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Daniel Bourke | Research & Practice

Research & Practice

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Daniel Bourke | Research & Practice | Page 2

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Newer posts →. December 14, 2009. Copper Sulphate Chartres and Copper Sulphate Notre-Dame. 1996 Card constructions with copper sulphate chemical growth; mounted on glass and wood trestle table with Perspex cover underlit by two strip lights; 137 x 125 x 65 cm. 2003 Stainless steel, thistles, copper sulphate, rubber, velcro, silicone; 89.5 x 25.5 x 24.75 in. 2005 Glass, thistles, salt; 31 x 117 x 28 in. After the project opened, 151 – 189 Harper Rd became a site of pilgrimage. Every day hundreds...2008 Pu...

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Anthony Huberman | Daniel Bourke

https://danielbourke.wordpress.com/2010/02/05/anthony-huberman

Jean-Luc Godard’s Intertitles →. February 5, 2010. See Figure 1 (p. 52) [Below]. To Summarise:. 1 A total absence of information about a given subject usually solicits no curiosity: without an awareness of its existence, we can’t possibly care about it. 2 When we come to realise the existence of something we never knew was there before, our curiosity is sparked: What is it? How does it work? What should we call it? Why is it there? But we remain in the early stages of our ability to recognise and read it.

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Caleb Larsen | Daniel Bourke

https://danielbourke.wordpress.com/2010/01/31/caleb-larsen

Jonathan Lethem →. January 31, 2010. A Tool to Deceive and Slaughter. 2008 Perpetual online auction, internet connection, custom programming and hardware, acrylic cube; 8 x 8 x 8 in. Combining Robert Morris’ Box With the Sound of Its Own Making with Baudrillard’s writing on the art auction this sculpture exists in eternal transactional flux. It is a physical sculpture that is perptually attempting to auction itself on eBay. Follow the current auction here: http:/ atooltodeceiveandslaughter.com/. Fill in ...

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Jonathan Lethem | Daniel Bourke

https://danielbourke.wordpress.com/2010/02/05/jonathan-lethem

Anthony Huberman →. February 5, 2010. The ecstasy of influence:. All mankind is of one author, and is one volume; when one man dies, one chapter is not torn out of the book, but translated into a better language; and every chapter must be so translated. . . . Consider this tale: a cultivated man of middle age looks back on the story of an amour fou. Or did the earlier tale exist for Nabokov as a hidden, unacknowledged memory? The history of literature is not without examples of this phenomenon, called cr...

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Jean-Luc Godard’s Intertitles | Daniel Bourke

https://danielbourke.wordpress.com/2010/05/19/jean-luc-godards-intertitles

Jean-Luc Godard’s Intertitles. May 19, 2010. VIA Andrea Hyde @ Walker Art Center Design Blog. This entry was posted in Andrea Hyde. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. You are commenting using your Google account. ( Log Out.

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Daniel Bourke | Research & Practice

Jean-Luc Godard’s Intertitles. May 19, 2010. VIA Andrea Hyde @ Walker Art Center Design Blog. February 5, 2010. See Figure 1 (p. 52) [Below]. To Summarise:. 1 A total absence of information about a given subject usually solicits no curiosity: without an awareness of its existence, we can’t possibly care about it. 2 When we come to realise the existence of something we never knew was there before, our curiosity is sparked: What is it? How does it work? What should we call it? Why is it there? 5 Little by ...

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