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Carnegie International Digital Archive

A Digital Archive: 1896 2013. Artist-turned-museum director John W. Beatty chose work for the. Was then called) himself. Later, the Fine Arts Committee (a subset of the Board of Trustees) was invited to assist, then eventually a committee of foreign advisors was established to help with the selection. READ MORE →. Artworks Being Delivered to an Early. Artworks being delivered to an early. From 1896 through 1921, the. Installation view of the first. Artist Thomas Eakins sat on the jury (and again in 1903.

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Carnegie International Digital Archive | ci-archive.cmoa.org Reviews

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A Digital Archive: 1896 2013. Artist-turned-museum director John W. Beatty chose work for the. Was then called) himself. Later, the Fine Arts Committee (a subset of the Board of Trustees) was invited to assist, then eventually a committee of foreign advisors was established to help with the selection. READ MORE →. Artworks Being Delivered to an Early. Artworks being delivered to an early. From 1896 through 1921, the. Installation view of the first. Artist Thomas Eakins sat on the jury (and again in 1903.

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Carnegie International Digital Archive | ci-archive.cmoa.org Reviews

https://ci-archive.cmoa.org

A Digital Archive: 1896 2013. Artist-turned-museum director John W. Beatty chose work for the. Was then called) himself. Later, the Fine Arts Committee (a subset of the Board of Trustees) was invited to assist, then eventually a committee of foreign advisors was established to help with the selection. READ MORE →. Artworks Being Delivered to an Early. Artworks being delivered to an early. From 1896 through 1921, the. Installation view of the first. Artist Thomas Eakins sat on the jury (and again in 1903.

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ci-archive.cmoa.org

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1910–1919 « Carnegie International Digital Archive

http://ci-archive.cmoa.org/1910s

A Digital Archive: 1896 2013. While still under the direction of John W. Beatty, the 1914. World War I prompted the suspension of the. Between 1915 and 1919. In 1915, the US Government organized the Panama-Pacific International Exposition in San Francisco, and the Fine Arts Committee though it “patriotic and wise course not to compete with it.

2

1920–1929 « Carnegie International Digital Archive

http://ci-archive.cmoa.org/1920s

A Digital Archive: 1896 2013. The exhibition was reintroduced as the. Annual International Exhibition of Paintings. Robert B. Harshe, then assistant director of fine arts, went to Europe to choose work. Sculpture was included for the first time, represented by 13 works by Auguste Rodin. In 1921. During Beatty’s last year at the helm, he invited Homer Saint-Gaudens to select work with him. That year marked the first time Henri Matisse was included in an. He recognized the unique role of the. Art is but a ...

3

1980–2013 « Carnegie International Digital Archive

http://ci-archive.cmoa.org/1980-2008

A Digital Archive: 1896 2013. In 1980, the A. W. Mellon Education and Charitable Trust provided an endowment to ensure the perpetuation of the. This coincided with renewed enthusiasm for international exhibitions on the heels of popular landmark exhibitions like. In Germany. In 1982. When media interest focused on the inclusion of Joseph Beuys and Andy Warhol grouped together in one gallery; both artists had passed away in the years since the last. Richard Armstrong in 1995. Madeleine Grynsztejn in 1999.

4

1940–1949 « Carnegie International Digital Archive

http://ci-archive.cmoa.org/1940s

A Digital Archive: 1896 2013. During World War II, the. Necessarily shifted course and began to reflect inward on the state of American art at mid-century. This occurred at first under director Homer Saint-Gaudens in 1940. When he mounted the epic. Survey of American Painting. Directions in American Painting. This exhibition included artists who had never before exhibited in the. Or at the museum. In 1942, the show was abandoned in favor of the exhibition. For the next seven years, between 1943.

5

1930–1939 « Carnegie International Digital Archive

http://ci-archive.cmoa.org/1930s

A Digital Archive: 1896 2013. In the 1930s, the exhibition continued annually under the leadership of director Homer Saint-Gaudens. The 1930. Show continued as a mix of conservative, moderate, and advanced works that appealed to a large range of audiences, but it did present work from the Soviet Union for the first time (Russian artists previously included had been émigrés in Paris). Henri Matisse sat on the jury that year. Addressing the situation of the arts in Europe. The 1938. Hosted two German secti...

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ci13.cmoa.org

About the Exhibition | 2013 Carnegie International

http://ci13.cmoa.org/about

Larr; Carnegie Museum of Art. Hotels and Pittsburgh Guide. October 5, 2013–March 16, 2014. Is an ambitious return for Carnegie Museum of Art’s signature survey series, the preeminent exhibition of new international art in the United States. The. Is a conversation among four parts: a major exhibition of new international art, a playground, the museum’s collection, and an engagement with the city of Pittsburgh. Learn about our Free Thursdays, October 31–November 21. Mdash;Roberta Smith,. Nicole Eisenman, B...

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The Collection | 2013 Carnegie International

http://ci13.cmoa.org/the-collection

Larr; Carnegie Museum of Art. The newly reinstalled modern and contemporary Scaife galleries feature works from past Carnegie Internationals. This exhibition from the museums collection of modern and contemporary art is a component of the. The newly reinstalled Scaife galleries present some of Carnegie Museum of Art’s key holdings of modern and contemporary art, and highlight the stories artworks can tell about the museum’s unique history. Central to this history is the. Mon: 10AM to 5PM. Wed: 10AM to 5PM.

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Carnegie International Digital Archive

A Digital Archive: 1896 2013. Artist-turned-museum director John W. Beatty chose work for the. Was then called) himself. Later, the Fine Arts Committee (a subset of the Board of Trustees) was invited to assist, then eventually a committee of foreign advisors was established to help with the selection. READ MORE →. Artworks Being Delivered to an Early. Artworks being delivered to an early. From 1896 through 1921, the. Installation view of the first. Artist Thomas Eakins sat on the jury (and again in 1903.

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