christopherpelley.blogspot.com

Christopher Pelley

Saturday, January 31, 2015. Fear of the Fragment. But has digital reconstruction imagery popularized by the History Channel shifted the way we want to see the past? Has enhanced reality become more potent than the real? Does the restoration of Tullio Lombardo's Adam and the ongoing reconstruction of the Parthenon, complete with filling of chipped sections of the column drums and lintels, re-carved missing sections all supported by modern materials signal the death of the Sublime? Links to this post.

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Saturday, January 31, 2015. Fear of the Fragment. But has digital reconstruction imagery popularized by the History Channel shifted the way we want to see the past? Has enhanced reality become more potent than the real? Does the restoration of Tullio Lombardo's Adam and the ongoing reconstruction of the Parthenon, complete with filling of chipped sections of the column drums and lintels, re-carved missing sections all supported by modern materials signal the death of the Sublime? Links to this post.

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Christopher Pelley | christopherpelley.blogspot.com Reviews

https://christopherpelley.blogspot.com

Saturday, January 31, 2015. Fear of the Fragment. But has digital reconstruction imagery popularized by the History Channel shifted the way we want to see the past? Has enhanced reality become more potent than the real? Does the restoration of Tullio Lombardo's Adam and the ongoing reconstruction of the Parthenon, complete with filling of chipped sections of the column drums and lintels, re-carved missing sections all supported by modern materials signal the death of the Sublime? Links to this post.

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christopherpelley.blogspot.com

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Christopher Pelley: May 2013

http://www.christopherpelley.blogspot.com/2013_05_01_archive.html

Saturday, May 11, 2013. Antinoo @ Villa Albani. The decay of parts of the Villa is very real and palpable. Just outside the estate's southern gates I installed a lo-rez image of Antinoo to serenely overlook this urban ruin. The image of Antinoo, made from over1000 5cm x 5cm pieces of painted paper, is based upon a photo of the 2nd century AD bust of Antinoo at the Museo Nazionale Romano /. Interestingly, the face of the marble was re-carved in the 18th century to reflect the new neoclassical aesthetic.

2

Christopher Pelley: June 2012

http://www.christopherpelley.blogspot.com/2012_06_01_archive.html

Sunday, June 3, 2012. Impressing the mind with a sense of grandeur or power; inspiring awe, veneration, etc. After several more visits,. I began to believe that the. Almost daily I checked on the progress of the beam and the void, and at the stroke of noon. Actually it was 1 pm since the clocks had been moved forward for daylight savings), on April 8, the beam and the void lined up. I was crushed. Was this meeting just a coincidence and totally lacking in cosmic significance? Links to this post.

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Christopher Pelley: Piranesian

http://www.christopherpelley.blogspot.com/2013/10/piranesian.html

Thursday, October 10, 2013. I'm crazy about Giovanni Battista Piranesi, the 18th century Italian engraver, archaeologist and architect (Venice 1720 - Rome 1788). It is his late etchings of Carceri, or prisons that one most often associates him with today. The frenetic line quality of Escher like spaces that border on madness and fantasy has catapulted his fame, but I am drawn to his earlier works, and his novel idea of the fragment. Christopher Pelley Capitoline Venus #4 acrylic/digital photo.

4

Christopher Pelley: July 2012

http://www.christopherpelley.blogspot.com/2012_07_01_archive.html

Tuesday, July 24, 2012. High water mark of 1422, facade of Santa Maria Sopra Minerva. High water mark of 1530, facade of Santa Maria Sopra Minerva. High water mark of 1597, facade of Sant' Eustachio. Here is a video of an urban intervention I did of a possible scenario:. Links to this post. Subscribe to: Posts (Atom). A post post-modern visual artist dividing my time between NYC and Roma, working at the intersection of Myth, Memory and Desire. View my complete profile.

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Christopher Pelley: Fear of the Fragment

http://www.christopherpelley.blogspot.com/2015/01/fear-of-fragment.html

Saturday, January 31, 2015. Fear of the Fragment. But has digital reconstruction imagery popularized by the History Channel shifted the way we want to see the past? Has enhanced reality become more potent than the real? Does the restoration of Tullio Lombardo's Adam and the ongoing reconstruction of the Parthenon, complete with filling of chipped sections of the column drums and lintels, re-carved missing sections all supported by modern materials signal the death of the Sublime? View my complete profile.

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Feeling my highs and my lows. Cuss like a sailor, I paint a picture with a pen like Norman Mailer. A radical leftist who hates America. So i'm reading this article. On RollingStone and came across this phrase:. Regarding "key elements" one can find in any Tea Party rally or interview). Everyone who disagrees with them is a radical leftist who hates America.". Nothing new. Nothing i haven't heard before. Although, it just hit me:. What if i AM a radical leftist who hates America? So yeah, call me an Anit-...

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Saturday, January 31, 2015. Fear of the Fragment. But has digital reconstruction imagery popularized by the History Channel shifted the way we want to see the past? Has enhanced reality become more potent than the real? Does the restoration of Tullio Lombardo's Adam and the ongoing reconstruction of the Parthenon, complete with filling of chipped sections of the column drums and lintels, re-carved missing sections all supported by modern materials signal the death of the Sublime? Links to this post.

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