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biography – pavleheidler
https://pavleheidler.wordpress.com/biography
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review: Fun, Laughs, Good Time by Ludvig Daae – pavleheidler
https://pavleheidler.wordpress.com/2013/10/06/review-fun-laughs-good-time-by-ludvig-daae
October 6, 2013. October 6, 2013. Review: Fun, Laughs, Good Time by Ludvig Daae. Fun, Laughs, Good Time. Premiered on September 26, at Stockholm’s MDT. (1). Initiated by Ludvig Daae, the show was created and performed by Ludvig Daae, Marcus Baldemar, Tove Berglund (also responsible for: costumes), Chrisander Brun (also responsible for: stage and light design), Robin Jonsson (also responsible for: sound design) and Rebecka Stillman. All quotes from ludvigdaae.com. Can a dance piece function as a diva?
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Anna Westberg: Elektrakomplexet – pavleheidler
https://pavleheidler.wordpress.com/2015/11/27/anna-westberg-elektrakomplexet
November 27, 2015. November 27, 2015. I saw Anna Westberg’s Elektrakomplexet at Stockholm’s WELD on October 29, 2015. This staged work is accompanied by Viktor Wendin’s light design and Ronja Svenning Berge’s drawings – some of which are featured in this article. In her written introduction to the staged work, Anna expresses the following:. And then there is the information offered. When dancing to their music, I though, Anna’s performance allowed me not to watch. Click to email (Opens in new window).
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re-viewYOUYOU – pavleheidler
https://pavleheidler.wordpress.com/2014/03/12/re-viewyouyou
March 12, 2014. March 12, 2014. 6th of March 2014 saw the premiere of Kenneth Kvarnström’s new choreographic work entitled. Said to be a conclusion to the trilogy which saw Kvarnström expand on the subject of death, the work follows six dancers in their attempt to deal with high aesthetic demands put forward by Kvarnström’s strong artistic signature . This article will not be a review so much as a brief analysis of what I think I saw while watching a piece of conventional dance theatre. Same could be sai...
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EDIE&EDIE @ MDT – pavleheidler
https://pavleheidler.wordpress.com/2014/03/27/edieedie-mdt
March 27, 2014. March 27, 2014. EDIE&EDIE is a show presented as a joint creation of Amanda Apetrea and Emma Tolander (choreography and performance), Chrisander Brun (set design) and Anna Sóley Tryggvadóttir (sound design). In a ‘prepared studio’ at Stockholm’s MDT, EDIE&EDIE is performed by two dancing women. The environment in which EDIE&EDIE takes place is visually extremely rich (also: full); to the extent that provokes, almost irritates, in me the question of. Is proposed, however, without ever.
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on Bjorn Säfsten’s IDIOTS – pavleheidler
https://pavleheidler.wordpress.com/2014/10/11/on-bjorn-safstens-idiots
October 11, 2014. October 11, 2014. On Bjorn Säfsten’s IDIOTS. After having finally been allowed to attend to the premiere of Björn Säfsten’s new work. Why is it that I suddenly thought it scandalously inappropriate of all of us, the public, to behave in such a way so as to silently, attentively and obediently sit in agreement, observing the flying bag as if it’s the most engaging thing that ever happened? I bow in awe. Click to email (Opens in new window). Share on Facebook (Opens in new window). Leave ...
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mira mutka’s walking pieces – pavleheidler
https://pavleheidler.wordpress.com/2014/10/19/mira-mutkas-walking-pieces
October 19, 2014. October 19, 2014. Mira mutka’s walking pieces. 8211; I’m sure I’d still not be allowed to make an influential claim; because what, I’d then have to be credited as a dramaturge? To read the full article on Mira’s work, please click here. I see her relying on the weight and the position of her tilted pelvis, as she swings it around an invisible obstacle, almost as if in accordance to a number of counted steps. I see her looking by extending her nervous system. It’s as if the tips of h...
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review: CCAP’s “The Piece” – pavleheidler
https://pavleheidler.wordpress.com/2013/10/22/review-ccaps-the-piece
October 22, 2013. Review: CCAP’s The Piece. Ladies and Gentlemen, a warning: an integral part of this performance-sculpture includes elements of. Spoken in both Turkish and Swedish. Neither of those languages can I interact with in a comprehensive fashion. Dröngrajma , in certain terms, frames this work’s. The soundscape was composed by Jon Egeskov. Premiered at the Lilla Scene (Small Stage) of Stockholm’s Dansens Hus on October 15. It was not long ago that, while watching a benignly interactive piece of...
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Cullberg Ballet’s WORKS – pavleheidler
https://pavleheidler.wordpress.com/2014/10/23/cullberg-ballets-works
October 23, 2014. November 3, 2014. Cullberg Ballet’s WORKS. It was on November 16, 2014 in Stockholm’s Dansens Hus that Agnieszka Dlugoszewska, Anand Bolder, Anna Pehrsson, Daniel Sjökvist, Samuel Draper, and Vincent Van der Plas premiered Stina Nyberg’s. And that Adam Schütt, Eszter Czédulás, Sylvie Gehin Karlsson, Jac Carlsson, Alexandra Campbell, Johanna Lindh, Eva Mohn, Gesine Moog, and Piotr Giro premiered Édouard Lock’s. For the most supportive of or interested in diversification. I also think the...
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LIAISON by Jefta van Dinther – pavleheidler
https://pavleheidler.wordpress.com/2015/04/14/liaison-by-jefta-van-dinther
April 14, 2015. April 14, 2015. LIAISON by Jefta van Dinther. An invention of a choreographer, one Jefta van Dinther. It’s in the Air, This is Concrete, Plateau Effect). In collaboration with Anna Efraimsson and Linda Adami,. LIAISON is not-exactly-a-festival which not-exactly-curated works that (and I’m paraphrasing here) Jefta himself perceive to be his own work’s context. What excites me about the premise of LIAISON is that. To be in a relationship, I’m thinking, implies. Is any of the presented works,.
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