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CinemaWriter.com | cinemawriter.com Reviews
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(by Jay Antani)
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1 cinemawriter com
2 menu
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5 nebraska
6 about schmidt
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CinemaWriter.com | cinemawriter.com Reviews

https://cinemawriter.com

(by Jay Antani)

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1

Jay Antani | CinemaWriter.com

http://cinemawriter.com/author/jaywriter

Alexander Payne paints a deceptively simple portrait of a complex character who’s become a withdrawn shell of a human being by a combination of senility, drink and disillusionment. Filmed in immaculate black-and-white by cinematographer Phedon Papamichael,. As word gets out about Woody’s alleged millionaire status, everyone wants a piece of it, from members of his extended family to Ed Pegrem (an excellent Stacy Keach), Woody’s former business partner who wants compensation for all the losses...He’...

2

Uncategorized | CinemaWriter.com

http://cinemawriter.com/category/uncategorized

Alexander Payne paints a deceptively simple portrait of a complex character who’s become a withdrawn shell of a human being by a combination of senility, drink and disillusionment. Filmed in immaculate black-and-white by cinematographer Phedon Papamichael,. As word gets out about Woody’s alleged millionaire status, everyone wants a piece of it, from members of his extended family to Ed Pegrem (an excellent Stacy Keach), Woody’s former business partner who wants compensation for all the losses...He’...

3

Inside Llewyn Davis | CinemaWriter.com

http://cinemawriter.com/2014/01/18/inside-llewyn-davis

I like movies whose plots meander. I like movies whose plots are non-existent, films that are more experimental in their narrative approach. But what’s most frustrating is when a movie loses sight of its thematic purpose, one that floats along, teasing the audience with suggestions of a bigger picture without delivering anything as bold and definitive. Is that kind of movie. It’s following this session, when Illewyn takes the cash he earned to a doctor to arrange for Jean’s abortion that. Is trying to sa...

4

The Wolf of Wall Street | CinemaWriter.com

http://cinemawriter.com/2014/01/18/the-wolf-of-wall-street

The Wolf of Wall Street. The Wolf of Wall Street. The latest from that freewheeling observer of American crime, Martin Scorsese, can be viewed as a worthy companion piece to the director’s 1990 gangster saga,. Both movies deal with criminal underworlds–. With the Italian mafia,. Wolf of Wall Street. Jordan Belfort (Leornardo DiCaprio) aspires to become one of the conniving stock traders surrounding him when he’s hired at a successful Wall Street firm. Both. The Wolf of Wall Street. Is one of the year&#82...

5

The Hobbit: The Desolation of Smaug | CinemaWriter.com

http://cinemawriter.com/2014/01/13/the-hobbit-the-desolation-of-smaug

The Hobbit: The Desolation of Smaug. Peter Jackson continues to his triple-feature cash-grab with. The Hobbit: The Desolation of Smaug. The second part of his epic endeavor to split up one novel into three gargantuan features. Jackson’s approach interweaves elements from Tolkien’s ancillary writings and journals into the central narrative of. And the results are, at times, ambitious and interesting and, at others, redundant, padding on more story than this trilogy needed. Films), the orcs’ monstrou...

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LINKS TO THIS WEBSITE

davidbordwell.net davidbordwell.net

Observations on film art

http://www.davidbordwell.net/blog/index.php

Film Art: An Introduction. Christopher Nolan: A Labyrinth of Linkages. Pandora’s Digital Box: Films, Files, and the Future of Movies. Planet Hong Kong, second edition. The Way Hollywood Tells It. Figures Traced In Light. Ozu and the Poetics of Cinema. Exporting Entertainment: America in the World Film Market 1907–1934. Hou Hsiao-hsien: A new video lecture! CinemaScope: The Modern Miracle You See Without Glasses. How Motion Pictures Became the Movies. A Celestial Cinémathèque? Anatomy of the Action Picture.

davidbordwell.net davidbordwell.net

Observations on film art : In critical condition

http://www.davidbordwell.net/blog/2008/05/14/in-critical-condition

Film Art: An Introduction. Christopher Nolan: A Labyrinth of Linkages. Pandora’s Digital Box: Films, Files, and the Future of Movies. Planet Hong Kong, second edition. The Way Hollywood Tells It. Figures Traced In Light. Ozu and the Poetics of Cinema. Exporting Entertainment: America in the World Film Market 1907–1934. Hou Hsiao-hsien: A new video lecture! CinemaScope: The Modern Miracle You See Without Glasses. How Motion Pictures Became the Movies. A Celestial Cinémathèque? Anatomy of the Action Picture.

davidbordwell.net davidbordwell.net

Observations on film art : Not back to the future, but ahead to the past

http://www.davidbordwell.net/blog?p=66

Film Art: An Introduction. Christopher Nolan: A Labyrinth of Linkages. Pandora’s Digital Box: Films, Files, and the Future of Movies. Planet Hong Kong, second edition. The Way Hollywood Tells It. Figures Traced In Light. Ozu and the Poetics of Cinema. Exporting Entertainment: America in the World Film Market 1907–1934. Hou Hsiao-hsien: A new video lecture! CinemaScope: The Modern Miracle You See Without Glasses. How Motion Pictures Became the Movies. A Celestial Cinémathèque? Anatomy of the Action Picture.

davidbordwell.net davidbordwell.net

Observations on film art : Around the world in 750 pages

http://www.davidbordwell.net/blog?p=3682

Film Art: An Introduction. Christopher Nolan: A Labyrinth of Linkages. Pandora’s Digital Box: Films, Files, and the Future of Movies. Planet Hong Kong, second edition. The Way Hollywood Tells It. Figures Traced In Light. Ozu and the Poetics of Cinema. Exporting Entertainment: America in the World Film Market 1907–1934. Hou Hsiao-hsien: A new video lecture! CinemaScope: The Modern Miracle You See Without Glasses. How Motion Pictures Became the Movies. A Celestial Cinémathèque? Anatomy of the Action Picture.

davidbordwell.net davidbordwell.net

Observations on film art : ADIEU AU LANGAGE: 2 + 2 x 3D

http://www.davidbordwell.net/blog/2014/09/07/adieu-au-langage-2-2-x-3d

Film Art: An Introduction. Christopher Nolan: A Labyrinth of Linkages. Pandora’s Digital Box: Films, Files, and the Future of Movies. Planet Hong Kong, second edition. The Way Hollywood Tells It. Figures Traced In Light. Ozu and the Poetics of Cinema. Exporting Entertainment: America in the World Film Market 1907–1934. Hou Hsiao-hsien: A new video lecture! CinemaScope: The Modern Miracle You See Without Glasses. How Motion Pictures Became the Movies. A Celestial Cinémathèque? Anatomy of the Action Picture.

davidbordwell.net davidbordwell.net

Observations on film art : Is there a blog in this class? 2015

http://www.davidbordwell.net/blog/2015/08/06/is-there-a-blog-in-this-class-2015

Film Art: An Introduction. Christopher Nolan: A Labyrinth of Linkages. Pandora’s Digital Box: Films, Files, and the Future of Movies. Planet Hong Kong, second edition. The Way Hollywood Tells It. Figures Traced In Light. Ozu and the Poetics of Cinema. Exporting Entertainment: America in the World Film Market 1907–1934. Hou Hsiao-hsien: A new video lecture! CinemaScope: The Modern Miracle You See Without Glasses. How Motion Pictures Became the Movies. A Celestial Cinémathèque? Anatomy of the Action Picture.

davidbordwell.net davidbordwell.net

Observations on film art : But what kind of art?

http://www.davidbordwell.net/blog?p=342

Film Art: An Introduction. Christopher Nolan: A Labyrinth of Linkages. Pandora’s Digital Box: Films, Files, and the Future of Movies. Planet Hong Kong, second edition. The Way Hollywood Tells It. Figures Traced In Light. Ozu and the Poetics of Cinema. Exporting Entertainment: America in the World Film Market 1907–1934. Hou Hsiao-hsien: A new video lecture! CinemaScope: The Modern Miracle You See Without Glasses. How Motion Pictures Became the Movies. A Celestial Cinémathèque? Anatomy of the Action Picture.

davidbordwell.net davidbordwell.net

Observations on film art : Film technique

http://www.davidbordwell.net/blog?cat=5

Film Art: An Introduction. Christopher Nolan: A Labyrinth of Linkages. Pandora’s Digital Box: Films, Files, and the Future of Movies. Planet Hong Kong, second edition. The Way Hollywood Tells It. Figures Traced In Light. Ozu and the Poetics of Cinema. Exporting Entertainment: America in the World Film Market 1907–1934. Hou Hsiao-hsien: A new video lecture! CinemaScope: The Modern Miracle You See Without Glasses. How Motion Pictures Became the Movies. A Celestial Cinémathèque? Anatomy of the Action Picture.

davidbordwell.net davidbordwell.net

Observations on film art : Walk the talk

http://www.davidbordwell.net/blog?p=382

Film Art: An Introduction. Christopher Nolan: A Labyrinth of Linkages. Pandora’s Digital Box: Films, Files, and the Future of Movies. Planet Hong Kong, second edition. The Way Hollywood Tells It. Figures Traced In Light. Ozu and the Poetics of Cinema. Exporting Entertainment: America in the World Film Market 1907–1934. Hou Hsiao-hsien: A new video lecture! CinemaScope: The Modern Miracle You See Without Glasses. How Motion Pictures Became the Movies. A Celestial Cinémathèque? Anatomy of the Action Picture.

davidbordwell.net davidbordwell.net

Observations on film art : Pandora’s digital box: End times

http://www.davidbordwell.net/blog/2013/05/12/pandoras-digital-box-end-times

Film Art: An Introduction. Christopher Nolan: A Labyrinth of Linkages. Pandora’s Digital Box: Films, Files, and the Future of Movies. Planet Hong Kong, second edition. The Way Hollywood Tells It. Figures Traced In Light. Ozu and the Poetics of Cinema. Exporting Entertainment: America in the World Film Market 1907–1934. Hou Hsiao-hsien: A new video lecture! CinemaScope: The Modern Miracle You See Without Glasses. How Motion Pictures Became the Movies. A Celestial Cinémathèque? Anatomy of the Action Picture.

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