CYCLIQ.ORG

catherinelaunay.com

Catherine Launay - Kulturmanagement

http://www.catherinelaunay.com/de/sec/Künstler

Konzeption und Organisation von Kulturprojekten. Die Ausnahme - Episode III. Choreographin und Tänzerin/Berlin (D). The making of doubt. We are the monsters. Sound Art, Frontignan (F). Kristoffk.roll.free.fr. L'Art est la question. L'Histoire de ma vie n'existe pas. Les Règles de l'art. Résister à la chaîne. La luna, luna. La prophétie des mécas. Poesievermittlerin, Atemlehrerin/Berlin (D). Thirteen Ways of Looking at a Blackbird. The a tre de Ajmer.

picnoleptics.blogspot.com

_* _+ // /// ///////// Picnoleptics: CTM 2015 Archaeoacoustics – Sound, Myths and Meanings of the Ancient

http://picnoleptics.blogspot.com/2015/01/ctm-2015-archaeoacoustics-sound-myths.html

Sonic fiction, aural narcissism and aesthetics of disappearance. Tuesday, 20 January 2015. CTM 2015 Archaeoacoustics – Sound, Myths and Meanings of the Ancient. Archaeoacoustics – Sound, Myths and Meanings of the Ancient. Lectures, Panel Discussion and Special a Capella Concert. It can be argued that the affective dimension of sound provides us with the biggest clues for understanding sound and the body, even historically. What does it mean to listen to ancient spaces with modern ears? S research on comm...

picnoleptics.blogspot.com

_* _+ // /// ///////// Picnoleptics: January 2014

http://picnoleptics.blogspot.com/2014_01_01_archive.html

Sonic fiction, aural narcissism and aesthetics of disappearance. Wednesday, 29 January 2014. Banality of Affect at transmediale Afterglow (Art Hack Day). Banality of Affect v0.9 at transmediale Art Hack Day "afterglow". In collaboration with Paul Christoph. Photo credit: Michael Ang. Posted by Annie Goh. Subscribe to: Posts (Atom). Banality of Affect at transmediale Afterglow (Art . 14 tracks - Hauntology. Apophenia - definition and analysis. Dissecting the Brain with Sound. EVP Research Association UK.

newmediaart.eu

N E W M E D I A A R T . E U

http://www.newmediaart.eu/socia.html

The BIAN Montreal: Automata. Japan, art and innovation. The 56th Venice Biennale. TodaysArt, The Hague, 2014. Basel - Digital in Art. The BIAN Montreal: Physical/ity. Berlin, festivals and galleries. Lyon biennial and then. Ars Electronica, Total Recall. The 55th Venice Biennale. The Elektra Festival of Montreal. Digital practices of contemporary art. Berlin, arts technologies and events. Sound Art @ ZKM, MAC and 104. Panorama, the fourteenth. International Digital Arts Biennial. Elektra, Montreal, 2011.

field-julienclauss.blogspot.com

Julien Clauss: JULIEN CLAUSS

http://field-julienclauss.blogspot.com/2007/08/julien-clauss.html

Scroll down for English version). Geboren / born 1974 in Frankreich / France. Lebt und arbeitet / lives and works in Berlin. Künstler / Artist's Homepage:. LEBENSLAUF / CURRICULUM VITAE. Suzuki Institute of Strasbourg. Degree in fluid mechanics and a master's degree in mechanical technology. Course in acoustics at the Conservatoire National des Arts et Métiers, Paris. PAUSE : audio-tactil installation. Circuits Eclectiques #2, Agora, Evry. BULLES : concert on water, open air spatialised sound performance.

field-julienclauss.blogspot.com

Julien Clauss: August 2007

http://field-julienclauss.blogspot.com/2007_08_01_archive.html

Scroll down for English version). Geboren / born 1974 in Frankreich / France. Lebt und arbeitet / lives and works in Berlin. Künstler / Artist's Homepage:. LEBENSLAUF / CURRICULUM VITAE. Suzuki Institute of Strasbourg. Degree in fluid mechanics and a master's degree in mechanical technology. Course in acoustics at the Conservatoire National des Arts et Métiers, Paris. PAUSE : audio-tactil installation. Circuits Eclectiques #2, Agora, Evry. BULLES : concert on water, open air spatialised sound performance.

picnoleptics.blogspot.com

_* _+ // /// ///////// Picnoleptics: Sound::Gender::Feminism::Activism at CRiSAP LCC 2014

http://picnoleptics.blogspot.com/2014/11/soundgenderfeminismactivism-at-crisap.html

Sonic fiction, aural narcissism and aesthetics of disappearance. Thursday, 2 October 2014. Sound: Gender: Feminism: Activism at CRiSAP LCC 2014. I am delighted to be presenting a paper at Sound: Gender: Feminism: Activism 2014 at CRiSAP at LCC in London. The symposium question is:. What, in the historical present, might constitute an activist life in sound? Posted by Annie Goh. Subscribe to: Post Comments (Atom). Sound: Gender: Feminism: Activism at CRiSAP LCC 20. 14 tracks - Hauntology.

picnoleptics.blogspot.com

_* _+ // /// ///////// Picnoleptics: February 2014

http://picnoleptics.blogspot.com/2014_02_01_archive.html

Sonic fiction, aural narcissism and aesthetics of disappearance. Sunday, 16 February 2014. Banality of Affect v1. Banality of Affect v1 is online:. Some streaming issues still being solved.]. The Banality of Affect is an audiovisual installation and real-time net-art project which problematizes the commodification of emotions via new media and the ecology of (sonic) affect. Posted by Annie Goh. Tuesday, 4 February 2014. CTM2014 Sound, Gender, Technology – "Where to" with Cyberfeminism? Sat 1st Feb 14:00.

picnoleptics.blogspot.com

_* _+ // /// ///////// Picnoleptics: August 2014

http://picnoleptics.blogspot.com/2014_08_01_archive.html

Sonic fiction, aural narcissism and aesthetics of disappearance. Monday, 11 August 2014. Publication of Archaeoacoustics - The Archaeology of Sound. My paper "Myths of Echo - Sound Art and Archaeoacoustics" has been published in Archaeoacoustics: The Archaeology of Sound: Publication of Proceedings from the 2014 Conference in Malta. ISBN-10: 1497591260 BISAC: Science / Acoustics and Sound. Posted by Annie Goh. Subscribe to: Posts (Atom). Publication of Archaeoacoustics - The Archaeology .