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Design satisfaction thru visual stimulation. Monday, December 30, 2013. Designing for the Wolf. The following are my design experiences working for the Belfort's from 1994-1998. The work is a collaboration between designer and client and depicts the style of interiors popular 20 years ago. Without the convenience of digital photography, images were professionally taken with a 4x5 negative camera by Tim Ebert [Houses] and John Rowe [Yacht]. I was vacationing in Italy when my office called about Jordan's w...

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CLEYEMAX | cleyemax.com Reviews

https://cleyemax.com

Design satisfaction thru visual stimulation. Monday, December 30, 2013. Designing for the Wolf. The following are my design experiences working for the Belfort's from 1994-1998. The work is a collaboration between designer and client and depicts the style of interiors popular 20 years ago. Without the convenience of digital photography, images were professionally taken with a 4x5 negative camera by Tim Ebert [Houses] and John Rowe [Yacht]. I was vacationing in Italy when my office called about Jordan's w...

INTERNAL PAGES

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1

CLEYEMAX: March 2010

http://www.cleyemax.com/2010_03_01_archive.html

Design satisfaction thru visual stimulation. Monday, March 1, 2010. Each morning I open my bedroom window shade to see if there is even a hint of spring out there in the world. Nope. but I did find the most beautiful pattern of frost crystals on the glass panes. Although they are non-flowing organic shapes, geometric patterns are quite often found in nature and have contributed to many a designer or artist's inspiration. Woman Playing the Mandolin (1909). Custom Rug Design from. Cast a rich web of shadows.

2

CLEYEMAX: February 2010

http://www.cleyemax.com/2010_02_01_archive.html

Design satisfaction thru visual stimulation. Sunday, February 21, 2010. Coming together is a beginning. Keeping together is progress. Working together is success. ". It may be the barrage of product presented each season to design firms that kept me shy of using color in my own personal spaces. But in the last few years, I have become obsessed with designing with not one or two, but every color at once. My inspiration was founded by a bottle of. Paul Smith for The Rug Company. Monday, February 15, 2010.

3

CLEYEMAX: December 2013

http://www.cleyemax.com/2013_12_01_archive.html

Design satisfaction thru visual stimulation. Monday, December 30, 2013. Designing for the Wolf. The following are my design experiences working for the Belfort's from 1994-1998. The work is a collaboration between designer and client and depicts the style of interiors popular 20 years ago. Without the convenience of digital photography, images were professionally taken with a 4x5 negative camera by Tim Ebert [Houses] and John Rowe [Yacht]. I was vacationing in Italy when my office called about Jordan's w...

4

CLEYEMAX: April 2010

http://www.cleyemax.com/2010_04_01_archive.html

Design satisfaction thru visual stimulation. Thursday, April 15, 2010. It's a Small World. and it's Still Very Cool. Image: Disney / Daryl Mitchell. While working on a project in South Florida, my wife and I decided to take our three year old to Disney World. It was always a place of inspiration. a world of reality and fantasy all at once. On my first visit as a child, my camera was filled with photos and close ups of the architecture- windows, doors, rooflines. not one classic Disney character. Its a Sm...

5

CLEYEMAX: Back to the Future...

http://www.cleyemax.com/2010/07/back-to-future.html

Design satisfaction thru visual stimulation. Wednesday, July 7, 2010. Back to the Future. Masanori Umeda's 1980's Ginza Robot Cabinet. Mid-century furniture has made a comeback and has influenced a whole new era of design,. But will we see the return of late 20th century home furnishings? The big eighties made a lasting impression on me. It has not influenced my work directly, but the music, fashion, money and energy were motivating. Soho was full of galleries, with not an uptown boutique to be seen.

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Design satisfaction thru visual stimulation. Monday, December 30, 2013. Designing for the Wolf. The following are my design experiences working for the Belfort's from 1994-1998. The work is a collaboration between designer and client and depicts the style of interiors popular 20 years ago. Without the convenience of digital photography, images were professionally taken with a 4x5 negative camera by Tim Ebert [Houses] and John Rowe [Yacht]. I was vacationing in Italy when my office called about Jordan's w...

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