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June | 2011 | cinegaze

https://cinegaze.wordpress.com/2011/06

Just another WordPress.com site. Monthly Archives: June 2011. BENEATH THE SURFACE: Women, Sexuality, Fantasy and the Altered Suburban Space in ‘Sweetie’ (Jane Campion, 1989) and ‘Love Serenade’ (Shirley Barrett, 1996). June 2, 2011. BENEATH THE SURFACE: Women, Sexuality, Fantasy and the Altered Suburban Space in ‘Sweetie’ (Jane Campion, 1989) and ‘Love Serenade’ (Shirley Barrett, 1996). 8216;Romper Stomper’ (Geoffrey Wright, 1992) SEQUENCE ANALYSIS. 8216;Long Weekend’ 1978/ 2008. Blog at WordPress.com.

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cinegaze | cinegaze

https://cinegaze.wordpress.com/author/cinegaze

Just another WordPress.com site. BENEATH THE SURFACE: Women, Sexuality, Fantasy and the Altered Suburban Space in ‘Sweetie’ (Jane Campion, 1989) and ‘Love Serenade’ (Shirley Barrett, 1996). June 2, 2011. 8216;Romper Stomper’ (Geoffrey Wright, 1992) SEQUENCE ANALYSIS. May 4, 2011. 8216;Long Weekend’ 1978/ 2008. May 2, 2011. I recently discovered that the Ozploitation classic ‘Long Weekend’ (Colin Eggleston, 1978) was remade by Jamie Blanks in 2008 with the alternative title, ‘Nature&#821...April 25, 2011.

3

cinegaze | Just another WordPress.com site | Page 2

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Just another WordPress.com site. Newer posts →. March 21, 2011. The Cars That Ate Paris- Peter Weir, 1974. March 20, 2011. Peter Weir’s first feature film,. The Cars That Ate Paris. Encounters the dark exploits of a fictional township in rural Australia. In this black comedy, Weir shows us the covert underbelly of the town and constructs an insulated world, which opposes the essentialist notion of Australian cinema. Instead, Paris survives on lies, death and cars. Bringing to mind mechanised Frankenstein...

4

Crime Genre: National Specificity and the Lovable Criminal in Suburbia | cinegaze

https://cinegaze.wordpress.com/2011/04/25/crime-genre-australias-preoccupation-with-tales-of-exploitation

Just another WordPress.com site. 8216;Howling III: The Marsupials’ (Philippe Mora, 1987). 8216;Long Weekend’ 1978/ 2008 →. Crime Genre: National Specificity and the Lovable Criminal in Suburbia. April 25, 2011. Notions of national character and the crime genre are explored in. Gregor Jordan, 1999) and. In both films, the imagined space of suburbia impacts the characters socially, culturally and psychologically. Catherine Simpson (1999, 24) suggests that this “strange indefinable space between t...Feature...

5

‘Howling III: The Marsupials’ (Philippe Mora, 1987) | cinegaze

https://cinegaze.wordpress.com/2011/04/25/howling-iii-the-marsupials

Just another WordPress.com site. The National Myth in ‘Gallipoli’ (Peter Weir, 1981). Crime Genre: National Specificity and the Lovable Criminal in Suburbia →. 8216;Howling III: The Marsupials’ (Philippe Mora, 1987). April 25, 2011. As depicted in the above image) and John Landis’ 1981 horror classic. American Werewolf in London. Through both musical and thematic elements),. Laseur, Carol, 1990, ‘Australian exploitation film: the politics of bad taste’,. Vol 5 no 2, edited by Adrian Martin. Enter your co...

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Just another WordPress.com site. BENEATH THE SURFACE: Women, Sexuality, Fantasy and the Altered Suburban Space in ‘Sweetie’ (Jane Campion, 1989) and ‘Love Serenade’ (Shirley Barrett, 1996). June 2, 2011. Jane Campion, 1989) and. Shirley Barrett, 1996) provoke notions of national identity through their banal portrayal of the every-day and challenge the critical dismissal of the suburban space as an unworthy subject for artistic/ cultural attention (Simpson, 1999, 24). Louis unearths the very symbol of Aus...

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