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Kohnworkshop :: Daniel Kohn

The Hand of the Archeologist. Does the Ocean have Memories? NAKFI Discovering the Deep Blue Sea. I believe the role of the artist is to offer his or her point of view so that those looking at the work may better intuit their own ways of seeing. I hope you enjoy these images, and find in them substantive points of entry into the flow of ideas that we call contemporary life. Grants Award : NAKFI awards 2 grant to research ocean memory. 911 Museum: Looking South. New York Times: Learning to See Data.

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Daniel Kohn

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bro●●●lyn , New York, 11225

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da●●●●@kohnworkshop.com

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Daniel Kohn

104 Mon●●●●●●● Street

bro●●●lyn , New York, 11225

United States US

1.71●●●●8575
da●●●●@kohnworkshop.com

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Daniel Kohn

104 Mon●●●●●●● Street

bro●●●lyn , New York, 11225

United States US

1.71●●●●8575
da●●●●@kohnworkshop.com

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Kohnworkshop :: Daniel Kohn | danielkohn.us Reviews
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The Hand of the Archeologist. Does the Ocean have Memories? NAKFI Discovering the Deep Blue Sea. I believe the role of the artist is to offer his or her point of view so that those looking at the work may better intuit their own ways of seeing. I hope you enjoy these images, and find in them substantive points of entry into the flow of ideas that we call contemporary life. Grants Award : NAKFI awards 2 grant to research ocean memory. 911 Museum: Looking South. New York Times: Learning to See Data.
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2 work with genomics
3 in the media
4 audio video
5 about the artist
6 contact/representation
7 artist at sea
8 coupons
9 reviews
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Kohnworkshop :: Daniel Kohn | danielkohn.us Reviews

https://danielkohn.us

The Hand of the Archeologist. Does the Ocean have Memories? NAKFI Discovering the Deep Blue Sea. I believe the role of the artist is to offer his or her point of view so that those looking at the work may better intuit their own ways of seeing. I hope you enjoy these images, and find in them substantive points of entry into the flow of ideas that we call contemporary life. Grants Award : NAKFI awards 2 grant to research ocean memory. 911 Museum: Looking South. New York Times: Learning to See Data.

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1

Kohnworkshop :: Daniel Kohn :: Audio/Video

http://www.danielkohn.us/gridAudioVideo.php

Instance of a DataSet. Monday, June 29, 2009. Where Art and Science Intersect. A discussion on Art and Science, with Todd Golub and Harold Varmus - listen to this audio file or get the MP3.

2

Daniel Kohn :: Portfolio ::

http://www.danielkohn.us/gallery.php

Networks, Maps, Territories. Changy to New York. Network, Maps, Territories. Data Sets - Broad 2010. Sets and States 2009. 3 Column - Harvard 2009. Garces y Velasquez 1997. Duke Energy, 2010. Gallery and Studio View. Utility Headquarters in Charlotte 2011. Networks, Maps, Territories. Networks, Maps and Territories started when I stumbled upon a beautiful set of three thorn trees delineated in snow last year. View gallery as flick r.

3

Daniel Kohn :: About

http://www.danielkohn.us/about.php

Site specific projects and commissions. Collaborations with dance and theater. Commissioned by the Metropolitan Transportation Authority of New York City and installed in Grand Central Terminal in September 2002, and the private commission, Looking South. For Fiduciary Trust Company International, a 4 story painting of the view looking south from the World Trade Center. From 2003 to 2013 he was involved with the Broad Institute for Genomic Research. Instance of a Dataset. In New York and New Hampshire.

4

Daniel Kohn :: In the Media

http://www.danielkohn.us/in_the_media.php

Companies must teach employees how to swim in new oceans of data. PC World, May 1, 2015. Learning to See Data. New York Times Sunday Review, March 27, 2015. The Imagine Engine at the Intersection of Science and Art (Op-Ed). Livescience, Expert Voices, January 2014. Artist in the Building. HHMI Bulletin, Fall 2014. Cover: Life Out of Sequence, a data driven history of bioinformatics. Chicago University Press, October 2013. Genomics: Art of the hypothetical. Nature, July 18 2013. Cover - Nature Genetics.

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