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July | 2013 | Cryptic Paradoxes
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Monthly Archives: July 2013. The Kenyan pavilion at the 55 Venice biennial: What Next After the Disaster? July 25, 2013. Middot; by crypticusx. Middot; in Uncategorized. Middot; 28 Comments. The Kenyan pavilion at the 55 Venice biennial: What Next After the Disaster? The Scars of Dissipation: Memory, Catharsis and the search for Aesthetic. Cryptic Paradoxes: A theatre of Cruelty. Follow Blog via Email. Enter your email address to follow this blog and receive notifications of new posts by email.
May | 2012 | Cryptic Paradoxes
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Monthly Archives: May 2012. The Scars of Dissipation: Memory, Catharsis and the search for Aesthetic. May 10, 2012. Middot; by crypticusx. Middot; in Uncategorized. Middot; Leave a comment. Tell me where the light comes from, says the man to the boy, referring to the candle. The boy blows out the candle, and in the darkness, says to the man, if you tell me where the light went, then I‘ll tell you where it comes from Sufi Parable On 29th December 2007, Kenya was finally […]. Follow Blog via Email.
About | Cryptic Paradoxes
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December 28, 2013 - 12:20 am. I am a Norwegian art historian and a critic planning to write an article for a main Scandinavian arts publication on the Kenyan contemporary art scene which was not present at the last biennale, which you so brilliantly describe here. Would you be able to suggest a few key participants to address and if there would be any key organization or galleries that could help me in getting a better overview? Kind regards, Torunn. Leave a Reply Cancel reply. Enter your comment here.
crypticusx | Cryptic Paradoxes
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The Kenyan pavilion at the 55 Venice biennial: What Next After the Disaster? July 25, 2013. Middot; by crypticusx. Middot; in Uncategorized. Middot; 28 Comments. The Scars of Dissipation: Memory, Catharsis and the search for Aesthetic. May 10, 2012. Middot; by crypticusx. Middot; in Uncategorized. Middot; Leave a comment. Cryptic Paradoxes: A theatre of Cruelty. March 26, 2012. Middot; by crypticusx. Middot; in Uncategorized. Middot; Leave a comment. Welcome to Cryptic Paradoxes. Nairobi continues to...
The Kenyan pavilion at the 55 Venice biennial: What Next After the Disaster? | Cryptic Paradoxes
https://crypticparadoxes.wordpress.com/2013/07/25/the-kenyan-pavilion-at-the-55-venice-biennial-what-next-after-the-disaster
The Kenyan pavilion at the 55 Venice biennial: What Next After the Disaster? July 25, 2013. Middot; by crypticusx. Middot; in Uncategorized. Middot; 28 Comments. Almost two months after the 55. Venice biennial opened, the magnitude of Kenya’s catastrophic showing and gross misrepresentation in the most prestigious meeting place in the art world is still an emotional subject. The team behind the Angola Pavilion, awarded the Golden Lion for Best National Participation. From left to right: Stefano Rabol...
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Cryptic Paradoxes | Art | Culture | Politics
The Kenyan pavilion at the 55 Venice biennial: What Next After the Disaster? July 25, 2013. Middot; by crypticusx. Middot; in Uncategorized. Middot; 28 Comments. The Scars of Dissipation: Memory, Catharsis and the search for Aesthetic. May 10, 2012. Middot; by crypticusx. Middot; in Uncategorized. Middot; Leave a comment. Cryptic Paradoxes: A theatre of Cruelty. March 26, 2012. Middot; by crypticusx. Middot; in Uncategorized. Middot; Leave a comment. Welcome to Cryptic Paradoxes. Nairobi continues to...
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Blogging 101: Assignment 2. November 4, 2014. This one is hard: edit your title and tagline. Someone once told me I was like a cryptic password (i.e., hard to figure out), and I thought it was the best compliment ever (yeah, I’m pretty weird). So I’ve hung on to the phrase ever since then! So, even though it’s the same as my blog address, I like it, and I think I’ll keep it. I can’t think of anything else to title it anyway. This is something I’ll have to ponder over the next few weeks…. November 3, 2014.
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