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CRITICISM IN SOUND ART

CRITICISM IN SOUND ART. As told by Massimo Ricci to Pedro López (www.modisti.com) in view of a meeting on sound art to be held in Madrid on June 2010. PEDRO: Do you think that discographic criticism in sound art is necessary? Criticism] is useful to know what's happening around, but not really "necessary", because - as told above - sound is an individual experience (unless you use it for social reasons, which is another matter altogether - and something I'm not the least interested in). Of course - once ...

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CRITICISM IN SOUND ART | criticisminsoundart.blogspot.com Reviews

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CRITICISM IN SOUND ART. As told by Massimo Ricci to Pedro López (www.modisti.com) in view of a meeting on sound art to be held in Madrid on June 2010. PEDRO: Do you think that discographic criticism in sound art is necessary? Criticism] is useful to know what's happening around, but not really necessary, because - as told above - sound is an individual experience (unless you use it for social reasons, which is another matter altogether - and something I'm not the least interested in). Of course - once ...

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CRITICISM IN SOUND ART | criticisminsoundart.blogspot.com Reviews

https://criticisminsoundart.blogspot.com

CRITICISM IN SOUND ART. As told by Massimo Ricci to Pedro López (www.modisti.com) in view of a meeting on sound art to be held in Madrid on June 2010. PEDRO: Do you think that discographic criticism in sound art is necessary? Criticism] is useful to know what's happening around, but not really "necessary", because - as told above - sound is an individual experience (unless you use it for social reasons, which is another matter altogether - and something I'm not the least interested in). Of course - once ...

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touchingextremes.blogspot.com

THE WEBSITE FORMERLY KNOWN AS TOUCHING EXTREMES: ANDREW CHALK – Ghost Of Nakhodka

http://touchingextremes.blogspot.com/2010/07/andrew-chalk-ghost-of-nakhodka.html

THE WEBSITE FORMERLY KNOWN AS TOUCHING EXTREMES. Sunday, 11 July 2010. ANDREW CHALK – Ghost Of Nakhodka. Except for the persistently enticing title track, opening the CD at about 20 minutes of duration, Ghost Of Nakhodka. CONTACT AND GENERAL INFO. ARCHIVES 2001 - 2008. SO YOU WANNA BE AN "EXPERT" OR - HEAVEN FORBID - AN "ARTIST"? CRITICISM IN SOUND ART. Awesome Inc. template. Powered by Blogger.

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THE WEBSITE FORMERLY KNOWN AS TOUCHING EXTREMES: MARTIN KÜCHEN / ERNESTO RODRIGUES / GUILHERME RODRIGUES / CARLOS SANTOS - Vinter

http://touchingextremes.blogspot.com/2010/07/martin-kuchen-ernesto-rodrigues.html

THE WEBSITE FORMERLY KNOWN AS TOUCHING EXTREMES. Wednesday, 14 July 2010. MARTIN KÜCHEN / ERNESTO RODRIGUES / GUILHERME RODRIGUES / CARLOS SANTOS - Vinter. CONTACT AND GENERAL INFO. ARCHIVES 2001 - 2008. SO YOU WANNA BE AN "EXPERT" OR - HEAVEN FORBID - AN "ARTIST"? CRITICISM IN SOUND ART. Awesome Inc. template. Powered by Blogger.

touchingextremes.blogspot.com

THE WEBSITE FORMERLY KNOWN AS TOUCHING EXTREMES: THANOS CHRYSAKIS / WADE MATTHEWS / DARIO BERNAL-VILLEGAS – Enantio_Dromia

http://touchingextremes.blogspot.com/2010/08/thanos-chrysakis-wade-matthews-dario.html

THE WEBSITE FORMERLY KNOWN AS TOUCHING EXTREMES. Friday, 27 August 2010. THANOS CHRYSAKIS / WADE MATTHEWS / DARIO BERNAL-VILLEGAS – Enantio Dromia. A satisfying release, defined by atypically stimulating sonorities, which deserves the worn-out compliment: “rewards repeated spins”. CONTACT AND GENERAL INFO. ARCHIVES 2001 - 2008. SO YOU WANNA BE AN "EXPERT" OR - HEAVEN FORBID - AN "ARTIST"? CRITICISM IN SOUND ART. Awesome Inc. template. Powered by Blogger.

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THE WEBSITE FORMERLY KNOWN AS TOUCHING EXTREMES: JOHN KING – 10 Mysteries

http://touchingextremes.blogspot.com/2010/08/john-king-10-mysteries.html

THE WEBSITE FORMERLY KNOWN AS TOUCHING EXTREMES. Saturday, 28 August 2010. JOHN KING – 10 Mysteries. 8220;What I’m seeking to discover”, writes composer and violist John King, “is the unity of, rather than the distinction between, determinate, indeterminate and improvised music”. He refers to this as “trilogic unity”, employing any necessary means to reach a satisfactory interaction of the separate components. 10 Mysteries. CONTACT AND GENERAL INFO. ARCHIVES 2001 - 2008. CRITICISM IN SOUND ART.

touchingextremes.blogspot.com

THE WEBSITE FORMERLY KNOWN AS TOUCHING EXTREMES: IRON KIM STYLE – Iron Kim Style

http://touchingextremes.blogspot.com/2010/07/iron-kim-style-iron-kim-style.html

THE WEBSITE FORMERLY KNOWN AS TOUCHING EXTREMES. Saturday, 31 July 2010. IRON KIM STYLE – Iron Kim Style. CONTACT AND GENERAL INFO. ARCHIVES 2001 - 2008. SO YOU WANNA BE AN "EXPERT" OR - HEAVEN FORBID - AN "ARTIST"? CRITICISM IN SOUND ART. Awesome Inc. template. Powered by Blogger.

touchingextremes.blogspot.com

THE WEBSITE FORMERLY KNOWN AS TOUCHING EXTREMES: DARREN TATE – The Night

http://touchingextremes.blogspot.com/2010/07/darren-tate-night.html

THE WEBSITE FORMERLY KNOWN AS TOUCHING EXTREMES. Tuesday, 20 July 2010. DARREN TATE – The Night. CONTACT AND GENERAL INFO. ARCHIVES 2001 - 2008. SO YOU WANNA BE AN "EXPERT" OR - HEAVEN FORBID - AN "ARTIST"? CRITICISM IN SOUND ART. Awesome Inc. template. Powered by Blogger.

touchingextremes.blogspot.com

THE WEBSITE FORMERLY KNOWN AS TOUCHING EXTREMES: CURLEW – A Beautiful Western Saddle / The Hardwood

http://touchingextremes.blogspot.com/2010/07/curlew-beautiful-western-saddle.html

THE WEBSITE FORMERLY KNOWN AS TOUCHING EXTREMES. Sunday, 25 July 2010. CURLEW – A Beautiful Western Saddle / The Hardwood. This CD/DVD double whammy reclaims important documents by my favourite embodiment of Curlew (George Cartwright, Davey Williams, Ann Rupel, Pippin Barnett, Tom Cora) from unjustified shadows. A Beautiful Western Saddle. 8221;). This writer stresses that the very best of Curlew lies elsewhere ( Bee. If there were residual doubts about buying this thing or not, the “fuck yeah!

touchingextremes.blogspot.com

THE WEBSITE FORMERLY KNOWN AS TOUCHING EXTREMES: LISA MEZZACAPPA’S BAIT & SWITCH – What Is Known

http://touchingextremes.blogspot.com/2010/07/lisa-mezzacappas-bait-switch-what-is.html

THE WEBSITE FORMERLY KNOWN AS TOUCHING EXTREMES. Monday, 26 July 2010. LISA MEZZACAPPA’S BAIT and SWITCH – What Is Known. CONTACT AND GENERAL INFO. ARCHIVES 2001 - 2008. SO YOU WANNA BE AN "EXPERT" OR - HEAVEN FORBID - AN "ARTIST"? CRITICISM IN SOUND ART. Awesome Inc. template. Powered by Blogger.

touchingextremes.blogspot.com

THE WEBSITE FORMERLY KNOWN AS TOUCHING EXTREMES: ASHER / FOURM – Selected Passages / Set.Grey

http://touchingextremes.blogspot.com/2010/08/asher-fourm-selected-passages-setgrey.html

THE WEBSITE FORMERLY KNOWN AS TOUCHING EXTREMES. Sunday, 22 August 2010. ASHER / FOURM – Selected Passages / Set.Grey. Asher’s “Selected Passages” is fashioned after the ultimate residues of a research on acoustic materials gathered in 2008 (partially heard in the Intervals. CONTACT AND GENERAL INFO. ARCHIVES 2001 - 2008. SO YOU WANNA BE AN "EXPERT" OR - HEAVEN FORBID - AN "ARTIST"? CRITICISM IN SOUND ART. Awesome Inc. template. Powered by Blogger.

touchingextremes.blogspot.com

THE WEBSITE FORMERLY KNOWN AS TOUCHING EXTREMES: KEITH BERRY – The Cartesian Plane

http://touchingextremes.blogspot.com/2010/07/keith-berry-cartesian-plane.html

THE WEBSITE FORMERLY KNOWN AS TOUCHING EXTREMES. Sunday, 25 July 2010. KEITH BERRY – The Cartesian Plane. Intent in listening to one of the five movements comprised by The Cartesian Plane. CONTACT AND GENERAL INFO. ARCHIVES 2001 - 2008. SO YOU WANNA BE AN "EXPERT" OR - HEAVEN FORBID - AN "ARTIST"? CRITICISM IN SOUND ART. Awesome Inc. template. Powered by Blogger.

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CRITICISM IN SOUND ART

CRITICISM IN SOUND ART. As told by Massimo Ricci to Pedro López (www.modisti.com) in view of a meeting on sound art to be held in Madrid on June 2010. PEDRO: Do you think that discographic criticism in sound art is necessary? Criticism] is useful to know what's happening around, but not really "necessary", because - as told above - sound is an individual experience (unless you use it for social reasons, which is another matter altogether - and something I'm not the least interested in). Of course - once ...

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