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CRITICAL FINE ART PRACTICE. Monday, 19 January 2009. Degree show meeting minutes 19/1/09. Present: Adam, Cameron, Clare, Lenka, Sina, ttfb (later Lucy). We first discussed the ideas that people had had concerning the work they want to produce and how it could be set up in the studio. They are as follows:. Anna: camera obscura or potentially projecting onto the floor and ceiling.may build a room to achieve this. Lizzie: ten armchairs, maybe five, in an open space with people on them. TO DO FOR NEXT WEEK:.

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CRITICAL FINE ART PRACTICE | criticalfineartpractice.blogspot.com Reviews
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CRITICAL FINE ART PRACTICE. Monday, 19 January 2009. Degree show meeting minutes 19/1/09. Present: Adam, Cameron, Clare, Lenka, Sina, ttfb (later Lucy). We first discussed the ideas that people had had concerning the work they want to produce and how it could be set up in the studio. They are as follows:. Anna: camera obscura or potentially projecting onto the floor and ceiling.may build a room to achieve this. Lizzie: ten armchairs, maybe five, in an open space with people on them. TO DO FOR NEXT WEEK:.
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1 kathryn video installation
2 posted by
3 no comments
4 labels degree show
5 fundraising
6 meeting minutes
7 27th february
8 dissertation deadline
9 deadline for show
10 degree show takedown
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kathryn video installation,posted by,no comments,labels degree show,fundraising,meeting minutes,27th february,dissertation deadline,deadline for show,degree show takedown,if any,1 comment,newsfelch,wheeeey,bit twee that,toodles,ttfb xxxxx,thoughts,hello
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CRITICAL FINE ART PRACTICE | criticalfineartpractice.blogspot.com Reviews

https://criticalfineartpractice.blogspot.com

CRITICAL FINE ART PRACTICE. Monday, 19 January 2009. Degree show meeting minutes 19/1/09. Present: Adam, Cameron, Clare, Lenka, Sina, ttfb (later Lucy). We first discussed the ideas that people had had concerning the work they want to produce and how it could be set up in the studio. They are as follows:. Anna: camera obscura or potentially projecting onto the floor and ceiling.may build a room to achieve this. Lizzie: ten armchairs, maybe five, in an open space with people on them. TO DO FOR NEXT WEEK:.

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CRITICAL FINE ART PRACTICE: NEWSFELCH

http://criticalfineartpractice.blogspot.com/2008/11/newsfelch.html

CRITICAL FINE ART PRACTICE. Wednesday, 26 November 2008. Hi, sorry me again. If you want a sample of the atmosphere, if not the festive nosh, the plan currently is to visit the pub tomorrow evening in celebration of Lenka's interim presentation, which as you'll recall is tomorrow at 1.30pm in 206a. We might also go out after the dinner itself, the last cfap night-outing we had was proper bubbles (meaning good). Secondly, the blog is still here! Critical Fine Art Practice. Critical Fine Art Practice.

2

CRITICAL FINE ART PRACTICE: Degree show meeting minutes 19/1/09

http://criticalfineartpractice.blogspot.com/2009/01/degree-show-meeting-minutes-19109.html

CRITICAL FINE ART PRACTICE. Monday, 19 January 2009. Degree show meeting minutes 19/1/09. Present: Adam, Cameron, Clare, Lenka, Sina, ttfb (later Lucy). We first discussed the ideas that people had had concerning the work they want to produce and how it could be set up in the studio. They are as follows:. Anna: camera obscura or potentially projecting onto the floor and ceiling.may build a room to achieve this. Lizzie: ten armchairs, maybe five, in an open space with people on them. TO DO FOR NEXT WEEK:.

3

CRITICAL FINE ART PRACTICE: October 2008

http://criticalfineartpractice.blogspot.com/2008_10_01_archive.html

CRITICAL FINE ART PRACTICE. Friday, 24 October 2008. I've decided to resurrect this forum for CFAP activity as it's not only a useful tool, but dead blogs are a WASTE OF THE INTERNETS. Use it for what you will. Here's some upcoming events:. As part of Brighton's pretty massive celebration of British summer time coming to an end, White Night. Brighton University's Grand Parade gallery will be hosting a debate influenced by the current Julian Stallabrass. The debate is called Make Love Not War.

4

CRITICAL FINE ART PRACTICE: CFAP degree show fundraising (third year -centric)

http://criticalfineartpractice.blogspot.com/2008/11/cfap-degree-show-fundraising-third-year.html

CRITICAL FINE ART PRACTICE. Tuesday, 25 November 2008. CFAP degree show fundraising (third year -centric). Hi everyone, hope you're wrapping up warm. Would you feel comfortable with it? And would we have an individual treasurer, volunteering or elected? If you could please please visit the blog at some point in the future and comment on your thoughts then that would be super. There's also a question there about the UC! Website that needs answering pretty soon. Thanks artists (thartists),.

5

CRITICAL FINE ART PRACTICE: Fundraising ideas

http://criticalfineartpractice.blogspot.com/2008/11/fundraising-ideas.html

CRITICAL FINE ART PRACTICE. Wednesday, 26 November 2008. As discussed and suggested by various attendees at the meeting 25/11/08. The ones i think we could feasibly do in the foyer on the 8th-10th i have marked with a *. Please say if you disagree. Remember we could do more than one of them. Bake sale. We might have to check if this goes against HELF AN SAYFTY rules (it probably will do in the foyer) but if not we could do like other courses do and just visit the different rooms in the university&#46...

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curatingdiscourse.blogspot.com curatingdiscourse.blogspot.com

Curating Discourse: Strange Events Permit Themselves the Luxury of Occurring - curated by Steven Claydon

http://curatingdiscourse.blogspot.com/2009/02/strange-events-permit-themselves-luxury.html

A selection of the most up to date writings from the MFA Curating course at Goldsmiths, University of London. Tuesday, 3 February 2009. Strange Events Permit Themselves the Luxury of Occurring - curated by Steven Claydon. Written by Tom Trevatt. We shall begin by accepting Claydon’s claims to a redistribution of typologies and allow ourselves the luxury, indeed, to follow his curatorial argument. No, it's because we ourselves are so divided by so many contradictory attachments that we have to assemble.

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Curating Discourse

http://curatingdiscourse.blogspot.com/2008/03/bernd-behr-alexia-goethe-gallery-london.html

A selection of the most up to date writings from the MFA Curating course at Goldsmiths, University of London. Tuesday, 25 March 2008. Bernd Behr - Alexia Goethe Gallery, London. 29th February – 7th April 2008. Behr explores the idea for the Hong Kong housing complex to revive its actual potential and therefore its filmic characterisation as being not strictly documentary, through the introduction of the audio voice over enacting a developmental proposal. 18 April 2008 at 04:40. Tom Trevatt - Writing.

curatingdiscourse.blogspot.com curatingdiscourse.blogspot.com

Curating Discourse: January 2009

http://curatingdiscourse.blogspot.com/2009_01_01_archive.html

A selection of the most up to date writings from the MFA Curating course at Goldsmiths, University of London. Thursday, 29 January 2009. A review on a curators practice; Lisa Le Feuvre - Sophie Risner. Curating; the balance between practice and distance. As well as web based activity for Nought to Sixty. At the ICA and the latter known Unrealised Projects,. At the Chelsea Space in 2005 alongside the recent offering of Renee Greens Endless Dreams and Water Between. Alongside Cell Project Space. We are: Ca...

curatingdiscourse.blogspot.com curatingdiscourse.blogspot.com

Curating Discourse: Steve McQueen: Hunger

http://curatingdiscourse.blogspot.com/2008/11/steve-mcqueen-hunger.html

A selection of the most up to date writings from the MFA Curating course at Goldsmiths, University of London. Monday, 17 November 2008. Towards and Economy of Means: On Violence. 160;          . On October 31 the critically acclaimed film Hunger. By British artist Steve McQueen was released in the UK. McQueen, who will represent Britain at the 53. Shows fragments of a traumatic chapter of recent British history as an odyssey of epic gestures of violence, resistance, and power. Is an urgent reminder of th...

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Curating Discourse: Supercream_magazine, issue no. 00: Event

http://curatingdiscourse.blogspot.com/2008/11/supercreammagazine-issue-no-00-event.html

A selection of the most up to date writings from the MFA Curating course at Goldsmiths, University of London. Friday, 28 November 2008. Supercream magazine, issue no. 00: Event. Http:/ www.supercream.org.uk/magazine/issue 00/index.html. Supercream magazine is an online publication. It investigates the cluster of meeting points between disciplines and fosters writers, curators and artists to experiment in an expanded field with production and its reception. For Supercream magazine, publishing mean...Tom a...

curatingdiscourse.blogspot.com curatingdiscourse.blogspot.com

Curating Discourse: February 2009

http://curatingdiscourse.blogspot.com/2009_02_01_archive.html

A selection of the most up to date writings from the MFA Curating course at Goldsmiths, University of London. Tuesday, 3 February 2009. Laura Bartlett Gallery 2008. Written by Tom Trevatt. 8th December 2008, London. Mie Olise Kjaegaard - Ruins of the Future, Standpoint Gallery 2008. Written by Tom Trevatt. As a strongly democratic or anarchist critique of statist visions of utopia? Anthony McCall - Serpentine Gallery 2008. Written by Tom Trevatt. 9th January 2008, London. Roman Signer - 7th February 2008.

curatingdiscourse.blogspot.com curatingdiscourse.blogspot.com

Curating Discourse

http://curatingdiscourse.blogspot.com/2007/10/therapy-for-masses.html

A selection of the most up to date writings from the MFA Curating course at Goldsmiths, University of London. Tuesday, 30 October 2007. 8216;Therapy for the Masses.’. Davina and Daniel’s 8 Weeks of Change, Space Station Sixty-Five, London. Sinead McCarthy, October 2007. Davina and Daniel’s Eight Weeks of Change. Space Station 65, is situated in East Dulwich. Davina and Daniel’s Eight Weeks of Change. Is on Saturday and Sundays until 11th November. 31 October 2007 at 04:36. Also, it is clear to me what yo...

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Curating Discourse: Loose Associations Lecture, Ryan Gander, Brighton University, 2004

http://curatingdiscourse.blogspot.com/2008/11/loose-associations-lecture-ryan-gander_25.html

A selection of the most up to date writings from the MFA Curating course at Goldsmiths, University of London. Tuesday, 25 November 2008. Loose Associations Lecture, Ryan Gander, Brighton University, 2004. Written by Robert Dingle. If art has the possibility to reform dominant narratives, are we then able to forge new relations and retell an alternative history of art? It makes little difference in knowing Churchill’s famous quote that ‘history is always written by the victory’s’, ...Tom Trevatt - Writing.

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Curating Discourse: Tim Etchells and Vlatka Horvat - Sophie Risner

http://curatingdiscourse.blogspot.com/2008/03/tim-etchells-and-vlatka-horvat-sophie.html

A selection of the most up to date writings from the MFA Curating course at Goldsmiths, University of London. Thursday, 13 March 2008. Tim Etchells and Vlatka Horvat - Sophie Risner. Tim Etchells and Vlatka Horvat. 8216;Insults and Praises’ and ‘Promises and Threats’. Art Sheffield 08 (Sheffield Biennial). 8216;Yes No Other Option*’. 160208 – 30.03.08. This years title of Yes, No Other Option. For more information please visit. Http:/ www.artsheffield.org.uk/as08/index.html. I thought you might be intere...

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CRITICAL FINE ART PRACTICE

CRITICAL FINE ART PRACTICE. Monday, 19 January 2009. Degree show meeting minutes 19/1/09. Present: Adam, Cameron, Clare, Lenka, Sina, ttfb (later Lucy). We first discussed the ideas that people had had concerning the work they want to produce and how it could be set up in the studio. They are as follows:. Anna: camera obscura or potentially projecting onto the floor and ceiling.may build a room to achieve this. Lizzie: ten armchairs, maybe five, in an open space with people on them. TO DO FOR NEXT WEEK:.

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