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Dan McGrath Fine Art - New Work

Dan McGrath Fine Art - New Work. Wednesday, November 5, 2014. I've finally followed Richard Schmid's advice and toned canvases with Turps instead of Odorless Mineral Spirits. Unless I'm painting a snow scene, heavy on the snow, I like to tone the canvas a predominant color. Others tone their canvas the complement of the predominant color and that is fine, especially for highly sunlit scenes. The image above is from an OMS toned canvas, toned olive the day before painting (! Wednesday, March 5, 2014.

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Dan McGrath Fine Art - New Work | danmcgrathstudio.blogspot.com Reviews

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Dan McGrath Fine Art - New Work. Wednesday, November 5, 2014. I've finally followed Richard Schmid's advice and toned canvases with Turps instead of Odorless Mineral Spirits. Unless I'm painting a snow scene, heavy on the snow, I like to tone the canvas a predominant color. Others tone their canvas the complement of the predominant color and that is fine, especially for highly sunlit scenes. The image above is from an OMS toned canvas, toned olive the day before painting (! Wednesday, March 5, 2014.

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Dan McGrath Fine Art - New Work | danmcgrathstudio.blogspot.com Reviews

https://danmcgrathstudio.blogspot.com

Dan McGrath Fine Art - New Work. Wednesday, November 5, 2014. I've finally followed Richard Schmid's advice and toned canvases with Turps instead of Odorless Mineral Spirits. Unless I'm painting a snow scene, heavy on the snow, I like to tone the canvas a predominant color. Others tone their canvas the complement of the predominant color and that is fine, especially for highly sunlit scenes. The image above is from an OMS toned canvas, toned olive the day before painting (! Wednesday, March 5, 2014.

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danmcgrathstudio.blogspot.com

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Dan McGrath Fine Art - New Work: November 2014

http://danmcgrathstudio.blogspot.com/2014_11_01_archive.html

Dan McGrath Fine Art - New Work. Wednesday, November 5, 2014. I've finally followed Richard Schmid's advice and toned canvases with Turps instead of Odorless Mineral Spirits. Unless I'm painting a snow scene, heavy on the snow, I like to tone the canvas a predominant color. Others tone their canvas the complement of the predominant color and that is fine, especially for highly sunlit scenes. The image above is from an OMS toned canvas, toned olive the day before painting (! Subscribe to: Posts (Atom).

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Dan McGrath Fine Art - New Work: May 2012

http://danmcgrathstudio.blogspot.com/2012_05_01_archive.html

Dan McGrath Fine Art - New Work. Monday, May 21, 2012. There is Something to Plein Aire. I did take reference photos over the course of the two plus hours, and when I looked at them later, I could not make out which trees were in front and which farther back, it was all a 2-dimentional jumble of leaves and branches. By completing the painting on site, I was able to indicate atmospheric perspective more or less correctly. Subscribe to: Posts (Atom). Lexington, Kentucky, United States. Kevin Menck Fine Art.

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Dan McGrath Fine Art - New Work: November 2011

http://danmcgrathstudio.blogspot.com/2011_11_01_archive.html

Dan McGrath Fine Art - New Work. Saturday, November 12, 2011. What Not To Paint. What I've found is that the more time one spends in front of the subject, the more information is absorbed, albeit much of it unconsciously: direction of light, color of light, shapes, and so forth. Taking reference photos is also important, another source of details. Pencil thumbnail drawings and an 8x10 study force one to decide what should be included in the painting and what to leave out. Subscribe to: Posts (Atom).

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Dan McGrath Fine Art - New Work: February 2011

http://danmcgrathstudio.blogspot.com/2011_02_01_archive.html

Dan McGrath Fine Art - New Work. Sunday, February 20, 2011. As a project to do something different, and tired of the snow, I looked through photographs taken last summer in New Jersey at Sandy Hook State Park and decided to do a figurative work conveying the warmth and sun of mid-summer at the “Shore” as they call it. I practiced drawing in pencil some individual figures in different poses, then practiced some of these on canvas paper in oil, a cheap and easy surface on which to experiment.

5

Dan McGrath Fine Art - New Work: October 2012

http://danmcgrathstudio.blogspot.com/2012_10_01_archive.html

Dan McGrath Fine Art - New Work. Thursday, October 18, 2012. Study) 8x10 Oil/Panel. Subscribe to: Posts (Atom). Lexington, Kentucky, United States. View my complete profile. Into the Fields Bottomland (Study) 8x10 Oil/Panel. Kevin Menck Fine Art. Bill Fletcher: Wet Paint. The Time of Fireflies and Twilight Skies. Dreama Tolle Perry's Day to Day Paintings. A New Website Home!

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Dan McGrath Fine Art - New Work

Dan McGrath Fine Art - New Work. Wednesday, November 5, 2014. I've finally followed Richard Schmid's advice and toned canvases with Turps instead of Odorless Mineral Spirits. Unless I'm painting a snow scene, heavy on the snow, I like to tone the canvas a predominant color. Others tone their canvas the complement of the predominant color and that is fine, especially for highly sunlit scenes. The image above is from an OMS toned canvas, toned olive the day before painting (! Wednesday, March 5, 2014.

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