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The convergence of cinema poetry. Cinepoetry.com is a public work-in-progress that attempts to define an advancing genre. Each page of this site is like a short chapter. This work is undertaken by one of the genre’s practitioners, Michelle M. Brown, a Professor of Broadcast and Electronic Media in San Mateo, CA. Cinépoetry: Decoding a converged genre in the consumer-producer culture of the Internet. By Michelle M. Brown / contact: brown.mima@gmail.com. Neither the term nor the concept of cinepoetry are n...

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Home » cinépoetry | cinepoetry.com Reviews

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The convergence of cinema poetry. Cinepoetry.com is a public work-in-progress that attempts to define an advancing genre. Each page of this site is like a short chapter. This work is undertaken by one of the genre’s practitioners, Michelle M. Brown, a Professor of Broadcast and Electronic Media in San Mateo, CA. Cinépoetry: Decoding a converged genre in the consumer-producer culture of the Internet. By Michelle M. Brown / contact: brown.mima@gmail.com. Neither the term nor the concept of cinepoetry are n...

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Home » cinépoetry | cinepoetry.com Reviews

https://cinepoetry.com

The convergence of cinema poetry. Cinepoetry.com is a public work-in-progress that attempts to define an advancing genre. Each page of this site is like a short chapter. This work is undertaken by one of the genre’s practitioners, Michelle M. Brown, a Professor of Broadcast and Electronic Media in San Mateo, CA. Cinépoetry: Decoding a converged genre in the consumer-producer culture of the Internet. By Michelle M. Brown / contact: brown.mima@gmail.com. Neither the term nor the concept of cinepoetry are n...

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cinepoetry.com

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21st Century » cinépoetry

http://www.cinepoetry.com/21st-century

The convergence of cinema poetry. What is the difference between cinepoetry and video poetry? I tend to think the only difference is semantic. The terms are interchangeable options for the user. Few would see the need to adhere to a strict cinematic approach that only considers works created specifically on film as acquisition format, thus excluding video or other recording media. That would disallow most modern cinepoems. The medium does not define the genre. Video games and media production. Establ...

2

Dilemma » cinépoetry

http://www.cinepoetry.com/dilemma

The convergence of cinema poetry. Defining cinépoetry as the convergence of cinema and poetry seems to suggest that it requires moving images based on textual poetry. However, this prompts many questions. Can non-moving text on screen be considered cinépoetry? Or perhaps anything on screen should be considered moving through time/space in the course of progressive frames per second and advancing time code. Should the poet be seen and heard at all? CONTINUE TO NEXT SECTION HISTORY OF CINEPOETRY.

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Convergence » cinépoetry

http://www.cinepoetry.com/convergence

The convergence of cinema poetry. How did cinema and poetry converge? Convergence is the evolution of an art form. Some art forms have naturally converged, such as music, voice, and dance. Other art forms have converged in more avant-garde arenas and are born out of experimentation. This is the evolution or the advancement of an art form. Without this harmonious updating, an art form risks irrelevancy and its contribution to society is unfulfilled. In Mallarme and Dubussy: Unheard Music, Unseen Text, Eli...

4

Genre » cinépoetry

http://www.cinepoetry.com/genre

The convergence of cinema poetry. We label works of art in broad categories and vague terms that allow freedom in the processes of artistic creation and audience interpretation without any fixed limitations. We call these categories genres. Literature and film share many genres in common, such as science-fiction, romance, mystery, biography, comedy, drama and horror. These categories each have loose criteria based on common conventions. CONTINUE TO NEXT SECTION DILEMMA.

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History » cinépoetry

http://www.cinepoetry.com/history

The convergence of cinema poetry. Research quickly revealed Christophe Wall-Romana’s fantastic research, history, and analysis of cinepoetics. With the advent of free verse in the mid-1880s, new rhythmic and visual patterns on the page tended to foreground the corporeal, spatial, and temporal immediacy of the poem.". Wall-Romana, p 130). Antonin Artaud’s La coquille et le clergyman / The Seashell and the Clergyman (1928) directed by Germaine Dulac. Watch it on YouTube.com.

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LaDonna Witmer - The Others

http://www.ladonnawitmer.com/others.php

Friends who should be famous. Essays. Poetry. Brilliance. THIS BLANK PAGE PRODUCTIONS. Makes LaDonna look good. She's crafty, and she's just my type. Misha Pics. Word. Poet with a day job. The best bitch in the whole world. Breaking into the scene with a spoon. Captures the faces of San Francisco. Namaste," she says. Sites for sore eyes. You Tube, I Tube, We All Tube. I collect them all. Find one. Join one. Start one. Make your sweet tooth ache. Scathing reviews for bitchy people. OVERHEARD IN NEW YORK.

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cinepoetry.com

Home » cinépoetry

The convergence of cinema poetry. Cinepoetry.com is a public work-in-progress that attempts to define an advancing genre. Each page of this site is like a short chapter. This work is undertaken by one of the genre’s practitioners, Michelle M. Brown, a Professor of Broadcast and Electronic Media in San Mateo, CA. Cinépoetry: Decoding a converged genre in the consumer-producer culture of the Internet. By Michelle M. Brown / contact: brown.mima@gmail.com. Neither the term nor the concept of cinepoetry are n...

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