cinematicforms.blogspot.com

Independent Cinematic Forms

Monday, December 10, 2012. Final Class - Breakdowns. Good work on the breakdowns. As I mentioned in class, I found them all interesting and useful. I hope you did too. As promised, below in the essay Nathan wrote. Please read it and add comments and feedback. We are both very interested to hear what you think. Convention and Manipulation: Independent Cinema as Genre. 8230;genre endures within film theory because of its ability to perform multiple operations simultaneously…genres provide the formula...

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Independent Cinematic Forms | cinematicforms.blogspot.com Reviews

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Monday, December 10, 2012. Final Class - Breakdowns. Good work on the breakdowns. As I mentioned in class, I found them all interesting and useful. I hope you did too. As promised, below in the essay Nathan wrote. Please read it and add comments and feedback. We are both very interested to hear what you think. Convention and Manipulation: Independent Cinema as Genre. 8230;genre endures within film theory because of its ability to perform multiple operations simultaneously…genres provide the formula...

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1 independent cinematic forms

2 nathan snow

3 thematically

4 visually

5 works cited

6 the intruder

7 living in oblivion

8 2 comments

9 email this

10 blogthis

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Independent Cinematic Forms | cinematicforms.blogspot.com Reviews

https://cinematicforms.blogspot.com

Monday, December 10, 2012. Final Class - Breakdowns. Good work on the breakdowns. As I mentioned in class, I found them all interesting and useful. I hope you did too. As promised, below in the essay Nathan wrote. Please read it and add comments and feedback. We are both very interested to hear what you think. Convention and Manipulation: Independent Cinema as Genre. 8230;genre endures within film theory because of its ability to perform multiple operations simultaneously…genres provide the formula...

INTERNAL PAGES

cinematicforms.blogspot.com

1

Independent Cinematic Forms: November 2010

http://cinematicforms.blogspot.com/2010_11_01_archive.html

Tuesday, November 30, 2010. As Craig requested this. Using the same film presented in class, each student will create a breakdown analysis attempting to explain the production with an emphasis on locations, actors and schedule.The goal is to reverse engineer the film. Count how many locations are used, time out how many pages are shot in each, how many major/minor characters are present for each location. Detail all. The best breakdown will be posted on the class blog. Comments by all are encouraged.

2

Independent Cinematic Forms: November 2011

http://cinematicforms.blogspot.com/2011_11_01_archive.html

Tuesday, November 29, 2011. Class # 13 - Ten Tiny Love Stories. Notes by Emilia García. In 2002, Colombian writer and director Rodrigo García released his second film: Ten Tiny Love Stories. He made this film as a creative experiment with a budget of $100,000. It consists of a series of monologues shown one at a time, where a woman shares with the audience a love story in a confessional/documentary style. To achieve this. With the years, García has built up a reputation for writing character-driven often...

3

Independent Cinematic Forms: Class #13 - MY DATE WITH DREW

http://cinematicforms.blogspot.com/2012/12/class-13-my-date-with-drew.html

Tuesday, December 4, 2012. Class #13 - MY DATE WITH DREW. Notes by Chris Jenkins. Director Brian Herzlinger was born February 19, 1976. He graduated with a B.S. in Cinema and Photography from Ithaca College. As a student he directed a short film on 16 mm called The Film Contest. He eventually went on to work on entry level jobs at DreamWorks and MGM, however only getting as high as assistant to Executive Producer of Ally McBeal's, Bill D'Elia (who appears in My Date With Drew). Was it a documentary?

4

Independent Cinematic Forms: August 2011

http://cinematicforms.blogspot.com/2011_08_01_archive.html

Tuesday, August 30, 2011. CLASS #2 - THE LAST BROADCAST. All griping aside, it's pretty damn cool to see a finished film shot for $900. And to know what these guys did with the film in terms of distribution (and how they did it) is also pretty amazing. In terms of what we can learn for your projects, let's recount what we discussed as tricks to keep a tight budget:. Own the means of production (or get them for free). Transform limitations into stylistic touches (ie: got crappy cameras? Posted by Rich G.

5

Independent Cinematic Forms: Class #12 - Personal Velocity (2002)

http://cinematicforms.blogspot.com/2012/11/class-12-personal-velocity-2002.html

Monday, November 26, 2012. Class #12 - Personal Velocity (2002). Notes by Yesenia Lima. Rebecca Miller – Daughter of Aurther Miller and Inge Morath (photographer). Has written and directed 4 feature films:. The Ballad of Jack and Rose (2005). The Private Lives of Pippa Lee (2009). Her first film, Angela, won the filmmaker’s prize at Sundance. Well-received by critics but didn’t make any money. Winick contacted Rebecca asking if she had anything she would like to shoot on mini-dv with a small budget. ...

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Independent Cinematic Forms

Monday, December 10, 2012. Final Class - Breakdowns. Good work on the breakdowns. As I mentioned in class, I found them all interesting and useful. I hope you did too. As promised, below in the essay Nathan wrote. Please read it and add comments and feedback. We are both very interested to hear what you think. Convention and Manipulation: Independent Cinema as Genre. 8230;genre endures within film theory because of its ability to perform multiple operations simultaneously…genres provide the formula...

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