cinemoireviews.blogspot.com
Cine-MoiAll reviews were originally written for The Columbus Guardian weekly newspaper between 1992 and 1994 and DreamWatch Magazine 1995 to 1997. All copyrights owned by the author.
http://cinemoireviews.blogspot.com/
All reviews were originally written for The Columbus Guardian weekly newspaper between 1992 and 1994 and DreamWatch Magazine 1995 to 1997. All copyrights owned by the author.
http://cinemoireviews.blogspot.com/
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Cine-Moi | cinemoireviews.blogspot.com Reviews
https://cinemoireviews.blogspot.com
All reviews were originally written for The Columbus Guardian weekly newspaper between 1992 and 1994 and DreamWatch Magazine 1995 to 1997. All copyrights owned by the author.
cinemoireviews.blogspot.com
Cine-Moi: Leolo
http://cinemoireviews.blogspot.com/2013/02/leolo.html
Sunday, February 17, 2013. The Canadian cinema has long been plagued by an identity problem. It lives in the shadow of its big brother to the south — Hollywood — and rarely succeeds in breaking away from the dominance of the Los Angeles dream factories. Too often, the English language cinema in Canada ends up being a haven for tax-shelter productions and skid-row genre flicks. Beneath the surface of Leolo. In its invocation of childhood memories, Leolo. Is a Sicilian who masturbated on a crate of tomatoe...
Cine-Moi: March 2009
http://cinemoireviews.blogspot.com/2009_03_01_archive.html
Monday, March 23, 2009. The Master of Disaster - Roland Emmerich. I believe in the great 'What If? What if aliens showed up, what if tomorrow morning, you walked out of your door and these enormous spaceships hovered over every single city in the world? Wouldn't that be the most exciting thing that could happen? Better still, what if the director could film it for you wholesale? This is the unique skill that has helped to turn Independence Day. It was especially with the production of Moon 44. Or as Emme...
Cine-Moi: Wittgenstein
http://cinemoireviews.blogspot.com/2013/02/wittgenstein.html
Sunday, February 17, 2013. Derek Jarman is one of the best known figures in contemporary British cinema. Often, he has been one of the most controversial. His production of such films as The Tempest. The Last of England. Have been a wild mix of radical politics, gay issues, stunning visuals, and fractured narratives. Along the way, he has been generally acclaimed as the definitive filmmaker of post-punk England. Feature film. These facts beg the obvious question: why a movie about Ludwig Wittgenstein?
Cine-Moi: Orlando
http://cinemoireviews.blogspot.com/2010/09/orlando.html
Wednesday, September 8, 2010. The Kinks once musically suggested that "boys will be girls and girls will be boys." In Orlando. British director Sally Potter takes the idea just a bit further: the boy Orlando eventually becomes a woman. Even odder, Orlando is immortal, and it takes several centuries for anyone to notice the change. Since the book's first publication in 1928, a film version of Orlando. But Potter makes the film work. Even more amazing - given that Orlando. Orlando's sex change, meanwhile, ...
Cine-Moi: Malice
http://cinemoireviews.blogspot.com/2013/02/malice.html
Sunday, February 17, 2013. Let's review some of the basic lessons of the modern thriller: 1) Don't have sex with anyone you don't know. 2) Don't have sex with anyone you do know. 3) Don't rent out rooms. 4) Don't rent to doctors. 5) Run a thorough security check on your spouse. Take these guidelines with you when you see Malice. They'll help you navigate some of the more convoluted plot points. They've got to kill the remaining footage somehow. Bill Pullman plays a college dean whose, main jobs seem to b...
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Film Notes From the CMA Series: April 2009
http://filmnotescma.blogspot.com/2009_04_01_archive.html
Film Notes From the CMA Series. Sunday, April 19, 2009. Point Blank: Films of Disenchantment. The program "Point Blank: Films of Disenchantment" presents three significant examples of Film Noir from the late 1960s to late 1970s, when the genre reached its most extreme and experimental stage of development. Jack Shadoian, in his book Dreams and Dead Ends: The American Gangster/Crime Film. The program begins with a screening of Point Blank. On the second-run market. In spite of this, the film has prove...
Film Notes From the CMA Series: September 2008
http://filmnotescma.blogspot.com/2008_09_01_archive.html
Film Notes From the CMA Series. Wednesday, September 24, 2008. It is appropriate that Olivier, who was born in 1907, would make his stage debut at the age of 14 as Kate in a school production of The Taming of the Shrew. Though Olivier was the star of one of the few major Shakespearean films of the 1930s, As You Like It. England 1936), he was not totally pleased with the stylistic approaches which the cinema had taken to Shakespeare's plays. Paul Czinner's production of As You Like It. England 1948), he w...
FlixView: July 2011
http://www.klowry.com/2011_07_01_archive.html
Honey, I'm home. Comments may give away plot details, reader beware. Monday, July 04, 2011. TREME: America the Beautiful. I Love My Country. Anyone who believes we here in the U.S. of A. don’t actually make anything anymore needs to watch HBO. Let me be more specific: you need to watch Treme. Created by television auteurs David Simon, responsible for HBO’s The Wire. And NBC’s Homicide: Life on the Street. And Eric Overmyer, who worked on both productions with Simon as well as St. Elsewhere. No small part...
FlixView: July 2008
http://www.klowry.com/2008_07_01_archive.html
Honey, I'm home. Comments may give away plot details, reader beware. Thursday, July 17, 2008. The Pause button has been pressed on Flixview for the time being. Please check back from time to time, and in the meantime, go check out Wall E, the new Pixar film from Disney. Fine and fun stuff! Links to this post. Monday, July 14, 2008. July 15 DVD Releases. Looks like a pretty quiet week in DVD release world. The Bank Job,. When a much smaller statue of Onate was raised and praised in Espanola, NM about 10 y...
FlixView: May 2008
http://www.klowry.com/2008_05_01_archive.html
Honey, I'm home. Comments may give away plot details, reader beware. Thursday, May 29, 2008. Point of view: What is it about Paul Thomas Anderson? Below is this week's DVD column, revised and reprinted from the. Films sometimes come in pairs, and last year’s two darkest mainstream movies were Ethan and Joel Coen’s. No Country for Old Men. See column 3/13/08] and Paul Thomas Anderson’s. There Will Be Blood. Paramount, $29.99]. The first chapter of. There Will Be Blood. There Will Be Blood. Is darker, more...
FlixView: March 2008
http://www.klowry.com/2008_03_01_archive.html
Honey, I'm home. Comments may give away plot details, reader beware. Monday, March 31, 2008. 21 according to Marc in SF. SAW '21' ;LAST NIGHT. KEVIN SPACEY PLAYING HIS USUAL BITCHY ROLE AS AN M.I.T. PROF. WHO TEACHES SOME BRIGHT KIDS TO COUNT CARDS AND BEAT VEGAS AT BLACKJACK. NOT A BELIEVABLE MOMENT IN IT. COMPLETE GENRE AUTO PILOT. THERE SHOULD BE A NEW RATING SYSTEM. PEOPLE OVER 50 MUST BE ACCOMPANIED BY A MINOR IN ORDER TO UNDERSTAND MOTIVATION. DID THE PROF. REALLY HAVE A BAD HISTORY IN VEGAS? Follo...
Film Notes From the CMA Series: The Debonairs: Gary Grant and William Powell
http://filmnotescma.blogspot.com/2009/06/debonairs-gary-grant-and-william-powell.html
Film Notes From the CMA Series. Sunday, June 21, 2009. The Debonairs: Gary Grant and William Powell. The films in this program have been selected to emphasize particular aspects of both Grant's and Powell's screen personalities. The two films starring Gary Grant represent his portrayal of a distinctly masculine male who undergoes a series of humiliations that become a test of both love and character. In The Awful Truth. I Was a Male War Bride. Shadow of the Thin Man. Films, Shadow of the Thin Man. Was th...
Film Notes From the CMA Series: August 2009
http://filmnotescma.blogspot.com/2009_08_01_archive.html
Film Notes From the CMA Series. Sunday, August 16, 2009. The Japanese began producing films at approximately the same time as the West, but while the Western cinema was quickly taking shape, the Japanese cinema remained relatively stagnant. By the time the cinema became the major narrative art form in the West, the typical Japanese film served as a form of illustration for the bensei. The traditional storyteller. The center of attention was the bensei. Was produced by a French company). After years o...
Film Notes From the CMA Series: Point Blank: Films of Disenchantment
http://filmnotescma.blogspot.com/2009/04/point-blank-films-of-disenchantment.html
Film Notes From the CMA Series. Sunday, April 19, 2009. Point Blank: Films of Disenchantment. The program "Point Blank: Films of Disenchantment" presents three significant examples of Film Noir from the late 1960s to late 1970s, when the genre reached its most extreme and experimental stage of development. Jack Shadoian, in his book Dreams and Dead Ends: The American Gangster/Crime Film. The program begins with a screening of Point Blank. On the second-run market. In spite of this, the film has prove...
Film Notes From the CMA Series: August 2008
http://filmnotescma.blogspot.com/2008_08_01_archive.html
Film Notes From the CMA Series. Thursday, August 21, 2008. As much as Wilder admired his adopted country, however, he never completely abandoned either his Viennese accent or his European-based perspective. This dichotomy between the two cultures directly and indirectly infuses his films with a sensibility that often reveals new angles on common sights, an outsider's more critical view on the very things that we take for granted. It was, however, Wilder's transition from screenwriter to director that all...
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cinemoicannes | Just another WordPress.com site
Just another WordPress.com site. June 1, 2011. Are among a handful of directors including Francis Ford Coppola. To have twice won the festival’s top prize, the Palme d’Or. Following. The Child, 2002), it could have been third time lucky this year but. The Kid with a Bike. Received Cannes’ second prize, the Grand Prix. Danish provocateur Lars von Trier. Was banned this year following an ill-advised Nazi rant, but he has won the festival’s top three prizes: the Palme d’Or for. Dancer in the Dark. A great a...
[ Cinemoid.com ] | SMS 'MBO' to 55454 or visit http://mobile.bigcinemas.com
SMS 'MBO' to 55454 or visit http:/ mobile.bigcinemas.com. Wat da heck is a ‘cinemoid’? A cinema-goer who books movie tickets on Android devices. Become a BIG Cinemoid… download the Android. App on your smartphone and check showtimes, book tickets and more… so the only reason you need to come to the cinemas is to actually watch your favorite movie! 3 ways to download app on your Android phone :. 1 Search “ BIG Cinemas. 8221; in the Android market store, or. 3 SMS ‘ MBO. So are you a fan of BIG Cinemas.
CINEMÓIDE
Anúncios Shopping UOL. Quarta-feira, 24 de março de 2010. 8220;Tetro”, Francis Ford Copolla, 2009 (EUA). Com “ Tetro. 8220;, Francis Ford Copolla. Retorna ao topo de sua própria possibilidade criativa, e o faz em grande estilo. Após “ Youth without youth. 8220;, seu primeiro filme em uma década, e filmando seu primeiro roteiro original desde “A conversação”, de 1974, o cineasta apresenta sua obra mais ousada e ambiciosa desde “ Apocalipse Now. Terça-feira, 24 de novembro de 2009. Todas essas qualificaçõe...
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Cinemoi is a 24-Hour, exquisitely innovative television network dedicated to curated programming, including both modern and classic films, film fashion and couture, popular talk shows, film festivals, and international lifestyle. Cinemoi’s programming includes vintage and modern stars such as Bardot, Brando, Deneuve, Depp, Hayworth, Jolie, McConaughey, Monroe, Pacino, and Pitt in addition to popular and current talk show hosts such as Jonathan Ross.
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Sunday, February 17, 2013. Derek Jarman is one of the best known figures in contemporary British cinema. Often, he has been one of the most controversial. His production of such films as The Tempest. The Last of England. Have been a wild mix of radical politics, gay issues, stunning visuals, and fractured narratives. Along the way, he has been generally acclaimed as the definitive filmmaker of post-punk England. Feature film. These facts beg the obvious question: why a movie about Ludwig Wittgenstein?
Cine-Moirs | The Movies that Made the Life
The Movies that Made the Life. April 6, 2010. An injury. That was what I needed. As my teacher prattled on I was thinking about feigning an injury so I wouldn’t have to work that night. I could then spend the evening with Bethan, beating my chest and impressing her with all my manliness. It was an act of deviousness that brought guilt and giddy glee in equal measure. The scheme was not required. I have been cautious to wish ill upon myself ever since. Except of course, that we didn’t. As I trawled back t...
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9733;★★★. The Grand Budapest Hotel. Fanciful throughout and, in a way, action-packed. With Moonrise Kingdom and now this, Wes Anderson is at the top of his game.'.
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