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Courses | danielpeterbiro.ca

http://www.danielpeterbiro.ca/courses

Dániel Péter Biró’s teaching areas include music composition, music technology, contemporary music performance practice, music theory and analysis and ethnomusicology. MUS 562 A and B – Seminar in Contemporary Composition and Performance/ Seminar in Performance of New Music. MUS 555: Encoding the Voice: Electroacoustic Composition with Voice. MUS 501 – Graduate Seminar in Music Notations. MUS 561 – The Process and Production of Musical Time and Memory. Designed by Elegant Themes.

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Mishpatim (Laws) | danielpeterbiro.ca

http://www.danielpeterbiro.ca/mishpatim-cycle

A six-part composition cycle, was written in the years 2003-2016 by composer Dániel Péter Biró. Or Laws ) Exodus Chapter 23, a set of laws that do not seem to be organized in any logical pattern. Writing first a piece for percussion,. BeMitzraim (In Egypt),. He created a system in which all of the sounds, rhythms, spoken words and numbers are determined by the Hebrew text and accompanying cantillation signs of the corresponding Hebrew Bible text. Mishpatim (Laws) Part 1 Lo Tisa (Do Not Carry). Mishpatim ...

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Bio | danielpeterbiro.ca

http://www.danielpeterbiro.ca/bio

Is Associate Professor of Composition and Music Theory at the School of Music at the University of Victoria. Mishpatim (Laws) Part I. His dissertation advisors were Kofi Agawu, Scott Burnham and Paul Lansky. At Princeton University he studied musical paleography with Peter Jeffery and Judaic studies with Peter Schäfer and Rabbi James Diamond. The Crossing (Daf),. In 2004 he presented his work at the International Summer Courses for New Music in Darmstadt, Germany. In 2005 he was a fellow at the Manne...

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Projects/News | danielpeterbiro.ca

http://www.danielpeterbiro.ca/news

From July 20 – August 25, 2017 Dániel Péter Biró will be taking part in the project. Narratives of Memory, Migration, Xenophobia and European Identity: Intercultural Dialogues. In Hungary, Germany, France and Canada. This project, combining an international summer field school with three concerts at historical locations in Europe, is. Funded by the European Commission. More can be read here. On June 2, 2017 a new work for piano solo will be performed by Donald Berman. Based on the text of Baruch Spinoza.

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Writings | danielpeterbiro.ca

http://www.danielpeterbiro.ca/selected_writings

Selected Writings, Lectures and Interviews. Dániel Péter Biró “. The Future of Historicized, Nonrepresentational New Music”. Keynote Lecture: New Tendencies of Contemporary Music in Germany. Harvard University Department of Music. February 28, 2015. DP Biro, P. Van Kranenburg ” A Computational Re Examination Of Bela Bartok’s Transcription Methods as Exemplified by his. Transcriptions of 1937/1938 and their Relevance for Contemporary Methods of Computational Transcription of Qur’an Recitation.”.

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Go West: Travel and Change, from Victoria to Curitiba. August 8, 2016. August 8, 2016. One of many “Imaginary Dungeons” by Giovanni Battista Piranesi (1720 – 78). Artists are a thankless lot. Once shared with me the encapsulating words of Martha Graham. 8220;No artist is pleased. [There is] no satisfaction whatever at any time. There is only a queer divine dissatisfaction, a blessed unrest that keeps us marching…”. Are generally awesome — they provided insight, inspiration, therapy,. But throughout my te...

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