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Greg3D

Sunday, March 15, 2015. Actor's Studio, lesson 5 - Pallas walk cycles. Some of the walk styles. The best reference manual for walks is probably Richard Williams' book, The Animator's Survival Kit,. Which devotes 110 pages to the subject. Books by Preston Blair and Eadweard Muybridge are also useful. Pallas' face hasn't been rigged yet, so she can't blink or emote through facial expression. In these early lessons, all emotion is expressed by the rest of the body, through posture, pace, amplitude, etc.

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Greg3D | coasthighway.blogspot.com Reviews

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Sunday, March 15, 2015. Actor's Studio, lesson 5 - Pallas walk cycles. Some of the walk styles. The best reference manual for walks is probably Richard Williams' book, The Animator's Survival Kit,. Which devotes 110 pages to the subject. Books by Preston Blair and Eadweard Muybridge are also useful. Pallas' face hasn't been rigged yet, so she can't blink or emote through facial expression. In these early lessons, all emotion is expressed by the rest of the body, through posture, pace, amplitude, etc.

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1 3d illustration

2 3d animation

3 3d visualization

4 3d character

5 rendering

6 modeling

7 architecture

8 interior

9 exterior

10 character rigging

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Greg3D | coasthighway.blogspot.com Reviews

https://coasthighway.blogspot.com

Sunday, March 15, 2015. Actor's Studio, lesson 5 - Pallas walk cycles. Some of the walk styles. The best reference manual for walks is probably Richard Williams' book, The Animator's Survival Kit,. Which devotes 110 pages to the subject. Books by Preston Blair and Eadweard Muybridge are also useful. Pallas' face hasn't been rigged yet, so she can't blink or emote through facial expression. In these early lessons, all emotion is expressed by the rest of the body, through posture, pace, amplitude, etc.

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coasthighway.blogspot.com

1

Greg3D: Playground, chapter 8 - second version

http://coasthighway.blogspot.com/2014/08/playground-chapter-8-second-version.html

Friday, August 1, 2014. Playground, chapter 8 - second version. Nine months after completing the Playground. And I agreed to have another go at this rendering, to create a more interesting version and solve all the problems we have with its quality. First, we created new hair textures and a new skin shader for all the children, which makes them look less like plastic. I'm using overcast lighting this time, primarily so the children's faces are easier to distinguish. Details from design sketch.

2

Greg3D: Wonder Warthog, part 12 - new head

http://coasthighway.blogspot.com/2014/01/wonder-warthog-part-12-new-head.html

Wednesday, January 22, 2014. Wonder Warthog, part 12 - new head. I'm redesigning, modeling, and rigging Gilbert Shelton's classic cartoon character, "Wonder Wart-Hog."). I did a little research of software and anatomy, and decided to re-engineer the warthog's head. Some of the topology was improved for more anatomical realism and better deformations (ie, the ease of assuming various facial expressions). The eyes were raised about a half inch. I switched to more appropriate rendering software.

3

Greg3D: Ring of Fire

http://coasthighway.blogspot.com/2014/03/ring-of-fire.html

Monday, March 24, 2014. This is fan art for Ring of Fire. A talk show about corporate crime and legalized corruption. It's simply an animated logo with a generic camera path. The animation transitions to a blue placeholder, which is where the talking heads would go. MOTION BLUR FOR MAYA FLUID EFFECT. Create your fluid object. Ideally, create a fluid nCache for it. Open the connection editor and connect the outMesh property of fluidShape to the inMesh property of cubeShape. FYI, for the velocity pass, .

4

Greg3D: Actor's Studio, lesson 2 - Pallas modeling

http://coasthighway.blogspot.com/2014/09/actors-studio-lesson-2-pallas-modeling.html

Tuesday, September 9, 2014. Actor's Studio, lesson 2 - Pallas modeling. Here is the finished model of Pallas. The purpose of this project is to augment my rigging and animation skill, but it's also an opportunity to become more familiar with facial anatomy, and pick-up the latest modeling and texturing techniques. Procurus and depressor supercilii. This is a groove on the outside of the eye where the upper and lower eyelids meet. It's minimized when the eye is opened wide. This is a furrow that separates...

5

Greg3D: Anna's Doll

http://coasthighway.blogspot.com/2014/06/annas-doll.html

Saturday, June 14, 2014. Anna designed and modeled the doll. In this image. I modeled the environment and built the rendering, including lighting, textures and materials. Due to the distressed nature of the architectural surfaces, my attention to detail needed to be more acute than usual. For such a task, photographic reference is useful as a reminder of how things decay. In my studies, I noted that . More dirt will find its way into the concave edges of surfaces. Composite, before and after. This is my ...

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annamariabonanese.blogspot.com

AMB Blog: Progetto Bambola - 2^ parte - Skinning + Tutorial nCloth

http://annamariabonanese.blogspot.com/2014/04/progetto-bambola-2-parte-skinning.html

Progetto Bambola - 2 parte - Skinning Tutorial nCloth. By Anna Maria Bonanese. Venerdì, aprile 18, 2014. In questa seconda parte del post per il progetto bambola. Vi presento il lavoro di Skinning. E un breve tutorial che descrive sinteticamente i passaggi seguiti per applicatare nCloth. Skinning della parte superiore del vestito. Quindi, durante lo Skinning. Vengono eliminate le influenze inutili e vengono aggiunte e perfezionate le influenze utili. Alla fine del processo di Skinning. Di Maya. Quest...

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Greg3D

Sunday, March 15, 2015. Actor's Studio, lesson 5 - Pallas walk cycles. Some of the walk styles. The best reference manual for walks is probably Richard Williams' book, The Animator's Survival Kit,. Which devotes 110 pages to the subject. Books by Preston Blair and Eadweard Muybridge are also useful. Pallas' face hasn't been rigged yet, so she can't blink or emote through facial expression. In these early lessons, all emotion is expressed by the rest of the body, through posture, pace, amplitude, etc.

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