, UK: Penguin Books. Saturday, January 15, 2011. Museum of the ...
ofartandotherstories.blogspot.com
Of Art and Other Stories: April 2008
http://ofartandotherstories.blogspot.com/2008_04_01_archive.html
Of Art and Other Stories. Friday, April 11, 2008. Is the Renaissance scholar dead? Guardian, April 10, 2008). Apart from the simple minded dichotomy between practical knowledge that contributes to the advancement of the economic machine of nation-states, and the theoretical knowledge that aims to develop culturally engaged members of society, there is the question of who exactly can be this Renaissance scholar. Who has access to these two extremes of the polarity? Subscribe to: Posts (Atom). Museums and ...
