The Empty Whole - Matteo Sanna. 100 mq - Mustafa Sabbagh. Coup de foudre # 1. Mustafa Sabbagh - Ticinonline. Mustafa Sabbagh Fashion Channel. Elena Monzo - Vanity Fair. Mustafa Sabbagh - Quaz Art. Mustafa Sabbagh - Artribune. Mustafa Sabbagh - Agenda Lugano. Mustafa Sabbagh - Espoarte. Mustafa Sabbagh - Arte Cultura. Https:/ www.facebook.com/Contactzonegallery?
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Contact Zone Gallery's Portfolio - Contact Zone Gallery | contactzonegallery.ch Reviews
https://contactzonegallery.ch
The Empty Whole - Matteo Sanna. 100 mq - Mustafa Sabbagh. Coup de foudre # 1. Mustafa Sabbagh - Ticinonline. Mustafa Sabbagh Fashion Channel. Elena Monzo - Vanity Fair. Mustafa Sabbagh - Quaz Art. Mustafa Sabbagh - Artribune. Mustafa Sabbagh - Agenda Lugano. Mustafa Sabbagh - Espoarte. Mustafa Sabbagh - Arte Cultura. Https:/ www.facebook.com/Contactzonegallery?
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Content on this page requires a newer version of Adobe Flash Player. Third Sunday of the month, January-June, and September-December, 14:00. Monthly workshop and jam. 1400 - 14.30 Welcome, registration, and opportunity to do your own warming up. 1430 - 16.30 Workshop. 1630 - 18.00 Open Jam with live music. 18:00 - 19:00 Potluck (communal dinner - bring food and drinks). Workshop: 15,- (jam included). Jam only: 7,-. Address: Schoterbosstraat 17, Rotterdam. Dates for 2017, from winter to summer. There is a...
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Contact Zone Gallery's Portfolio - Contact Zone Gallery
The Empty Whole - Matteo Sanna. 100 mq - Mustafa Sabbagh. Coup de foudre # 1. Mustafa Sabbagh - Ticinonline. Mustafa Sabbagh Fashion Channel. Elena Monzo - Vanity Fair. Mustafa Sabbagh - Quaz Art. Mustafa Sabbagh - Artribune. Mustafa Sabbagh - Agenda Lugano. Mustafa Sabbagh - Espoarte. Mustafa Sabbagh - Arte Cultura. Https:/ www.facebook.com/Contactzonegallery?
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Contact Zone Rhetoric
Woensdag 2 juli 2014. Inleiding Kairos een nieuwe bevlogenheid:. Het curieuze personage dat met gevleugelde schouders en voeten op dit boek prijkt, is voor een 21e eeuwse lezer niet gemakkelijk thuis te brengen. Is het een engel of een daimon uit de klassieke oudheid, of toch eerder een sprookjesfiguur of allegorische verbeelding uit de middel- eeuwen? En waarom staat hij in opperste concentratie en diep voorover gebogen te kijken naar de weegschaal die hij in zijn hand houdt? Joke J. Hermsen'. Nu de hom...
Contact Zones:The Art of CD-ROM
Contact Zones: The Art of CD-ROM. Apriete aquí para la versión en Español. Curated by Timothy Murray. Director of Graduate Studies in Film and Video. Ithaca, New York, March 9 - April 16, 1999. Hobart and William Smith Colleges. Geneva, New York, May 14 - May 28, 1999. Centro de la Imagen. Mexico City, Mexico, June 24 - July 31, 1999. Charlottesville, Virginia, October, 1999. ISEA, Forum des Images. Paris, France, December, 2000. The Society for the Humanities,. Poster by Valerie McMillen.
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This is an international project (no. 112700, 2014-2018) financed by the Hungarian Scientific Research Fund (OTKA), conducted by Dr. Mónika Dánél, gathering 22 researchers (seniors, undergraduate and postgraduate students) from three major Hungarian university centres: Eötvös Loránd University, Budapest, the University of Szeged and the University of Debrecen. 1 Mapping a theoretical and conceptual field. 2 Space-ing otherness in contemporary Hungarian and Romanian literature. Places of Amnesia is an int...
TRAVELOGUE
We live in a world of mobility, nomadism and fluidity. Travelers, exiles, migrants, tourists, most likely that some of us can recognize him/herself in one of these categories. People, ideas and objects move constantly, appears elsewhere, and it is hard to say what is their origin, and how did they change in that 'traveling'. As a result ,we have a situation in which the model of 'pure cultures' (which denies those travels, different influences, heterogeneities and hybridity of cultures. Map, from its ver...
CONTACT ZONES | face-to-face in the contact zone of an entangled relationship. Response is in the open – Haraway
Face-to-face in the contact zone of an entangled relationship. Response is in the open – Haraway. The horror that drives evolution [quoted from Herzog film “Encounters at the End of the World”]. June 20, 2015. Sam]: The creatures that are down there that are like science-fiction creatures, they range in the way that they would gobble you up from slime-type blobs, but creepier than classic science-fiction blobs. S o that’s one example of one of the creatures. And this is a world earlier than human beings.
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