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Daniël van der Poel | research and art reviews

Daniël van der Poel research and art reviews. Stedelijk Museum Bureau Amsterdam Ruti Sela. Gepubliceerd in april 2015 in. Ruti Sela, still from People Will Comply, 2010. This entry was posted in Dutch. The Silly Separation of New Media Art:. Translation (with minor adjustments) of the essay. Published in April 2013 in. Trevor Paglen, They Watch the Moon, 2010 (source: www.paglen.com). In the September 2012 issue of Artforum. This entry was posted in English. Gepubliceerd in mei 2013 in. Introduction of m...

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Daniël van der Poel | research and art reviews | danielvanderpoel.nl Reviews

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Daniël van der Poel research and art reviews. Stedelijk Museum Bureau Amsterdam Ruti Sela. Gepubliceerd in april 2015 in. Ruti Sela, still from People Will Comply, 2010. This entry was posted in Dutch. The Silly Separation of New Media Art:. Translation (with minor adjustments) of the essay. Published in April 2013 in. Trevor Paglen, They Watch the Moon, 2010 (source: www.paglen.com). In the September 2012 issue of Artforum. This entry was posted in English. Gepubliceerd in mei 2013 in. Introduction of m...

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Daniël van der Poel | research and art reviews | danielvanderpoel.nl Reviews

https://danielvanderpoel.nl

Daniël van der Poel research and art reviews. Stedelijk Museum Bureau Amsterdam Ruti Sela. Gepubliceerd in april 2015 in. Ruti Sela, still from People Will Comply, 2010. This entry was posted in Dutch. The Silly Separation of New Media Art:. Translation (with minor adjustments) of the essay. Published in April 2013 in. Trevor Paglen, They Watch the Moon, 2010 (source: www.paglen.com). In the September 2012 issue of Artforum. This entry was posted in English. Gepubliceerd in mei 2013 in. Introduction of m...

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danielvanderpoel.nl

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Worldly Gains:On the collection of the Wereldmuseum | Daniël van der Poel | research and art reviews

http://www.danielvanderpoel.nl/worldly-gains

Daniël van der Poel research and art reviews. On the collection of the Wereldmuseum. Published in May 2012 on the Critical Issues in Cultural Industries II website. Wedding photo shoot in the Wereldmuseum. Citing Dutch and international guidelines, they demand a chance to acquire ‘deaccessioned’ objects beforehand and insist that proceeds be used to strengthen the Wereldmuseum’s collection. Bremer reacted they had the opportunity to buy the works, but simply could not afford market prices.

2

Interview met Gert Jan Kocken | Daniël van der Poel | research and art reviews

http://www.danielvanderpoel.nl/interview-met-gert-jan-kocken

Daniël van der Poel research and art reviews. Interview met Gert Jan Kocken. Gepubliceerd in oktober 2011 in. Gert Jan Kocken, Dollar Silver Certificate signed by the Enola Gay crew, 2010 (bron: www.gertjankocken.nl). Hoe ben je gekomen tot het soort fotografie dat je tegenwoordig bedrijft? Komt als het ware buiten het beeld te liggen. Waarom ben je daarna gaan werken met historische thema’s? Die gaat over de atoombomaanvallen op Hiroshima en Nagasaki, een symbool voor het einde van de Tweede Wereldoorlo...

3

The World Explained in the Tropenmuseum | Daniël van der Poel | research and art reviews

http://www.danielvanderpoel.nl/the-world-explained-in-the-tropenmuseum

Daniël van der Poel research and art reviews. Published in April 2012 on the Critical Issues in Cultural Industries II website. Installation view of Erick Beltrán, The World Explained, 2008-2012, in the Tropenmuseum, Amsterdam (Photo: author). After passing through the Tropenmuseum’s teeming Northern Africa exhibit,. Appears as a spacious, unearthly ambulatory. Previously installed at the 27. São Paulo Biennial (2008) and as part of MACBA’s. The Malady of Writing. How is the outcome of a war decided?

4

Museums Google the Future:The Google Art Project Both Hits and Misses | Daniël van der Poel | research and art reviews

http://www.danielvanderpoel.nl/museums-google-the-future

Daniël van der Poel research and art reviews. Museums Google the Future:. The Google Art Project Both Hits and Misses. Published in May 2012 on the Critical Issues in Cultural Industries II website. Hans Holbein the Younger, The Ambassadors (detail), 1533, collection National Gallery, London (source: Google Art Project). Hans Holbein the Younger, The Ambassadors, 1533, collection National Gallery, London (source: Google Art Project). In its present state, the Google Art Project both excites and dismays&#...

5

The Silly Separation of New Media Art:A Dutch Perspective | Daniël van der Poel | research and art reviews

http://www.danielvanderpoel.nl/the-silly-separation-of-new-media-art

Daniël van der Poel research and art reviews. The Silly Separation of New Media Art:. Translation (with minor adjustments) of the essay. Published in April 2013 in. Trevor Paglen, They Watch the Moon, 2010 (source: www.paglen.com). In the September 2012 issue of Artforum. Claire Bishop wrote about the digital divide that separates new media art from regular art forms. It appears that things are slowly changing. In the past few years, several museums and related institutions have been paying more atte...

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Daniël van der Poel | research and art reviews

Daniël van der Poel research and art reviews. Stedelijk Museum Bureau Amsterdam Ruti Sela. Gepubliceerd in april 2015 in. Ruti Sela, still from People Will Comply, 2010. This entry was posted in Dutch. The Silly Separation of New Media Art:. Translation (with minor adjustments) of the essay. Published in April 2013 in. Trevor Paglen, They Watch the Moon, 2010 (source: www.paglen.com). In the September 2012 issue of Artforum. This entry was posted in English. Gepubliceerd in mei 2013 in. Introduction of m...

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Daniël van der Poel | research and art reviews

Daniël van der Poel research and art reviews. Stedelijk Museum Bureau Amsterdam Ruti Sela. Gepubliceerd in april 2015 in. Ruti Sela, still from People Will Comply, 2010. This entry was posted in Dutch. The Silly Separation of New Media Art:. Translation (with minor adjustments) of the essay. Published in April 2013 in. Trevor Paglen, They Watch the Moon, 2010 (source: www.paglen.com). In the September 2012 issue of Artforum. This entry was posted in English. Gepubliceerd in mei 2013 in. Introduction of m...

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