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Cmeuth's Blog | Just another WordPress.com site

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September | 2010 | Cmeuth's Blog

https://cmeuth.wordpress.com/2010/09

Just another WordPress.com site. Monthly Archives: September 2010. September 30, 2010. While listening to Handel’s Messiah, I noticed that the ritonelli leading into the choruses feature the “subject” of the chorus and lead into the singing. A few examples of this are “The Hallelujah Chorus” “His Yoke is Easy” and “And … Continue reading →. The Messiah: Past vs. Present. September 29, 2010. The economic genius of Handel. September 29, 2010. Cannon vs. unison. September 22, 2010. September 16, 2010. Today...

2

December | 2010 | Cmeuth's Blog

https://cmeuth.wordpress.com/2010/12

Just another WordPress.com site. Monthly Archives: December 2010. December 3, 2010. Looking for a show. What can you trust? On looking for a show. Create a free website or blog at WordPress.com.

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podcast | Cmeuth's Blog

https://cmeuth.wordpress.com/2010/12/03/podcast-2

Just another WordPress.com site. Looking for a show. December 3, 2010. This entry was posted in Uncategorized. Looking for a show. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. You are commenting using your Google account. ( Log Out.

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feeling the beat | Cmeuth's Blog

https://cmeuth.wordpress.com/2010/11/04/feeling-the-beat

Just another WordPress.com site. The freedom of the listener. Program music →. November 4, 2010. In addition, the notes played rise in pitch and volume as the section goes on. This also helps fool our ears. One problem orchestras always have is the urge to rush when the music is loud and drag the tempo when the music is soft. I think this is because we just naturally expect things that are loud and exciting to become faster; they make us excited. This entry was posted in Uncategorized. Looking for a show.

5

the freedom of the listener | Cmeuth's Blog

https://cmeuth.wordpress.com/2010/11/01/the-freedom-of-the-listener

Just another WordPress.com site. Feeling the beat →. The freedom of the listener. November 1, 2010. One reason I think Symphonie Fantastique is so popular is that it can be interpreted however the listener chooses. The program gives a basic outline of the plot of each movement, but Berlioz really gives a lot of room to fill in the details on your own. Did he get to dance with the girl, or did she leave? Is he still at the dance, or does he leave for the town as the program may suggest? I love to listen t...

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Wistful Winds | Inspired Listening

https://inspiredlistening.wordpress.com/2010/10/20/wistful-winds

Just another WordPress.com site. The Beathovens of History →. October 20, 2010. But the reason I love it so much is because the clarinets finally get to do their thing. Finally, a movement where the strings don’t get things started with some epic gesture! Where the clarinets (and other woodwinds – you flutes, oboes, and bassoons are ok, too) have the sonic space to send their silky-smooth sound slithering slyly, softly, soporifically. As Carol mentioned in her post on texture. Leave a Reply Cancel reply.

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November | 2010 | Inspired Listening

https://inspiredlistening.wordpress.com/2010/11

Just another WordPress.com site. Monthly Archives: November 2010. November 8, 2010. I’ve been a slacker the past two weeks, failing to post even a single listening reaction to Berlioz. Please accept as my apology this clip of a 1948 Royal Danish Ballet performance of Berlioz’s “March to the Scaffold” with choreography … Continue reading →. The Beathovens of History. Sinfonia, Overture, Sinfony, Symphony. On The Beathovens of History. Mariana Gudino on The Beathovens of History. Blog at WordPress.com.

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September | 2010 | Inspired Listening

https://inspiredlistening.wordpress.com/2010/09

Just another WordPress.com site. Monthly Archives: September 2010. Opera, or The Undoing of Women. September 28, 2010. L’Orfeo is, at heart, a tragic love story. Orfeo and Euridice love each other and lose each other – twice. If the Apollo ending is correct, we’re assured that they’ll be together once again in heaven, allowing the lovers a … Continue reading →. Instrumental Music and Staging. September 22, 2010. September 20, 2010. September 17, 2010. September 14, 2010. In the last lecture, Matt encoura...

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Louis Epstein | Inspired Listening

https://inspiredlistening.wordpress.com/author/lsepstein

Just another WordPress.com site. Author Archives: Louis Epstein. Assistant Professor of Music at St. Olaf College. November 8, 2010. I’ve been a slacker the past two weeks, failing to post even a single listening reaction to Berlioz. Please accept as my apology this clip of a 1948 Royal Danish Ballet performance of Berlioz’s “March to the Scaffold” with choreography … Continue reading →. The Beathovens of History. October 25, 2010. October 20, 2010. October 18, 2010. Sinfonia, Overture, Sinfony, Symphony.

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The Beathovens of History | Inspired Listening

https://inspiredlistening.wordpress.com/2010/10/25/the-beathovens-of-history

Just another WordPress.com site. Symphonie Dance-tastique →. The Beathovens of History. October 25, 2010. I can’t help but share my personal favorite reference to Beethoven’s famous 9th symphony. It comes from The Beatles’s second feature-length film,. Whether Ringo doesn’t know “Ode to Joy” or is simply too nervous to muster his whistling skills, we don’t know. But by the time John repeats the inspector’s instructions – “Don’t worry! Can we even compare them? 8221; Would we call Beethoven “popular?

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Do you remember? | Inspired Listening

https://inspiredlistening.wordpress.com/2010/10/18/do-you-remember

Just another WordPress.com site. Sinfonia, Overture, Sinfony, Symphony. Wistful Winds →. October 18, 2010. One of the trickiest – and coolest – things about sonata form is that it tests your memory in various ways. You’re constantly playing the game, “Do you remember? 8221; which you may know by its more informal name, “I feel like I’ve heard this before, but I’m not sure . . .”. Here’s how it works. I’m talking about transition music, the sequences (remember those? You should and you shouldn’t&#46...

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About | Inspired Listening

https://inspiredlistening.wordpress.com/about

Just another WordPress.com site. This is an example of a WordPress page, you could edit this to put information about yourself or your site so readers know where you are coming from. You can create as many pages like this one or sub-pages as you like and manage all of your content inside of WordPress. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out.

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Arguable Thesis | Inspired Listening

https://inspiredlistening.wordpress.com/2010/10/07/arguable-thesis

Just another WordPress.com site. Opera, or The Undoing of Women. Sinfonia, Overture, Sinfony, Symphony →. October 7, 2010. There has been great confusion over what constitutes an arguable thesis in a music paper. I’ve been coming up with examples from Messiah (so as not to influence your specific choices for Orfeo) and while reading a student’s description of Scene III, I came up with a somewhat outlandish idea:. Handel uses texture to criticize the Catholic Church as any good Anglican would.”. Ok, so I&...

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Sinfonia, Overture, Sinfony, Symphony | Inspired Listening

https://inspiredlistening.wordpress.com/2010/10/11/sinfonia-overture-sinfony-symphony

Just another WordPress.com site. Sinfonia, Overture, Sinfony, Symphony. October 11, 2010. How do we get from Monteverdi’s repeating “sinfonia” to Handel’s “Sinfony” to Beethoven’s “Symphony? 8221; A spot of research in Grove Music Online. Eventually the sinfonia “migrated” to a position at the beginning of an opera, or oratorio in the case of. A great example is Lulli’s overture to the opera. Listen closely to the Sinfony from. By the time Beethoven got to the concert symphony, it had been a well-known a...

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Cmeuth's Blog | Just another WordPress.com site

Just another WordPress.com site. December 3, 2010. Looking for a show. November 21, 2010. After class last Wednesday, I was thinking about why the audience reacted the way they did. I mean, I am sure it was partially because of the strange music and unorthodox dancing. But maybe there was more to it than that. Thank goodness there were no vuvuzuelas in 1913. That’s all I can say. What can you trust? November 16, 2010. Most people trust their own tastes, or compare it to things they already know. When...

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