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Friday, May 1, 2009. Intertextuality is to select the previous text to create new text or humorous. In order to understand it, the audience need to familiar with original text. For example, in the film,. The leading female character, Josie, who has the second chance to experience high school, what she wants to be and how she is going to do for not being regret since she has been through high school once? Wednesday, April 15, 2009. What a Perfect Day! Sunday, April 5, 2009. Refuse to assimilate the society.

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Friday, May 1, 2009. Intertextuality is to select the previous text to create new text or humorous. In order to understand it, the audience need to familiar with original text. For example, in the film,. The leading female character, Josie, who has the second chance to experience high school, what she wants to be and how she is going to do for not being regret since she has been through high school once? Wednesday, April 15, 2009. What a Perfect Day! Sunday, April 5, 2009. Refuse to assimilate the society.
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Film | critical-film.blogspot.com Reviews

https://critical-film.blogspot.com

Friday, May 1, 2009. Intertextuality is to select the previous text to create new text or humorous. In order to understand it, the audience need to familiar with original text. For example, in the film,. The leading female character, Josie, who has the second chance to experience high school, what she wants to be and how she is going to do for not being regret since she has been through high school once? Wednesday, April 15, 2009. What a Perfect Day! Sunday, April 5, 2009. Refuse to assimilate the society.

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1

Film: Film Genres

http://critical-film.blogspot.com/2009/04/film-genres.html

Sunday, April 5, 2009. Another group is integration which conflict arises from the different between values, attitudes, and actions or the main characters’ emotions. This genre will embrace their love to resolve their conflict such as. You’ve Got Mail. In the film,. Subscribe to: Post Comments (Atom). View my complete profile.

2

Film: March 2009

http://critical-film.blogspot.com/2009_03_01_archive.html

Friday, March 27, 2009. Last week one of my classmates did presentation on Sergei Eisenstein. He was film theorist who concerned about techniques rather than content: montage. The use of montage is best known as film editing. He believed that montage will shape the audience’s emotions, thoughts, and create metaphors as well. Therefore, he developed montage into five categories:. 1 Metric montage which focuses on length of shot by combining the shot. Http:/ www.youtube.com/watch? Another montage is intell...

3

Film: Intertextuality

http://critical-film.blogspot.com/2009/05/intertextuality.html

Friday, May 1, 2009. Intertextuality is to select the previous text to create new text or humorous. In order to understand it, the audience need to familiar with original text. For example, in the film,. Subscribe to: Post Comments (Atom). View my complete profile.

4

Film: February 2009

http://critical-film.blogspot.com/2009_02_01_archive.html

Tuesday, February 24, 2009. Semiotic (signifier and signified). According to Saussure, he divided the sign into two components: the signifier and the signified. The signifier is a form which the sign takes or something that can be touched, seen, and so on and the signified is the concept it represents. Saussure suggested that the sign must have both a signifier and a signified. It means the sign is a combination of these two components. Thursday, February 19, 2009. The acceptance of difference. I like th...

5

Film: Narrative Setting

http://critical-film.blogspot.com/2009/05/narrative-setting.html

Friday, May 1, 2009. Subscribe to: Post Comments (Atom). View my complete profile.

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