centrecath.leeds.ac.uk
Concentrationary Cinema: Aesthetics and Resistance in Alain Resnais’s Night and Fog » CentreCATH
http://www.centrecath.leeds.ac.uk/news/concentrationary-cinema-aesthetics-and-resistance-in-alain-resnaiss-night-and-fog
Faculty of Performance, Visual Arts and Communications. School of Fine Art, History of Art and Cultural Studies. Centre for Jewish Studies. Centre for French and Francophone Cultural Studies. Concentrationary Cinema: Aesthetics and Resistance in Alain Resnais’s Night and Fog. Concentrationary Cinema: Aesthetics and Resistance in Alain Resnais’s Night and Fog. February 14th, 2014. Concentrationary Cinema: Aesthetics and Resistance in Alain Resnais’s Night and Fog. Griselda Pollock with Bracha Ettinger.
centrecath.leeds.ac.uk
About » CentreCATH
http://www.centrecath.leeds.ac.uk/about-2
Faculty of Performance, Visual Arts and Communications. School of Fine Art, History of Art and Cultural Studies. Centre for Jewish Studies. Centre for French and Francophone Cultural Studies. The Centre for Cultural Analysis, Theory and History (CentreCATH): a Transdisciplinary Initiative at the University of Leeds was founded during the first round of Research Centres competitively funded by the Arts and Humanities Research Council (then Board). Iv) CentreCATH aims to produce major publications from con...
centrecath.leeds.ac.uk
Disposable Life » CentreCATH
http://www.centrecath.leeds.ac.uk/news/disposable-life
Faculty of Performance, Visual Arts and Communications. School of Fine Art, History of Art and Cultural Studies. Centre for Jewish Studies. Centre for French and Francophone Cultural Studies. May 6th, 2014. Professor Griselda Pollock has participated in a major research project, directed by Dr Brad Evans of Bristol University that solicits position statements from major scholars worldwide on the issue of. This forms part of a larger project titled. The video was recorded on 31 January 2014.
centrecath.leeds.ac.uk
Research Projects » CentreCATH
http://www.centrecath.leeds.ac.uk/projects
Faculty of Performance, Visual Arts and Communications. School of Fine Art, History of Art and Cultural Studies. Centre for Jewish Studies. Centre for French and Francophone Cultural Studies. Critical Thinking, Critical Artmaking, Critical Curating. Leverhulme Lectures 1 – 3. CRITICAL THINKING, CRITICAL ARTMAKING, CRITICAL CURATING. Amnesia, Memoria, Historia. Concentrationary Memories: The Politics of Representation 2007-2011. This project has organized two long-running seminars and two conferences:.
centrecath.leeds.ac.uk
Accessibility Statement » CentreCATH
http://www.centrecath.leeds.ac.uk/accessibility
Faculty of Performance, Visual Arts and Communications. School of Fine Art, History of Art and Cultural Studies. Centre for Jewish Studies. Centre for French and Francophone Cultural Studies. The University of Leeds endeavours to promote equality and diversity. In its policies, practice and services. We are committed to making all university web pages accessible to disabled people and compliant with WAI’s accessibility guidelines (WCAG 2.0).
centrecath.leeds.ac.uk
CentreCATH Publications » CentreCATH
http://www.centrecath.leeds.ac.uk/publications
Faculty of Performance, Visual Arts and Communications. School of Fine Art, History of Art and Cultural Studies. Centre for Jewish Studies. Centre for French and Francophone Cultural Studies. Books and Special Journals. New Encounters: Arts, Cultures, Concepts. Psychoanalysis and the Image: the Full Introduction. Feminism, Art and History: Then and Now responding to Documenta 11. Griselda Pollock and Alison Rowley. Books and Special Journals. Edinburgh University Press 2002. Papers also published in.
centrecath.leeds.ac.uk
People » CentreCATH
http://www.centrecath.leeds.ac.uk/people
Faculty of Performance, Visual Arts and Communications. School of Fine Art, History of Art and Cultural Studies. Centre for Jewish Studies. Centre for French and Francophone Cultural Studies. The following Academics are involved with CentreCATH:. 2012 After-images/After-Effects: Trauma and Aesthetic Inscription/Encryption in the Virtual Feminist Museum (Manchester University Press). 2013 Theatre of Memory: Charlotte Salomon’s Leben oder Theater 1940-42. 1941-42 (Kassel: Documenta Notebook). 2011 ‘The Mus...
centrecath.leeds.ac.uk
On Wit(h)nessing, Withdrawing, Retreating, and Participating » CentreCATH
http://www.centrecath.leeds.ac.uk/events/on-withnessing-withdrawing-retreating-and-participating
Faculty of Performance, Visual Arts and Communications. School of Fine Art, History of Art and Cultural Studies. Centre for Jewish Studies. Centre for French and Francophone Cultural Studies. On Wit(h)nessing, Withdrawing, Retreating, and Participating. On Wit(h)nessing, Withdrawing, Retreating, and Participating. May 19th, 2014. On Wit(h)nessing, Withdrawing, Retreating, and Participating. Director of dOCUMENTA 13, 2012. Leverhulme Institute II 4-5 MarchM. Leverhulme Institute III 20-21 May.
centrecath.leeds.ac.uk
Worlding: From the Archive to the Compost » CentreCATH
http://www.centrecath.leeds.ac.uk/events/worlding-from-the-archive-to-the-compost
Faculty of Performance, Visual Arts and Communications. School of Fine Art, History of Art and Cultural Studies. Centre for Jewish Studies. Centre for French and Francophone Cultural Studies. Worlding: From the Archive to the Compost. Worlding: From the Archive to the Compost. March 3rd, 2014. Worlding: From the Archive to the Compost. Art and Creativity and Speculative Fabulation in Human and Non-Human Sentient Beings. Speakman Lecture Theatre, University of Leeds. Director of dOCUMENTA 13, 2012.
