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Cinéma (expérimental)

Samedi 9 février 2008. Scott MacDonald: Your first experimental film work was with film loops? SM: Even though the line actually isn't darker on the film? RL: Yes, it's due to the way the mind processes images. That's how a film like Les tournesols works. You're focusing on successively different flowers all over the field, and together they all look in focus. But when the images were shot, parts of every frame were out of focus. SM: Who do you mean? SM: Were you trained as a visual artist? SM: That was ...

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Cinéma (expérimental) | cinema-experimental.blogspot.com Reviews

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Samedi 9 février 2008. Scott MacDonald: Your first experimental film work was with film loops? SM: Even though the line actually isn't darker on the film? RL: Yes, it's due to the way the mind processes images. That's how a film like Les tournesols works. You're focusing on successively different flowers all over the field, and together they all look in focus. But when the images were shot, parts of every frame were out of focus. SM: Who do you mean? SM: Were you trained as a visual artist? SM: That was ...

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1 cinéma expérimental

2 rose lowder

3 in one day

4 extremely difficult

5 millenium film journal

6 on le trouve

7 publié par flicker

8 aucun commentaire

9 stan brakhage

10 site

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Cinéma (expérimental) | cinema-experimental.blogspot.com Reviews

https://cinema-experimental.blogspot.com

Samedi 9 février 2008. Scott MacDonald: Your first experimental film work was with film loops? SM: Even though the line actually isn't darker on the film? RL: Yes, it's due to the way the mind processes images. That's how a film like Les tournesols works. You're focusing on successively different flowers all over the field, and together they all look in focus. But when the images were shot, parts of every frame were out of focus. SM: Who do you mean? SM: Were you trained as a visual artist? SM: That was ...

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cinema-experimental.blogspot.com

1

Cinéma (expérimental): Rose Lowder

http://cinema-experimental.blogspot.com/2008/02/rose-lowder.html

Samedi 9 février 2008. Scott MacDonald: Your first experimental film work was with film loops? SM: Even though the line actually isn't darker on the film? RL: Yes, it's due to the way the mind processes images. That's how a film like Les tournesols works. You're focusing on successively different flowers all over the field, and together they all look in focus. But when the images were shot, parts of every frame were out of focus. SM: Who do you mean? SM: Were you trained as a visual artist? SM: That was ...

2

Cinéma (expérimental): Walden

http://cinema-experimental.blogspot.com/2008/02/walden.html

Vendredi 1 février 2008. Jonas Mekas - Walden. Inscription à : Publier les commentaires (Atom). Certaines des images ont été recadrées et la tonalité d'origine n'a pas toujours pu être reproduite. Si vous souhaitez qu'un texte copié sans droit ou une image publiée sans autorisation soit retiré, merci de m'envoyer un message. flicker75 no spam gmail.com en remplaçant no spam par @. Afficher mon profil complet.

3

Cinéma (expérimental): Jonas Mekas

http://cinema-experimental.blogspot.com/2008/02/jonas-mekas_09.html

Samedi 9 février 2008. Selon moi, le cinéma d'avant-garde français représentait une épée à double tranchant : d'un côté, on peut dire que, sans l'influence française, le cinéma d'avant-garde américain n'aurait pas même existé. D'un autre côté, le vrai cinéma d'avant-garde américain n'a pu voir le jour qu'en se libérant de l'influence française. Cela advint vers 1957, on date souvent ce décrochage par. Anticipation of the Night. De Stan Brakhage, même si. Jeune, dure et pure! Afficher mon profil complet.

4

Cinéma (expérimental): Jonas Mekas

http://cinema-experimental.blogspot.com/2008/02/jonas-mekas.html

Vendredi 1 février 2008. When Jonas, in 1964, got me a grant of $ 10 a week, he helped me,. When he brought me to New York and showed my films he be-. Came one of my fathers,. When he beat me in a vodka drinking bout, he astonished me,. When he kept my bicycle in his living room for years, friendship. Assumed a new meaning for me,. When he established his diary style of views and glimpses, he. Forced me to put him into my category of special rascals like Bu-. Resting lover, he moves on and moves in.

5

Cinéma (expérimental): J'ai élu les images en mouvement

http://cinema-experimental.blogspot.com/2008/01/jai-lu-les-images-en-mouvement-au-fond.html

Jeudi 31 janvier 2008. J'ai élu les images en mouvement. En 1971, lorsque vous retournez pour la première fois en Lituanie et filmez. Reminiscence of a Journey to Lithuania,. Vous allez au camp d'Elmshorn où vous avez été prisonnier pendant la guerre. Que vous a inspiré l'endroit? Plus rien n'était là pour rappeler qu'il y avait eu ici près de mille prisonniers de guerre et travailleurs forcés. J'ai filmé d'autres camps en 1992-1993 un jour je ferai quelque chose avec ces rushes. Beaucoup de choses éta...

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Samedi 9 février 2008. Scott MacDonald: Your first experimental film work was with film loops? SM: Even though the line actually isn't darker on the film? RL: Yes, it's due to the way the mind processes images. That's how a film like Les tournesols works. You're focusing on successively different flowers all over the field, and together they all look in focus. But when the images were shot, parts of every frame were out of focus. SM: Who do you mean? SM: Were you trained as a visual artist? SM: That was ...

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