typographica.org
Neue Haas Grotesk – Typographica
http://typographica.org/typeface-reviews/neue-haas-grotesk
Ads via The Deck. Nameplate set in Pilcrow Soft. From Indian Type Foundry. Your typeface could be next. Learn more. Reviewed by Matthew Butterick on January 25, 2012. Art critic Jerry Saltz said of a recent exhibition. That the artist had “done what an artist ought to: open the floor beneath my feet, and take me places I didn’t know were there.”. That’s how I feel about Neue Haas Grotesk. Christian Schwartz has gone deep into a typeface we all think we know fucking Helvetica! Larr; Prev Review. Wait a se...
typefacts.de
Typefacts | Die besten Fonts 2013
http://typefacts.de/news/die-besten-fonts-2013
Unterstütze Typefacts: Nutze diesen Link beim Amazon-Kauf! Auf Typefacts versucht Christoph Koeberlin. Schrift und Typografie verständlich und ansprechend zu vermitteln. mehr. Grad, Fuß, Zoll, Minuten, Sekunden. Die besten Fonts 2015. Die besten Fonts 2014. Die besten Fonts 2013. Die besten Fonts 2012. Die besten Fonts 2011. Die besten Fonts 2010. Die besten Fonts 2009. Jenseits von A Z. Schöner twittern Icons, Pfeile and co. Iconfont Apple Color Emoji. Workshop: Glyphpalette in Photoshop. Bree enchanted...
zuiker.com
Zuiker Chronicles Online: about
http://www.zuiker.com/about
Mdash; Vol.45. There are many versions of the Zuiker Chronicles. For many decades, my grandfather, Francis C. Zuiker, wrote and mailed a newsletter titled Zuiker Chronicles. His letters shared stories about beachcombing travels and camping trips, banjo playing and bird watching, and his joy in gathering with my uncles and aunts and cousins and friends for the Zuiker jamboree at Ravens Roost, the family campground in northern Wisconsin. I am a writer because my grandfathers wrote to me. Content management...
typographyforlawyers.com
Concourse | Typography for Lawyers
http://typographyforlawyers.com/concourse.html
The TFL fonts designed by Matthew Butterick. THE CONGRESS SHALL HAVE POWER. To lay and collect Taxes, Duties, Imposts and. Excises, to pay the Debts and provide for the. Common Defense and general Welfare of the. United States; but all Duties, Imposts and. Excises shall be uniform throughout. If you like, you can edit this paragraph. Concourse Standard includes 108 font files:. 6 weights (light, book, medium, semibold, bold, black). 3 series (roman, italic, and caps). 3 weights (book, semibold, and bold).
practicaltypography.com
The billionaire’s typewriter | Butterick’s Practical Typography
http://practicaltypography.com/billionaires-typewriter.html
A friend pointed me to a story on Medium called. Death to Typewriters,. By Medium designer Marcin Wichary. The story is about the influence of the typewriter on digital typesetting. It references my. Thank you for the compliment, Mr. Wichary. I can’t quibble with the details of your piece. It’s true that Medium and I are opposed to certain typographic shortcuts imported from the typewriter. So, a few words about that. For those who don’t incessantly follow Internet startups, Medium. As a fan of minimalis...
fabryka-pikseli.com
à propos piątku #060 | Fabryka Pikseli
http://fabryka-pikseli.com/a-propos-piatku-060
À propos piątku #060. Poniższy artykuł został napisany i opublikowany 2 lata temu. Istnieje spore prawdopodobieństwo, że część informacji i linków jest już nieaktualna. Tymczasem jednak, zapraszam do długo oczekiwanego (zwłaszcza przeze mnie) à propos piątku #060. Od ostatniego wydania à propos piątku odbyły się dwie konferencje Apple; obie wywołały wiele przemyśleń, z których częścią w niechronologicznej kolejności chciałbym się podzielić poniżej. Nie ma to dla mnie żadnego znaczenia. Zwłaszcza, gdy por...
wopsr.net
Colophon
http://wopsr.net/colophon
Posted 3 years ago. Headings, post titles, nav links, and the like are set in Hoefler and Frere-Jones’. Now Hoefler and Co.’s) Gotham Condensed. Licensed directly through Hoefler and Co.’s Cloud.typography. Webfont service. A geometric sans commissioned by. Magazine in 2000, Gotham evokes letterforms visible in American urban landscapes from as early as the 1930s. It is principally the design work of Tobias Frere-Jones. Body text is set in Hoefler and Frere-Jones’ Mercury Text. Also by Matthew Butterick.