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Composing for Contemporary Circus

Composing for Contemporary Circus. 3 The Role of Music. 1 Defining the Audience. 2 Reinforcing Cultural Backgrounds? 3 Music for Film. 1 Major vs. Minor. 3 Dynamics and Silence. 4 Live vs. Recorded. Welcome Part 1: Navigation. Welcome to Composing for Contemporary Circus. This project was designed and created by Laura Harrison. 3 Introduction to the Project. 3 The Role of Music in Contemporary Circus. 2 The Creative Process. 1 Contemporary Circus Culture: Defining the Audience. 2 The Collaborative Process.

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Composing for Contemporary Circus | circuscomposer.com Reviews
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Composing for Contemporary Circus | circuscomposer.com Reviews

https://circuscomposer.com

Composing for Contemporary Circus. 3 The Role of Music. 1 Defining the Audience. 2 Reinforcing Cultural Backgrounds? 3 Music for Film. 1 Major vs. Minor. 3 Dynamics and Silence. 4 Live vs. Recorded. Welcome Part 1: Navigation. Welcome to Composing for Contemporary Circus. This project was designed and created by Laura Harrison. 3 Introduction to the Project. 3 The Role of Music in Contemporary Circus. 2 The Creative Process. 1 Contemporary Circus Culture: Defining the Audience. 2 The Collaborative Process.

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Composing for Contemporary Circus

http://www.circuscomposer.com/Abstract.html

Composing for Contemporary Circus. 3 The Role of Music. 1 Defining the Audience. 2 Reinforcing Cultural Backgrounds? 3 Music for Film. 1 Major vs. Minor. 3 Dynamics and Silence. 4 Live vs. Recorded. Welcome Part 2: Abstract. Harrison, Laura. ‘Composing for Contemporary Circus’. MMus Composition, Trinity College of Music, 2012. Next Page Welcome Part 3: Introduction to the Project. Previous Page Welcome Part 1: Navigation.

2

Composing for Contemporary Circus

http://www.circuscomposer.com/Background2.html

Composing for Contemporary Circus. 3 The Role of Music. 1 Defining the Audience. 2 Reinforcing Cultural Backgrounds? 3 Music for Film. 1 Major vs. Minor. 3 Dynamics and Silence. 4 Live vs. Recorded. Background to Circus Part 2:. Circus today is no longer confined to the big top, with shows now moving into theatres and alternative performance spaces. Circus acts are regularly featured in cabaret and variety performances such as La Soirée. Some of the projections on the marsh interact with the movements of...

3

Composing for Contemporary Circus

http://www.circuscomposer.com/Background1.html

Composing for Contemporary Circus. 3 The Role of Music. 1 Defining the Audience. 2 Reinforcing Cultural Backgrounds? 3 Music for Film. 1 Major vs. Minor. 3 Dynamics and Silence. 4 Live vs. Recorded. Background to Circus Part 1:. The roots of traditional circus can be traced back to London in the late 18. A list of historical dates can also be found on the. Circus Arts Development Agency. Ernest Albrecht explains the role of music throughout the history of traditional circus:. It was also at about this ti...

4

Composing for Contemporary Circus

http://www.circuscomposer.com/Characteristics2.html

Composing for Contemporary Circus. 3 The Role of Music. 1 Defining the Audience. 2 Reinforcing Cultural Backgrounds? 3 Music for Film. 1 Major vs. Minor. 3 Dynamics and Silence. 4 Live vs. Recorded. Timing: Who’s Leading Who? An important consideration when writing music for circus is deciding whether the performer or the music will take the role of leading the movement. Should the music follow the performer, or is it possible for a performer to devise their act to the music? Was to assume that this woul...

5

Composing for Contemporary Circus

http://www.circuscomposer.com/Culture1.html

Composing for Contemporary Circus. 3 The Role of Music. 1 Defining the Audience. 2 Reinforcing Cultural Backgrounds? 3 Music for Film. 1 Major vs. Minor. 3 Dynamics and Silence. 4 Live vs. Recorded. Contemporary Circus Culture: Defining The Audience. Contemporary circus owes a lot to the work of Cirque du Soleil in raising the profile of circus as an art form. Since Cirque du Soleil was born in the 1980s it has set a new standard worldwide and attracted a whole new audience:. Having already established t...

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Composing for Contemporary Circus

Composing for Contemporary Circus. 3 The Role of Music. 1 Defining the Audience. 2 Reinforcing Cultural Backgrounds? 3 Music for Film. 1 Major vs. Minor. 3 Dynamics and Silence. 4 Live vs. Recorded. Welcome Part 1: Navigation. Welcome to Composing for Contemporary Circus. This project was designed and created by Laura Harrison. 3 Introduction to the Project. 3 The Role of Music in Contemporary Circus. 2 The Creative Process. 1 Contemporary Circus Culture: Defining the Audience. 2 The Collaborative Process.

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