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Art of Dalia Kasciunaite

Reality encoded in symbols. Dwells in my paintings. Regardles of her choices of specific themes, a closer inspection of her images reveals a repeated concern with internal and external. Yet, her standpoint remains essentially ambivalent. Her pictorial language refuses to divulge whether the gaze is directed from the outside inwards, or from the inside outwards. 1973 Art Salon, Vilnius. 1983 National Library, Vilnius. 1986 The Youth Theater, Vilnius. 1987 Palace of Art [with Linas Katinas], Vilnius. 1994 ...

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Art of Dalia Kasciunaite | dalvika.w3.lt Reviews
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Reality encoded in symbols. Dwells in my paintings. Regardles of her choices of specific themes, a closer inspection of her images reveals a repeated concern with internal and external. Yet, her standpoint remains essentially ambivalent. Her pictorial language refuses to divulge whether the gaze is directed from the outside inwards, or from the inside outwards. 1973 Art Salon, Vilnius. 1983 National Library, Vilnius. 1986 The Youth Theater, Vilnius. 1987 Palace of Art [with Linas Katinas], Vilnius. 1994 ...
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1 dalia kasciunaite
2 dalvika@yahoo com
3 directing the gaze
4 sigrid melchior hamburg
5 solo exhibitions
6 group exhibitions
7 coupons
8 reviews
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dalia kasciunaite,dalvika@yahoo com,directing the gaze,sigrid melchior hamburg,solo exhibitions,group exhibitions
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Art of Dalia Kasciunaite | dalvika.w3.lt Reviews

https://dalvika.w3.lt

Reality encoded in symbols. Dwells in my paintings. Regardles of her choices of specific themes, a closer inspection of her images reveals a repeated concern with internal and external. Yet, her standpoint remains essentially ambivalent. Her pictorial language refuses to divulge whether the gaze is directed from the outside inwards, or from the inside outwards. 1973 Art Salon, Vilnius. 1983 National Library, Vilnius. 1986 The Youth Theater, Vilnius. 1987 Palace of Art [with Linas Katinas], Vilnius. 1994 ...

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Art of Dalia Kasciunaite

Reality encoded in symbols. Dwells in my paintings. Regardles of her choices of specific themes, a closer inspection of her images reveals a repeated concern with internal and external. Yet, her standpoint remains essentially ambivalent. Her pictorial language refuses to divulge whether the gaze is directed from the outside inwards, or from the inside outwards. 1973 Art Salon, Vilnius. 1983 National Library, Vilnius. 1986 The Youth Theater, Vilnius. 1987 Palace of Art [with Linas Katinas], Vilnius. 1994 ...

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