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CROWDFONT is not only about type design but also about democracy. It’s about simulating today’s democratic processes in a smaller, artificial setting and with a strong visual approach to make it easier to understand for the mass by removing any political messages that are nowadays strongly connected to emotions. It’s about experimenting with democracy’s principles in…. Monospaced, or also non-proportional, means that every character (including some…. WHERE IS THE END? READY, SET, GO. This week I started ...

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CROWDFONT is not only about type design but also about democracy. It’s about simulating today’s democratic processes in a smaller, artificial setting and with a strong visual approach to make it easier to understand for the mass by removing any political messages that are nowadays strongly connected to emotions. It’s about experimenting with democracy’s principles in…. Monospaced, or also non-proportional, means that every character (including some…. WHERE IS THE END? READY, SET, GO. This week I started ...

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3 maximilian mauracher

4 imprint

5 on democracy

6 taking shape

7 the grid

8 a typeface

9 how many glyphs

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Home - CROWDFONT | crowdfont.org Reviews

https://crowdfont.org

CROWDFONT is not only about type design but also about democracy. It’s about simulating today’s democratic processes in a smaller, artificial setting and with a strong visual approach to make it easier to understand for the mass by removing any political messages that are nowadays strongly connected to emotions. It’s about experimenting with democracy’s principles in…. Monospaced, or also non-proportional, means that every character (including some…. WHERE IS THE END? READY, SET, GO. This week I started ...

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crowdfont.org

1

ON DEMOCRACY - CROWDFONT

http://crowdfont.org/on-democracy

CROWDFONT is not only about type design but also about democracy. It’s about simulating today’s democratic processes in a smaller, artificial setting and with a strong visual approach to make it easier to understand for the mass by removing any political messages that are nowadays strongly connected to emotions. It’s about experimenting with democracy’s principles in a ‘designed’ context. These were also the basic ingredients for CROWDFONT. 8211; One person, one vote. Each vote counts the same. 8211; Tho...

2

WHERE IS THE END? - CROWDFONT

http://crowdfont.org/where-is-the-end

WHERE IS THE END? To set up a time table including the most important milestones of this project, I needed to define, what the CROWDFONT should actually be in the end. A font? As it should be ready-to-use for the common end-user my aim is to create at least one font that is perfectly kerned and spaced. It should contain at least all Latin uppercase and lowercase characters, figures and a standard set of symbols. As Dave Crossland. READY, SET, GO.

3

THE GRID - CROWDFONT

http://crowdfont.org/the-grid

Nearly every graphic designer is into grids. The reason is simple: They establish a rhythm, define proportions and provide balance. Grids are all about order and harmony. As you picked a monospaced font, there’s in contrast to proportional fonts – also a grid behind. Whoop! WHERE IS THE END?

4

Info - CROWDFONT

http://crowdfont.org/info

Nowadays, as a crowd, we can do so many great things using the internet: share our houses, raise funds for start-ups, start shitstorms and even do politics. These things are mostly about quantity. But now, imagine the crowd managing a qualitative design process. A font designed by the crowd. As his diploma project, the new font will be then created by Maximilian Mauracher. Graduating at the University of Applied Arts, Vienna. By the end of 2016 the font will be available to everyone for free.

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THOUGHTS ON ROUND 2 - CROWDFONT

http://crowdfont.org/round-2

THOUGHTS ON ROUND 2. The first round’s decisions were almost easily predictable, but the second afforded surprises. 8216;, made by Colophon and inspired by sci-fi stuff. The crowd seems to be in fond of high legibility – so open apertures are the right choice. Furthermore this will reduce the chance of a Helvetica look-a-like a lot. This one is again somehow interesting: The vast majority voted for a ball terminal. Though oldstyle, also called text figures. THOUGHTS ON ROUND 1. THOUGHTS ON ROUND 3. 8230;...

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http://typographischegesellschaft.at/akut.html

01 02 03 04. 05 06 07 08. 09 10 11 12. 01 02 03 04. 05 06 07 08. 09 10 11 12. Die nächsten termine. Im wei sraum in innsbruck. 31 august bis 4. september 2016. Bei diesem 4 1/2-tägigen workshop mit dem schweizer buchgestalter roland stieger. Geht es um den klang des formates, um proportionen und räume, das gefühl fürs ganze wie auch für jedes detail. was macht gute lesbarkeit aus? Wie erstellt man einen satzspiegel? Hellip; weitere infos und anmeldung:. Adobe indesign und illustrator. Im anschluss kann s...

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Home - CROWDFONT

CROWDFONT is not only about type design but also about democracy. It’s about simulating today’s democratic processes in a smaller, artificial setting and with a strong visual approach to make it easier to understand for the mass by removing any political messages that are nowadays strongly connected to emotions. It’s about experimenting with democracy’s principles in…. Monospaced, or also non-proportional, means that every character (including some…. WHERE IS THE END? READY, SET, GO. This week I started ...

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