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Communicating Arts - The Journal | Business and Life — Works in Progress. | commartsjournal.com Reviews

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Rural | Communicating Arts - The Journal

https://commartsjournal.com/category/photography-2/rural-photography-2

About J. S. Oppenheim. Return to CA Main Web. Communicating Arts – The Journal. Business and Life — Works in Progress. Thistle, Winter, 2008. January 8, 2016. James Rumsey Memorial Park, Shepherdstown, West Virginia, October 19, 2010. July 27, 2015. Abandoned bridge pilings, Potomac River from James Rumsey Monument, Shepherdstown, West Virginia. James Rumsey Bridge, Potomac River north of downtown Shepherdstown, West Virginia. View toward Maryland from James Rumsey Monument Park, Shepherdstown, WVA.

2

Still Photography Services | Communicating Arts - The Journal

https://commartsjournal.com/photography/still-photography-services

About J. S. Oppenheim. Return to CA Main Web. Communicating Arts – The Journal. Business and Life — Works in Progress. Yeah, those too. I’m more of a “Ready? Go” kind of guy as a director. To keep this simple today (11/5/2012), I’ll stick to the logistical. Western Maryland at the intersection of I-81 and I-70, about 90 minutes driving out of Baltimore and Washington, D.C. That’s another story. 8220;Ice and snow — Pony don’t go.”. Whatever possessed me — and still possesses me — the ‘St...Oxford, Ohio) w...

3

Photography | Communicating Arts - The Journal

https://commartsjournal.com/photography

About J. S. Oppenheim. Return to CA Main Web. Communicating Arts – The Journal. Business and Life — Works in Progress. In general, photography contracts, whether on a handshake or signed, involve two dimensions in effort: everything having to do with shooting and editing photographs; everything having to do with printing and distributing photographs or associated files. Within the industry, this simplifies to 1) “shooting costs and fees” and 2) “art sales and licensing”. Everything else gets complicated.

4

bare branches | Communicating Arts - The Journal

https://commartsjournal.com/tag/bare-branches

About J. S. Oppenheim. Return to CA Main Web. Communicating Arts – The Journal. Business and Life — Works in Progress. Tag Archives: bare branches. Sunrise, Hunter Hill, Hagerstown, Maryland, January 29, 2015. March 1, 2015. Unsigned Prints Available: James Oppenheim on Fine Art America. Licensing Available: Contact the Artist. Crescent, Hunter Hill, Hagerstown, Maryland, January 4, 2014. January 22, 2014. Blog at WordPress.com. Communicating Arts – The Journal. Blog at WordPress.com.

5

Editorial Services | Communicating Arts - The Journal

https://commartsjournal.com/editorial-services

About J. S. Oppenheim. Return to CA Main Web. Communicating Arts – The Journal. Business and Life — Works in Progress. Editorial, Research, and Writing Services. Credibility in this domain may rest on an M.A. in English Language and Literature from the University of Maryland, publication in. The North American Review,. Credits in journalism from. I may return attention to creative writing (so stated, mid-August 2013), but whether submerged in that or not, feel welcome to approach or task with a mission.

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photography – Communicating Arts

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Communicating Arts–The Journal. From Black Box to Fieldwork — Still Cookin’! April 20, 2016. It’s a lucite paperweight with the artwork etched in from the back. I, James S. Oppenheim AKA J.S. Oppenheim, and Communicating Arts have enjoyed it as emblem. Properly lit, it’s striking. This slideshow requires JavaScript. As good as our cell phones have gotten with recording, much in commercial and fine art continues to recommend studio-level control. Such efforts involve connection, empathy, and patience.

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Photography – Communicating Arts

http://www.communicating-arts.com/category/photography-3

Communicating Arts–The Journal. From Black Box to Fieldwork — Still Cookin’! April 20, 2016. It’s a lucite paperweight with the artwork etched in from the back. I, James S. Oppenheim AKA J.S. Oppenheim, and Communicating Arts have enjoyed it as emblem. Properly lit, it’s striking. This slideshow requires JavaScript. As good as our cell phones have gotten with recording, much in commercial and fine art continues to recommend studio-level control. Such efforts involve connection, empathy, and patience.

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artist’s journal – Communicating Arts

http://www.communicating-arts.com/tag/artists-journal-2

Communicating Arts–The Journal. January 20, 2015. The North Tract, National Agricultural Center, Ft. Meade, Maryland. And navigated with compass and map. And when permitted, took a camera along. The digital files made from 35mm were scanned at 2400-dpi and the jpegs diminished for the dial-up web of the day. For the time being). Reflection and ripple at the North Tract, Patuxent Research Center, Maryland. Note to Self as Caretaker of a Vast Web Estate. December 26, 2014. It’s approaching 12,000 vie...

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Film-to-Digital – Communicating Arts

http://www.communicating-arts.com/category/photography-3/film-to-digital

Communicating Arts–The Journal. Thomas Point Shoal Lighthouse, Chesapeake Bay, Maryland, May 31, 1999. January 9, 2015. Pink Azalea, Macroflora, Silver Spring, Maryland 1991. December 28, 2014. Nightscape, New York City, December 1988. December 28, 2014. Model on Bridge, Patuxent River, Maryland, September 22, 2001. May 12, 2014. Wearing Barbour in Maryland, October 26, 2003. May 12, 2014. Fashion Simple at the Mansion, October 16, 2005. May 12, 2014. Cambridge, Maryland, August 22-23, 2015.

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project sense – Communicating Arts

http://www.communicating-arts.com/tag/project-sense

Communicating Arts–The Journal. January 20, 2015. The North Tract, National Agricultural Center, Ft. Meade, Maryland. And navigated with compass and map. And when permitted, took a camera along. The digital files made from 35mm were scanned at 2400-dpi and the jpegs diminished for the dial-up web of the day. For the time being). Reflection and ripple at the North Tract, Patuxent Research Center, Maryland. From Black Box to Fieldwork — Still Cookin’! Cambridge, Maryland, August 22-23, 2015.

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Thomas Point Shoal Lighthouse, Chesapeake Bay, Maryland, May 31, 1999 – Communicating Arts

http://www.communicating-arts.com/thomas-point-shoal-lighthouse-chesapeake-bay-maryland-may-31-1999

Communicating Arts–The Journal. Thomas Point Shoal Lighthouse, Chesapeake Bay, Maryland, May 31, 1999. January 9, 2015. Leave a Reply Cancel reply. Notify me of follow-up comments by email. Notify me of new posts by email. From Black Box to Fieldwork — Still Cookin’! Cambridge, Maryland, August 22-23, 2015. Waterfront, Choptank River, Cambridge, Maryland, August 22, 2015. Winter Fenceline Variations 2007. Grand Point Station, Chambersburg, Pennsylvania, May 7, 2011. C ) J S. Oppenheim.

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Business Services – Communicating Arts

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Communicating Arts–The Journal. The capability statement provides a one-page overview, and I would much rather talk with a prospect than fill out this page or section — that’s what it’s going to be — with additional detail about editorial, photography, and research activities. For any associate, client, prospect, or other viewer in a hurry, the studio’s more established but not integrated journal lives at Communicating Arts–The Journal. From Black Box to Fieldwork — Still Cookin’! C ) J S. Oppenheim.

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rain drops – Communicating Arts

http://www.communicating-arts.com/tag/rain-drops

Communicating Arts–The Journal. Pink Azalea, Macroflora, Silver Spring, Maryland 1991. December 28, 2014. From Black Box to Fieldwork — Still Cookin’! Cambridge, Maryland, August 22-23, 2015. Waterfront, Choptank River, Cambridge, Maryland, August 22, 2015. Winter Fenceline Variations 2007. Grand Point Station, Chambersburg, Pennsylvania, May 7, 2011. On From Black Box to Fieldwork — Still Cookin’! On From Black Box to Fieldwork — Still Cookin’! C ) J S. Oppenheim. Send to Email Address.

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Artist’s Journal – Communicating Arts

http://www.communicating-arts.com/category/artists-journal

Communicating Arts–The Journal. From Black Box to Fieldwork — Still Cookin’! April 20, 2016. It’s a lucite paperweight with the artwork etched in from the back. I, James S. Oppenheim AKA J.S. Oppenheim, and Communicating Arts have enjoyed it as emblem. Properly lit, it’s striking. This slideshow requires JavaScript. As good as our cell phones have gotten with recording, much in commercial and fine art continues to recommend studio-level control. Such efforts involve connection, empathy, and patience.

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