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COPING WITH COPIA | Surabondance épistémologique entre art et science dans la première modernité / Epistemological excess in early modern art and science

Surabondance épistémologique entre art et science dans la première modernité / Epistemological excess in early modern art and science

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COPING WITH COPIA | Surabondance épistémologique entre art et science dans la première modernité / Epistemological excess in early modern art and science | copingwithcopia.wordpress.com Reviews

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Surabondance épistémologique entre art et science dans la première modernité / Epistemological excess in early modern art and science

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Thème du colloque / Conference theme | COPING WITH COPIA

https://copingwithcopia.wordpress.com/le-colloque

Surabondance épistémologique entre art et science dans la première modernité / Epistemological excess in early modern art and science. Aller au contenu principal. Thème du colloque / Conference theme. Programme du colloque / Conference schedule. Thème du colloque / Conference theme. Laisser un commentaire Annuler la réponse. Entrer les renseignements ci-dessous ou cliquer sur une icône pour ouvrir une session :. Vous commentez à l’aide de votre compte WordPress.com. ( Déconnexion.

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Programme du colloque / Conference schedule | COPING WITH COPIA

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Surabondance épistémologique entre art et science dans la première modernité / Epistemological excess in early modern art and science. Aller au contenu principal. Thème du colloque / Conference theme. Programme du colloque / Conference schedule. Programme du colloque / Conference schedule. Jeudi 14 mai/ Thursday May 14 2015:. 17:30-18:00 Fabian Krämer and Itay Sapir: Introduction. Keynote lecture/ Conférence inaugurale. Modérateur/ Chair: Fabian Krämer. 19:30 Cocktail de bienvenue/ Welcome Cocktail.

3

english version | COPING WITH COPIA

https://copingwithcopia.wordpress.com/le-colloque/en

Surabondance épistémologique entre art et science dans la première modernité / Epistemological excess in early modern art and science. Aller au contenu principal. Thème du colloque / Conference theme. Programme du colloque / Conference schedule. Epistemological Excess in Early Modern Art and Science. We are living in an era of unprecedented information overload. This is. One of the most common clichés defining the early 21st century, both in. Is not quintessentially meant to address the eyes. In Europe, ...

4

Infos | COPING WITH COPIA

https://copingwithcopia.wordpress.com/infos

Surabondance épistémologique entre art et science dans la première modernité / Epistemological excess in early modern art and science. Aller au contenu principal. Thème du colloque / Conference theme. Programme du colloque / Conference schedule. Fabian Kraemer: Fabian.Kraemer@lrz.uni-muenchen.de. Itay Sapir: sapir.itay@uqam.ca. Christophe Baczyk: baczyk.christophe@courrier.uqam.ca. Université du Québec à Montréal (UQÀM). Pavillon Judith-Jasmin – Salle des Boiseries. 405, rue Sainte-Catherine Est. Montréa...

5

version française | COPING WITH COPIA

https://copingwithcopia.wordpress.com/le-colloque/fr

Surabondance épistémologique entre art et science dans la première modernité / Epistemological excess in early modern art and science. Aller au contenu principal. Thème du colloque / Conference theme. Programme du colloque / Conference schedule. Surabondance épistémologique entre art et science dans la première modernité. Nous vivons dans une ère de débordement d’informations sans précédent. Voilà un des lieux communs les plus fréquemment utilisés pour. Côté, l’augmentation objective de la quantité d’inf...

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COPING WITH COPIA | Surabondance épistémologique entre art et science dans la première modernité / Epistemological excess in early modern art and science

Surabondance épistémologique entre art et science dans la première modernité / Epistemological excess in early modern art and science. Aller au contenu principal. Thème du colloque / Conference theme. Programme du colloque / Conference schedule. Coping with Copia (Montréal, 14-16 Mai 2015). Colloque présenté à l’Université du Québec à Montréal, et organisé par:. Itay Sapir (Histoire de l’art, Université du Québec à Montréal, Canada). Fabian Krämer (Histoire des sciences, Ludwig-Maximilians-Universität.

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