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Courtney Fiske

A short essay on Violet Dennison’s seagrass installations. Published in the catalog for the New Museum Triennial,. A review of the artist’s show, “Dwindle Down,” at Marian Goodman. May 26, 2017. A review of the artist’s 1960s. March 3, 2017. Jack Burnham’s “Real Time”. An article on Burnham’s theory of sculpture as system c. 1967-69, accessible through MIT Press Journals. Selections from the artist’s estate at Cheim and Read. November 18, 2016. A review of two parallel shows. October 14, 2016. A video of...

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Courtney Fiske | courtneyfiske.com Reviews
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A short essay on Violet Dennison’s seagrass installations. Published in the catalog for the New Museum Triennial,. A review of the artist’s show, “Dwindle Down,” at Marian Goodman. May 26, 2017. A review of the artist’s 1960s. March 3, 2017. Jack Burnham’s “Real Time”. An article on Burnham’s theory of sculpture as system c. 1967-69, accessible through MIT Press Journals. Selections from the artist’s estate at Cheim and Read. November 18, 2016. A review of two parallel shows. October 14, 2016. A video of...
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1 courtney fiske
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Courtney Fiske | courtneyfiske.com Reviews

https://courtneyfiske.com

A short essay on Violet Dennison’s seagrass installations. Published in the catalog for the New Museum Triennial,. A review of the artist’s show, “Dwindle Down,” at Marian Goodman. May 26, 2017. A review of the artist’s 1960s. March 3, 2017. Jack Burnham’s “Real Time”. An article on Burnham’s theory of sculpture as system c. 1967-69, accessible through MIT Press Journals. Selections from the artist’s estate at Cheim and Read. November 18, 2016. A review of two parallel shows. October 14, 2016. A video of...

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About | Courtney Fiske

http://courtneyfiske.com/about

Courtney Fiske is a third-year in Columbia’s Art History department specializing in 20th-century American art. She graduated. From Harvard in May 2011. She is a frequent contributor to. Her writing has also appeared in. The Brooklyn Rail,. And various artists’ books. Her essay on Jack Burnham’s theory of minimal and conceptual art as “real time systems,” presented in a previous version at the 2015 IFA-Frick Symposium, is forthcoming in. She can be reached at cafiske [at] gmail [dot] com.

2

Blog | Courtney Fiske

http://courtneyfiske.com/category/blog

Reducing Arp, enlarging ketchup. Oldenburg on his French Fries with Ketchup. From a 1964 radio interview with Bruce Glaser, Lichtenstein, and an affectedly mum Warhol. Composed in kapok and vinyl, the work first appeared in a fall 1963 solo show at Dwan Gallery in Los Angeles along with Bacon, Lettuce, and Tomato Sandwich. Partially fabricated by Artschwager) and the Bedroom. Double door, single stack, Lawler wobbly in brass (bronze? Standard Oil Company of California,. Silver everything & stay awake.

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A short essay on Violet Dennison’s seagrass installations. Published in the catalog for the New Museum Triennial,. A review of the artist’s show, “Dwindle Down,” at Marian Goodman. May 26, 2017. A review of the artist’s 1960s. March 3, 2017. Jack Burnham’s “Real Time”. An article on Burnham’s theory of sculpture as system c. 1967-69, accessible through MIT Press Journals. Selections from the artist’s estate at Cheim and Read. November 18, 2016. A review of two parallel shows. October 14, 2016. A video of...

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